cover up

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Pompeii - Bastille cover

Through the alias Music For Tourist, @chris-martinon’s sets are always sunny and catchy, just like the Latino sounds he favors. After having produced music for the fashion scene, he is now the host of the most summer-y show on Rinse.

Rinse France Podcast

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Music For Tourist avec Marwan Filali - 1er Novembre 2021

You love traveling but haven’t really had the chance to do it since COVID, and now WWIII seems to be breaking out? Our Italian friends, Slow fire disco machine got you sorted, this delightful mix will get you spinning  around the globe in a very balearic way, and all that, from the comfort of your home 😌
Jokes aside, the war in Ukraine is a serious issue, with hefty consequences (!!), if you haven’t helped yet, we have a link tree below, with a handful of institutions where you can donate, in order to help minimizing the pain and suffering that our fellow Ukrainian people are experiencing at the moment.
Stay informed, do your fact check before posting anything, and help however you can! 
We stand with Ukraine 💙💛

https://linktr.ee/freeukraine

https://how-to-help-ukraine-now.super.site/

ID Requests -> @slowfirediscomachine

To keep our project going and growing, please support us with a donation on BuyMeACoffee. It's quick, easy, and you don't even need to create an account. Your contribution, whether one-time or recurring, helps us thrive. Thank you for your consideration 💖💖💖
https://www.buymeacoffee.com/balearicbanana

Slow Fire Disco Machine

Did you know that a tiger’s punch could actually kill you?

For this month’s Tiger Tape we chose to invite the mysterious @j-a-z-1 who also has more than one deadly punch in his record bag. 

A very prolific digger & edit maker who has appeared on a few labels such as Passport to Paradise and Pinchy & Friends amongst others.

His musical universe is one not to miss, he dug up some of the most obscure 80s cuts and made them accessible and DJ friendly for all. 

You’ll be able to get the gist of it after soaking up this beautiful.

JAZ mix

Tiger Tapes 004 - JAZ

Digital Love (Daft Punk) / 1901 (Phoenix) - Medley

A collaboration with Lhutfy Bimo & Shella Shafira
https://soundcloud.com/lhutfy-bimo
https://soundcloud.com/shellashel

Enjoy everyone!
-ags

Digital Love (Daft Punk) / 1901 (Phoenix) - Medley / Feat. Lhutfy & Shella

september 21st, 2022

…loose leisure and lazyness ~ love and autumn reflection ~ seaside views and exquisite exotics ~ taking it easy with good vibrations ~ life is sweet, if you let it…

…free your soul with Argile, Phil Stroud, Brendan Eder Ensemble & Edward Blankman, Collage, Suonano I Mark 4, Arthur Lyman, Fred Buscaglione, Monica Zetterlund, Cal Tjader, Mulatu Astatke & His Ethiopian Quintet, Ry Cooder & Manuel Galban, The Sweet Enoughs, Lesiman, Lonnie Liston Smith & The Cosmic Echoes, John Cameron, Blue Stars of France, Piero Umiliani, OPEZ, Marisa Anderson, Egberto Gismonti, Atahualpa Yupanqui, Luiz Bonfa, Jon Hassell & Farafina, Susso, Amaria Hamadalher, Sam Gendel, Dezron Douglas & Brandee Younger, Ramesh, Sophia Loren, Mei Semones, Joao Bosco, Trio Surdina, Branko Mataja, Johnny Dorelli, Ernest Ranglin, Dick Hyman, Paolo Renosto, The Swingle Singers, Martin Denny, Gal Costa, Emma de Angelis, Daniel Bacalov, Maston, Jonathan Kirby, Anouar Brahem, Suso Saiz, Matthew Halsall, Don Tiki, Nicky Roberts, BADBADNOTGOOD, Rosie Turton, Les Baxter, Turn On The Sunlight, Robohands, Octavio Burnier, Paolo Guerrero & Finis Africae, Laraaji, Tiawa, Ghost Funk Orchestra…

…artwork by Sole e Soia ~ le grand sud-est (1979)…

…summer’s been busy, time to decelerate ~ as I’m a friend of the suave side of life, I’d like to welcome you to this lazy love bubble in an ongoing siesta…

diary

siesta

I could barely see anything during my first Fusion Festival gig. I only remeber excessive fog, many lights and many dancing silhouettes through the wisps of fog. This is one of the most beautiful vaguely memories I have.
Thanks for diving with me! ♡

