handsworth revolution dub mix

Ziggy Marley In Jamaica

Guess Who's Coming to Dinner

Bunny Wailer – Blackheart Man (1976)

Memória de Elefante 10/04/24
Autor: Francesco Valente

Uma rubrica que revela eventos, curiosidades, lançamentos, aniversários e fatos históricos ligados ao universo da música popular mundial.

Bunny Wailer – Blackheart Man (1976)

John Brown's Body - War Ina Babylon [Max Romeo]
LIVE
04.20.15
Brooklyn  Bowl // Brooklyn, NY

John Brown's Body: www.johnbrownsbody.com

Full Show: https://archive.org/details/jbb2014-04-20.sbd-room-mix.wav.2448

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War ina Babylon

HDWAV 5.1 - SW33TT 3V1L DRR11LLL 0FF1C14L R3M1X - No Diggity - 1950s

So Santa Thinks My Mom Is a Hoe?!

There’s a particular confidence required to write a Christmas song that refuses to ask for permission, and Dub Stepmom has it in excess. With “So Santa Thinks My Mom Is a Hoe?!,” he delivers his most assured work yet—a track so self-possessed it feels less like a provocation and more like a statement of authorship.

What’s immediately striking is how completely Dub Stepmom controls the frame. He doesn’t hide behind irony or novelty tropes; instead, he leans into a classic holiday structure and bends it to his will. The melody stays buoyant, familiar, almost comforting, while the lyrics calmly dismantle the entire scene. Santa doesn’t arrive. The gifts don’t come. And Dub Stepmom doesn’t flinch. The song isn’t begging for sympathy—it’s documenting a reckoning.

Rather than positioning himself as the butt of the joke, Dub Stepmom flips the hierarchy. The narrator isn’t embarrassed or pleading; he’s observational, even surgical. The repeated chorus doesn’t feel like a gag—it feels like a verdict, delivered with the kind of casual certainty that only comes from someone who knows exactly where they stand. By the time the song ends, it’s clear this isn’t about self-deprecation. It’s about accountability.

That’s where the song’s real power lives. Dub Stepmom isn’t tearing himself down—he’s establishing boundaries. The track draws a clean, unapologetic line between cause and consequence, refusing to soften the truth or dress it up in sentimentality. Even family isn’t exempt. The writing makes it clear: reputations matter, stories stick, and Santa—myth or not—moves on when the math doesn’t work.

Musically, the restraint is impressive. There’s no overproduction, no desperate reach for shock. The song trusts its structure, trusts its repetition, and trusts the listener. That trust pays off. What could have collapsed into chaos instead lands as sharp, focused storytelling with real replay value.

With “So Santa Thinks My Mom Is a Hoe?!,” Dub Stepmom doesn’t just prove he can handle holiday music—he proves he can dominate it. He takes control of the narrative, puts everyone exactly where they belong, and walks away without a single apology. It’s bold, it’s uncomfortable, and it’s one of the most confident Christmas releases in recent memory.

Dub Stepmom isn’t joking around anymore. And that might be the most surprising—and impressive—part of all.

Santa's Hoe (your mom)

The Heptones - Cool Rasta [Dub Plate]

My Tribute to the great Delroy Wilson. I know what he was feeling when he wrote this song.

Better Must Come (Delroy Wilson Cover)

1980 Taxi Production
1. World is Africa
2. Push Push
3. There is Fire
4. No Loafing (Sit and Wonder)
5. Endurance

Working On A Groovy Thing

Alton Ellis

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