Tart Tinctures

re /0

Ascend

songwriting, production and mixing by Lo Bise
mastering by Taylor Deupree at 12k Mastering
album art by Lo Bise
Jevels 2024

Six Words To Describe The Ending

Listen to "Choral Chaos Re-Drum" by RougeHotel taken from "Yedora's Music Catalog" out on 31st May via Transatlantic

Pre-order: https://rougehotel.bandcamp.com/album/yedoras-music-catalog-2

On ‘Yedora’s Music Catalog’, RougeHotel renders a world of uncanny beauty, where crackles of the divine commune with earthly grit. A world within, where blown out melodies echo through foggy moors and pads n synths are redlined to reveal the harshness at the core of the crystalline prettiness.

This album extends an antennae to the noise, with opener ‘Gruulsignet’ chasing signals in the roil and capturing divine voices in the static. The caustic swirl of ‘Yedora’ and ‘Foil’ are disrupted by glimmering, otherworldly transmissions, heartstopping melodic bursts breaking through like beams of concentrated light through a dark, gnarled wilderness. But it’s on ‘Rhystic Study’ and ‘Choral Chaos Re-Drum’ where the light is forged into form — d&b-inflected slappers that go off like they’re transcribed from ancient druidic runes. The road is long and perilous, so consider this album an amulet, a protective charm, a talisman. This is pathfinder music.

Links:
RougeHotel
https://soundcloud.com/rougeh0tel
https://rougehotel.bandcamp.com
https://www.instagram.com/rougeh0tel
Transatlantic
https://soundcloud.com/transatlanticrecords
https://transatlanticrecords.bandcamp.com
https://www.instagram.com/transatlantic.earth

Yedora's Music Catalog

pre-order / bandcamp

[Premiere] RougeHotel - Choral Chaos Re-Drum (Transatlantic)

Udu A

Broadcasted live at Radio Tempo Não Pára (12.10.2024)

Artists: @nykolaes, Rimov & Poppy Whispers

Nykolaes & Rimov b2b Poppy Whispers @ Radio TNP 12.10.2024

Ashland Ristoff, known as IVORY BLACK, is a self taught audio-visual artist operating out of NYC through several incarnations of creative energy (music composition, leather/metal working and garment design, perfumery, artwork and sculpture)
Counting releases on collectives such as Alloy Choir, Post Hoc, Mindseyerecords, Stochastic Mask, and No Catharsis, they maintain a highly instinctual approach within their craft although defined by elaborate sonic modification.
Their sounds are sourced in a non-linear method; nested for weeks, months or years at a time, to construct a rather intricate body of work that reflects on its own process of future self-actualization while maintaining a steady sense of where it stands during the present time.

instagram.com/monstraduplicia
ivoryblackmetal.bandcamp.com
soundcloud.com/iv_black

Current Moon Phase 031 w/ ΔreamCcore Invites IVORY BLACK (28.10.24)

evo-lation five is evo-natura's fifth fundraising compilation, featuring Werner Levant, 111X, Hajj, Softmatter, Ice_Eyes, MIRA新伝統, Zaumne.

Focusing on natural sounds, the project skilfully blends field recordings, drones, and electronics, with each artist sonically reflecting towards the subject.

All profits made will be donated to Eden Reforestation Projects. (www.edenprojects.org)

Artwork & Cassette Design by Ronja-Elina Kappl
Curated & Mastered by Ioannis Nafpliotis

evo-lation five

Cassette / Digital

MIRA新伝統 - Thirteen nodes

Miaw - Want Something

This classic minimal music album is now available again on vinyl for the first time since the 70s.

https://www.aguirrerecords.com/collections/aguirre-records/products/terry-riley-persian-surgery-dervishes-2xlp

Californian composer Terry Riley’s In C, first issued on vinyl in 1968, is widely acknowledged as a Minimalist landmark that altered the course of twentieth-century music. His influential album A Rainbow In Curved Air, which appeared the following year, is a vivid fusion of rock and raga, jazz and psychedelia realised through overdubbing on an 8-track machine which had recently been installed at the studios of Columbia Records.  

By the early 70s Riley had come to feel that scores were a distraction. Faithful interpretation of an already written piece was a deviation from the true purpose of making music, which was spiritual quest. Fortunately, some of those live performances, personal journeys towards a state of transcendence, were captured on tape. Persian Surgery Dervishes, issued initially on the French label Shandar, features two such concerts for electric organ and reel-to-reel delay, one recorded in Los Angeles on 18th April 1971, the other in Paris on 24th May 1972.

At the start of that decade Riley became a dedicated student of the great Hindustani singer Pandit Pran Nath. Looking into North Indian classical tradition he found correspondences to modal and cyclic ideas that he was already working on. In 1971, as a way to learn more, Riley himself started teaching Indian music at Mills College, in Oakland. That experience fed directly into his solo keyboard performances, but other influences were also shaping the music heard on Persian Surgery Dervishes. Personal research into ancient Persian culture and the poetry of Rumi lit up his imagination, while the repetitive swirling of Sufi devotional music from North Africa, which Riley had first encountered in Europe during the early 60s, reverberates through these performances. Jazz, as conceived by such masters such as Bill Evans and John Coltrane, is also present as an enduring source of inspiration. 

The Californian version of Persian Surgery Dervishes starts with low dark tones, dense and brooding like a huddled human figure, deep in introspection. But as the improvisation unfolds Riley’s buoyant spirit asserts itself, spiralling out in ecstatic coils, as though liberated from the grip of body consciousness. The Parisian concert conveys a different mood, brighter and more open in texture, more relaxed from the outset and breathing with greater freedom as it takes flight. 

Echoes of Terry Riley’s inspired music have spread far and wide - into progressive rock, New Age and ambient soundings, film soundtracks, blissed-out electronica and dance-floor trance. His fluent and hypnotic keyboard playing can be heard as part of a continuum, transmitting energies from ancient and distant musical sources into the living here and now. Persian Surgery Dervishes is a significant part of that picture, a mesmerising record of a vital stage in Riley’s ongoing quest for connection with the universal mind and the sublime music that flows ceaselessly from it. 

“Music is my spiritual path. It’s my way of finding out who I am.”  Terry Riley, in 1976

Terry Riley - Persian Surgery Dervishes - Performance 02 Part 1

The Man In The Desert

The Big Combo - The Man In The Desert

"Don't worry, you won't feel a thing, hopefully" by Flogging A Dead One Horse Town.

From the forthcoming album, Listening Will Cause Death, released through MUZAI Records from December 8th 2017 on CD and digitally.

http://fadoht.bandcamp.com/
http://muzairecords.com

Listening Will Cause Death

Buy on CD

Flogging A Dead One Horse Town - Don't worry, you won't feel a thing, hopefully

Written in Berkeley Vale, NSW and Northcote, Vic
Recorded in West Geelong, Vic
Mastered in Rye, Vic
Pressed in East Brunswick, Vic

Family Dinner

Taken from the EP 'Laughing At The System' (ALT38)

Buy: https://alter.bandcamp.com/album/laughing-at-the-system

Total Control - Laughing At The System 1 (ALT38)

READ > http://inverted-audio.com/premiere-ssaliva-danger-came-smiling

Tapping into the most nostalgic facet of ambient and rehashed pop tropes, @ssaliva dishes out a six-track EP that floats and flows nimbly, evoking a cross-over between Aphex Twin's Ambient Works, Actress' spectral sound design and How To Dress Well's faded melodies.

Total Control - Laughing At The System 1 (ALT38)

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