Nixe | Karla Kutter | Fusion Festival 2018

Virtual insanity by BE THE VOICE
On YouTube : https://youtu.be/tdr58mLRo1I

BE THE VOICE on Spotify : https://exit.sc/?url=https%3A%2F%2Fopen.spotify.com%2Fartist%2F2MsVm5R1VMKkJWmbViE9zf

VI on Youtube

Virtual insanity

At this time of the year, take a moment to contemplate, reflect and inspire yourself as you look back on the past and into the next year and what the future can bring.

The next episode of Home Comforts was created for that moment.

Happy New Year,

Love,
Billy

Triosk - Vostok
Chihei Hatakeyama - White Light
Martin Kohstedt - JIN
Jakob Bro, Palle Mikelborg, Thomas Morgan, Jon Christensen - Strands
Bing & Ruth - Reflector
Bohren & der Club of Gore - Im Rauch
Federico Durand - Lluvia De Estrella
Mary Lattimore & Jeff Zeigler - The Glimmering Light
Luke Abbott - Tree
Rolling
Jonny Nash & Suzanne Kraft - Time, Being
Sage Caswell -  Way Out West
Gunther Schlienz - Dust
Paul Dresher - Channels Passing
Neil Cowley, Ben Lukaz Boysen - Ascent
Dan Lanois, Rocco De Luca - Low Sudden
Dauwd - Theory of Colour
Joakim - Innuendo 
Elodie - Vieux Silence
Not Waving - Emotion 7.7

Explore more at: www.billycaso.com

Home Comforts - 06 - Reflection

Introducing the 9th installment(already!) of our guest mixes series, this time by Amsterdam-based Mademoiselle Linda delivering here what is an exquisite and balmy music selection.

Resident at Malmö's "Retreat Radio", Linda cleverly connects soft synthesizer layers, melodious guitars and Latin rhythms in her regular "Rêverie" radio show. In her own words, this podcast is "a blend of recent favorites to make sure spring is in your head, heart and home, ahead of a magic summer".

@mlle_elle

Guest Mix 009 w/ Mademoiselle Linda

Hailing from Zurich here's Zukunft resident and Phantom Island man Kejeblos (@kejeblos) serving the 15th MFM mix. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Michael, welcome to the series. How are you holding up during these pandemic times?

K: Actually very well, thank you! I’m spending more time with my son than I usually do and I’m getting better at cooking. Besides that we are preparing some new releases for Phantom Island and I’m helping to keep the record store (Hum Records) I work at alive.

MFM: So the internet says you're a man of big taste and that you could write a doctoral thesis about the art of record digging. Can you take us back a little to where and when all that comes from?

K: First I have to thank Bjorn Schaeffner for those kind words. I was interested in music from a young age, but the record digging really started after I moved to Zurich. Here I was exposed to a lot of great record stores and I took an obvious route from House to Disco and got into it deeper and deeper. Lexx was definitely an important figure for me. He was working at a record store called Zero Zero and I was hanging out there a lot. And through that our friendship grew. At one point he invited me to join him to go t a warehouse that was connected to Zero Zero and housed half a million records. After that first visit I definitely spent a lot of time there and everything took its course.

MFM: Zurich is not particularly known for having a vibrant music scene and it's fairly remote from the cities that are. How did you get your fix as a big music appreciator pre-internet? 

K: I grew up in Liechtenstein and went to school in Feldkirch, Austria. Feldkirch is a small city, but there was a bar called Stone Club where you could listen to proper house and techno. I guess that brought me on the right track and sparked my interest. That’s also where I started djing and learned a lot about it before I was introduced to the Zurich club scene. Anyway, I guess I’m not a music appreciator pre-internet as I’m not that old :) But it was still different back then for sure. I was exposed to all the certified classics before getting deeper into more obscure music from there.

MFM: You're kinda connected to club Zukunft, correct? 

K: Yes, that is correct. That started through Lexx as well. He invited me to play there in 2008 and it really meant a lot to me. I used to visit the club regularly and it was always a dream to play there and it still is. For me it has been Zurich’s best club since it opened its doors and it still is after all these years. First and foremost because of always sticking with quality music. But another key factor is probably the diverse group of people who run the place.

