guitars : S.Pilsl, M.Haacke, F.Hiemenz (concert in Neu-Ulm/Germany, '95) 
transcribed for 3 guitars by B.Gröger (Edition Ricordi) 
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(sound restored from a CompactCassette with WaveLab 7, July 2013) 
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Entr'Acte 3/4 (from "Carmen") by Georges Bizet - on 3 guitars [live in concert]

BRAHMS Symphony No.3: III. Poco Allegretto

Gabriel Faure - Requiem Op. 48

Zefiro
Alfredo Bernardini, oboe & dir.

More info: http://www.outhere-music.com/en/albums/concerti-veneziani-per-oboe-a-380

A. Vivaldi - Oboe Concerto RV 449, 3rd mvt.

http://en.wikipedia.org/wiki/Introduzioni_(Vivaldi)

Filiae Maestae Jerusalem RV 638  II. Sileant Zephyri (Antonio Lucio Vivaldi)

Elegiac Melodies

Lamento

Lamento - Franz Liszt

Ave Maria - Johann Sebastian Bach, Charles Gounod (śpiewa Elżbieta Towarnicka)

Sampled version. Free backing track without piano available. Send message.

Andante- Elvira Madigan

Two Guitars (Trad)

After two earlier Dvořák releases, the Trios nos.3 and 4 (Dumky) and the two Piano Quartets, Omri Epstein, Mathieu van Bellen and Ori Epstein are joined by one of their teachers at the Queen Elisabeth Music Chapel, the violist Miguel da Silva (founder member of the famous Quatuor Ysaÿe) and the violinist Maria Milstein, who was also an artist in residence at the Music Chapel from 2011 to 2014. Together they continue this recording of the Czech composer’s complete chamber music with keyboard, this time in the two Piano Quintets and the Bagatelles. There is an obvious close rapport between these musicians, who share with us their passion for this repertory and their enjoyment of playing together. A gap of fifteen years separates Dvořák’s two Piano Quintets, which have few features in common except a shared home key: the First marks the debut of a youthful composer, while the Second shows him at the peak of his art. The Bagatelles, originally scored for two violins, cello and harmonium, are among his bestknown short pieces. A recording scheduled for release in autumn 2018 will complete this quadriptych of Dvořák’s piano trios, quartets and quintets.

DVORAK // Bagatelles, Op. 47 : I. Allegretto scherzando

The touching Stabat Mater by Giovanni Battista Pergolesi is perhaps the most famous version of the Stabat Mater, a cycle of songs about Virgin Mary. The final number he wrote when he was on his deathbed (1736). Pergolesi had in fact very dangerous TBC which was caused that he died at the age of 26. The master of the Italian Baroque chose an intimate composition: soprano, alto, two violins, viola and continuo. The moving Stabat Mater by Pergolesi with Olga Zinovieva and Sytse Buwalda. The Bach Orchestra of the Netherlands, Pieter Jan Leusink – conductor

Pergolesi Stabat Mater - nr.1 Stabat Mater Dolorosa

Alpha has been a noted reference in the world of classical music since its inception twelve years ago. Today, the label is broadening its horizons, welcoming outstanding new artists and opening its doors to an array of innovative projects.

Vocal repertoire becomes a major focus of the new ALPHA: Véronique Gens has just recorded a recital of French songs with Susan Manoff as part of an ongoing collaboration with the label. The baritone Georg Nigl also joins Alpha. He will collaborate with Andreas Staier on a Bach album. The new generation is represented by Gaëlle Arquez and the soprano Mari Eriksmoen. She will record a programme of songs by Grieg, Strauss and Wolf in April in the framework of the partnership between ALPHA and the Academy of the Aix-en-Provence Festival.

Outstanding instrumental soloists have also signed with ALPHA: the pianist Anna Vinnitskaya presents the Shostakovich concertos with Kremerata Baltica. Others will be announced soon.

Collaborations with major orchestras are being finalised, but we can announce multi-year projects with Hervé Niquet and with Le Concert Spirituel (Vivaldi Gloria & Magnificat for double choir to be released this fall). Equally noteworthy are the Beethoven symphonies recorded by Martin Haselböck and the Wiener Akademie in the halls where they were first performed.

ALPHA is also expanding its chronological scope, since the label is launching a series with the Ensemble Intercontemporain and Matthias Pintscher and will release a program by Peter Eötvös. For the twentieth century, Arthur Honegger’s Jeanne d’Arc au bûcher has just appeared, with an incredibly intense narrator, the actress Marion Cotillard.

As part of the new series ALPHA OPERA, a DVD collection has been created in conjunction with major institutions such as the THEATRE ROYAL DE LA MONNAIE in Brussels and the Opéra Royal du Château de Versailles, featuring top ensembles including Les Talens Lyriques under Christophe Rousset and Le Concert Spirituel under Hervé Niquet (Don Quichotte chez la Duchesse by Boismortier, directed by Corinne et Gilles BENIZIO, aka SHIRLEY & DINO).

ALPHA remains faithful to the artists who have made its history and its reputation. Vincent Dumestre and Le Poème Harmonique will present a disc of Airs de Cour in the autumn. Bruno Cocset has recorded a second volume of works by Barrière, and Olivier Fortin, Alexis Kossenko, Lucille Boulanger, Arnaud de Pasquale, Céline Frisch and Café ZIMMERMANN will also offer new releases. The ambitious Haydn 2032 project continues under the direction of Giovanni Antonini, while the ‘Château de Versailles’ collection presents recordings of Campra and Leclair by Olivier Schneebeli and Sébastien d’Hérin respectively.

In order to strenghten the label on the international scene, ALPHA will bring together all its house artists with those who recorded for ZIG-ZAG TERRITOIRES. This merger will make for greater coherence among the 600 recordings in the existing catalogues (especially in the field of early music, the strong point of both labels) and the new releases. By the end of 2015 ALPHA will thus offer a chance to renew acquaintance with such major artists as the Belcea Quartet, Doulce Mémoire and Denis Raisin Dadre, Nelson Goerner in Chopin, Tedi Papavrami in Bartók, Amandine Beyer, Mario Ceccato, and Alexei Lubimov and many others. Another highlight of the year is the seventieth birthday of Jos Van Immerseel: with Anima Eterna Brugge, he will present a magnificent Schubertiade as well as a symphonic programme with Janácek and Dvoràk.

Since December 1st 2014, the label is directed by Didier Martin.

DVORAK // Bagatelles, Op. 47 : I. Allegretto scherzando

Alpha Classics

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