NEW RELEASES // 2nd Semester 2016

Il ÉTAIT UNE FOIS....

Jodie Devos, Caroline Meng, Quatuor Giardini

iTunes: https://itunes.apple.com/album/id1119016438
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Le voyage dans la lune, Acte 2: "Mon dieu! Qu'ai-je ressenti là?" - "La pomme, c'est bien bon vraiment"

Available here: http://bit.ly/2cvNyGX

La famille Forqueray: Portrait(s)
Justin Taylor

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JEAN-BAPTISTE FORQUERAY // Première suite en Ré Mineur: La Portugaise

Album release: August 2016

JOSEPH HAYDN
Haydn 2032, Vol. 3: Solo e pensoso
Il Giardino Armonico, Giovanni Antonini

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Symphony No. 42 in D Major, Hob. I:42: I. Moderato e maestoso

Worldwide release: October 2016

CLAUDIO MONTEVERDI
I 7 peccati capitali
Cappella Mediterranea, Leonardo García Alarcón

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MONTEVERDI // Quarto scherzo delle ariose vaghezze: "Sì dolce è'l tormento", SV 332

Album release: September 2016

ÉRIC MONTALBETTI
Solos, a Personal Diary in Music
François-Frédéric Guy, Tedi Papavrami, Marc Coppey, Nicolas Baldeyrou, David Guerrier, Jean-Louis Capezzali

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MONTALBETTI // Trois études après Kandinsky for Solo Piano: Furieusement amoureux - After "Lyrical"

Available here: https://lnk.to/DerFruhlingID

CARL PHILIPP EMANUEL BACH
Der Frühling
Café Zimmermann, Rupert Charlesworth

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CPE BACH // Der Frühling, Wq. 237

Luca Marenzio was the most brilliant representative of the sublime art of the madrigal during the last twenty years of the sixteenth century. Whereas the style of his early works is light, fluid and transparent, in his maturity Marenzio’s language turned towards a more complex, introspective attitude that made him the most emblematic musical exponent of Late Renaissance melancholy. L’amoroso & crudo stile brings together some of Marenzio’s finest madrigals, aiming to reproduce the most intimate expressive facets of a music of extraordinary beauty and profound humanity. With the emotional intensity and deep respect for the poetic text that distinguishes the ensemble, RossoPorpora begins in this debut recording its personal exploration and celebration of the madrigal,
the earliest and still unsurpassed representation of Italian musical identity.

Learn more : https://lnk.to/MarenzioLAmorosoSo

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Luca Marenzio // Quai vive Salamandra

Alpha has been a noted reference in the world of classical music since its inception twelve years ago. Today, the label is broadening its horizons, welcoming outstanding new artists and opening its doors to an array of innovative projects.

Vocal repertoire becomes a major focus of the new ALPHA: Véronique Gens has just recorded a recital of French songs with Susan Manoff as part of an ongoing collaboration with the label. The baritone Georg Nigl also joins Alpha. He will collaborate with Andreas Staier on a Bach album. The new generation is represented by Gaëlle Arquez and the soprano Mari Eriksmoen. She will record a programme of songs by Grieg, Strauss and Wolf in April in the framework of the partnership between ALPHA and the Academy of the Aix-en-Provence Festival.

Outstanding instrumental soloists have also signed with ALPHA: the pianist Anna Vinnitskaya presents the Shostakovich concertos with Kremerata Baltica. Others will be announced soon.

Collaborations with major orchestras are being finalised, but we can announce multi-year projects with Hervé Niquet and with Le Concert Spirituel (Vivaldi Gloria & Magnificat for double choir to be released this fall). Equally noteworthy are the Beethoven symphonies recorded by Martin Haselböck and the Wiener Akademie in the halls where they were first performed.

ALPHA is also expanding its chronological scope, since the label is launching a series with the Ensemble Intercontemporain and Matthias Pintscher and will release a program by Peter Eötvös. For the twentieth century, Arthur Honegger’s Jeanne d’Arc au bûcher has just appeared, with an incredibly intense narrator, the actress Marion Cotillard.

As part of the new series ALPHA OPERA, a DVD collection has been created in conjunction with major institutions such as the THEATRE ROYAL DE LA MONNAIE in Brussels and the Opéra Royal du Château de Versailles, featuring top ensembles including Les Talens Lyriques under Christophe Rousset and Le Concert Spirituel under Hervé Niquet (Don Quichotte chez la Duchesse by Boismortier, directed by Corinne et Gilles BENIZIO, aka SHIRLEY & DINO).

ALPHA remains faithful to the artists who have made its history and its reputation. Vincent Dumestre and Le Poème Harmonique will present a disc of Airs de Cour in the autumn. Bruno Cocset has recorded a second volume of works by Barrière, and Olivier Fortin, Alexis Kossenko, Lucille Boulanger, Arnaud de Pasquale, Céline Frisch and Café ZIMMERMANN will also offer new releases. The ambitious Haydn 2032 project continues under the direction of Giovanni Antonini, while the ‘Château de Versailles’ collection presents recordings of Campra and Leclair by Olivier Schneebeli and Sébastien d’Hérin respectively.

In order to strenghten the label on the international scene, ALPHA will bring together all its house artists with those who recorded for ZIG-ZAG TERRITOIRES. This merger will make for greater coherence among the 600 recordings in the existing catalogues (especially in the field of early music, the strong point of both labels) and the new releases. By the end of 2015 ALPHA will thus offer a chance to renew acquaintance with such major artists as the Belcea Quartet, Doulce Mémoire and Denis Raisin Dadre, Nelson Goerner in Chopin, Tedi Papavrami in Bartók, Amandine Beyer, Mario Ceccato, and Alexei Lubimov and many others. Another highlight of the year is the seventieth birthday of Jos Van Immerseel: with Anima Eterna Brugge, he will present a magnificent Schubertiade as well as a symphonic programme with Janácek and Dvoràk.

Since December 1st 2014, the label is directed by Didier Martin.

CPE BACH // Der Frühling, Wq. 237

Alpha Classics

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