MFM: At what point did you get involved in music production? 

K: Some of my old friends from Liechtenstein who also live in Zurich have been producing for a long time. I always hung out at their flat and out of this we formed Wavetest – but I always saw myself as the DJ in that group and still do. Unlike the others I’m not a trained musician. After some time we started to share a studio with Tobi and Ron (Fuga Ronto) and one day, as Flo (Florin Büchel, CCO), and I were jamming suddenly I was kind of guiding the project. That’s how the first Kejeblos record started. Without Flo, Tobi, Sandro, David, Moritz and Lexx that record would never have happened. I learned more about production during and after this first release but I still see myself predominantly as a DJ. If I have an idea, I try to pursue it. But I’m not constantly thinking about making music. 

MFM: Thanks a lot for contributing a mix! What can you tell about it?

K: Thanks for having me! I wanted it to be a reflection of different influences which turned me into the DJ I am now. A mix which flows well and is not just about track IDs and unshazamable tunes. In the best case you want to listen to it more than once. Also there are some upcoming Phantom Island bits featured.

MFM Mix 015: Kejeblos

For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Welcome back, or is it welcome forth? Who knows anymore, but thank the gods for one of the constant’s in our lives and that’s music.  This perfectly timed episode celebrates the essence of ‘Saudade’ aka the act of missing aka the art of longing aka the aesthetic of nostalgia aka romanticised melancholy, bought to you by the newly appointed master in this domain, Sophie McAlister aka the Nutri Bullet. 

Coming from the ever-fresh stables of Naarm’s own ‘Crown Ruler’ *tip’s the hat*, Sophie is the absolute embodiment of a disc jockey, she’s mastered the art of the casual coasting between genre’s in the form of liquid precision. As most good deej’s, she happily works at a record store (whattup Northside), picking the cream before the public can get their dirty hands on it, (god I miss having a dig), then continues to rub it in the face of the public by playing them across multiple venues around Melbourne and even has the audacity to tease them on a few radio shows. The only thing that matches her talent is her character, a legend to boot. 

Now, the important part, the mix. This thing, this short segment of your life, is a thing of pure beauty. From the very first chord I instantly fell in love, and that love grows exponentially throughout those 94 minutes and 34 seconds. The deeply rooted romance is absolutely sublime throughout, perfect spring picnic soundtrack with the people you love. A transcendent trip around the world all within the comfort of your own mind. It’s such a welcomed breath of fresh air in this suffocating climate. Prepare to listen to it over and over. 

Take some time to take care of yourself. Be well. 

Her words >>> “Thanks for accepting my crywank mix for the series.  Themed it on Saudade and other sappy love songs. Enjoy”

Her sounds >>> https://soundcloud.com/sophiemcalisterr

FHUO # 43 // Sophie McAlister

recorded this at effin' 2AM with my iPhone's mic, so go easy on this :)
one of my favorite tracks off the musical genius Mr. Thibaut Berland (aka. Breakbot)

a little something for you guys who still listens to my music, love you guys <3
i really appreciate each and every comment,like, and share y'all give me.
believe it or not, they really mean that much to me! :}

have a great day.

Download link:
http://www.mediafire.com/download/fw92l6um6zdildg/Baby_Im_Yours_(Breakbot_Cover).mp3

Follow me on twitter!
@sanisanisani

Baby I'm Yours (Breakbot Cover)

2021's first mix in line comes all the way from sunny Australia by dear friend Lauren Hansom (@laurenhansom). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome on board Lauren. How was your start of the new year? It's summer where you are now right? That must be nice :)

LH: Hiii! Thanks for having me onboard :) The New Year has been great. Spent time surfing & soaking up sunshine in Australia.

MFM: You moved back to Australia last year. What has been keeping you busy there since? 

LH: I moved from Amsterdam to Berlin at the end of 2019 and went to Oz in February 2020 for a holiday. COVID hit, so I ended up staying. An easy decision with nature, beaches, food etc. Although, I’ve pretty much been living out of a suitcase as the majority of my stuff is in Berlin. I bought a Yamaha RM1X & a Poly800 last year to do some music and learnt The Mandalorian theme tune. I’ve also been learning more about quantum mechanics & biology plus space, which actually led me to find more cosmic sounds in genres from IDM to new wave for example. Imagining space with a multitude of soundscapes is pretty neat. 

MFM: While many DJs jumped on the streaming bandwagon it looks like you kept rather quiet over the last months. Is that for a reason? Did you maybe find other ways to creatively let go, or...?

LH: Thought you wouldn’t have noticed - was secretly trying to pull off a “Homer Simpson disappearing into the hedge”. Streaming is a great way for people to stay connected given the circumstances. For me, having a live crowd is always part of my process. No crowd, no party (or a one person party - not bad for these days, actually...). Also not having any gear here made it hard, especially with lockdown and social distancing.

MFM: Things were going really well for you as a DJ, your career seemed to be in a lift. What do you now hope for when touring becomes an option again? Has 2020 changed your perspective? 

LH: Thank you for saying so. I was pretty overwhelmed by how often I was playing and am grateful for it. It’s still very much a “pinch-my-arm” thought. I really would love to continue sharing tunes & creating musical experiences in some capacity. I’ve been thinking about Music Supervision within film & TV, so have been spending time on the side looking into that.

MFM: I've heard quite a few DJs saying they lost the urgency or need to listen to dance(floor) music. How is that for you? Have you been keeping track with new music lately at all? 

LH: I’m always listening to different styles, especially non-club music as it’s sort of where I started. Although I’ve enjoyed the holiday of not having to find a billion new tracks before every weekend, I’ve still been following new releases & it’s been interesting to hear how music has been shaped by the pandemic.

MFM: How would you describe that shape shifting? 

LH: I noticed more people collaborating from afar due to social distancing, restrictions and general lockdown. I think this allowed for some experimentation in a way and often that leads to something surprising and new. Sonically and stylistically, I think 2020 was really diverse as opposed to previous years where there was definitely a “Sound of Summer” so to say. There were also a great deal of compilations for new music to support artists affected by event cancellations and club closures.

MFM: About the mix, do you actually prefer a mix request to come with some kind of theme or direction to it, or do you value the freedom more? 

LH: Both. It’s nice having a brief as it gives you boundaries & pushes your creativity. Sometimes too much freedom can make it difficult. That said, I’m always imaging stories & daydreaming, so often the imagery in my mind’s eye gives me a good starting point. Once I have an idea, I create a selection of music & work out a way to make it all flow until there is some sense of an emotional ark & musical journey.

MFM Mix 024: Lauren Hansom

Video Link: http://www.youtube.com/watch?v=cXQDTDN41yI

Produced & Performed by: Gamaliel Tapiheru, Audrey Tapiheru, Cantika Abigail, & Ivan Gojaya

Recorded at Roemah Iponk
http://www.twitter.com/roemahiponk

Mixed & Mastered by: Ivan Gojaya
http://www.twitter.com/ivaniponk

Director of Photoghraphy: Bagoes Tresna Adji
http://www.twitter.com/bagoes_gb

http://wearegac.com



SOUNDCLOUD:

GAC
http://www.soundcloud.com/GACmusic

Gamaliel & Audrey
http://www.soundcloud.com/gamaliel-audrey

Cantika
http://www.soundcloud.com/AbigailCantika


FACEBOOK:

GAC
http://www.facebook.com/GACmusic

Gamaliel-Audrey
http://www.facebook.com/GamalielAudrey


TWITTER:

GAC
http://www.twitter.com/GAC_music

Gamaliel
http://www.twitter.com/gamal1990

Audrey
http://www.twitter.com/TapiheruAudrey

Cantika
http://www.twitter.com/AbigailCantika


YOUTUBE:

GAC
http://www.youtube.com/GACVEVO

Gamaliel-Audrey
http://www.youtube.com/gamal1990

Cantika
http://www.youtube.com/cantikabigail


TUMBLR:

Gamaliel-Audrey
http://www.gamaliel-audrey.tumblr.com


(C) 2013 RCA Records, a division of Sony Music Entertainment

Mirrors ( Justin Timberlake cover ) - Gamaliel Audrey Cantika

Life is sweet, Nice to meet you!

Art & Music Enthusiast
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Contact,
artupoirla@live.com

Digital Love (Daft Punk) / 1901 (Phoenix) - Medley / Feat. Lhutfy & Shella

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