only ambient2 (7and5,artemis,aphex twin, amethyste,bliss,aim,antonymes...etc)

New EP + t-shirt & print at 
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https://badpandarecords.bandcamp.com

https://soundcloud.com/mountain-range | http://twitter.com/mountain_range_ | http://mountainrange.bandcamp.com
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Mountain Range - Haze

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Artemis - Subterranean - Loodma Recordings

Recorded live 29th October, 3.06am
Available on the alucidnation album 'Aural Architecture'.

One Zero Two

Download: https://www.xlr8r.com/mp3/2016/11/arms-and-sleepers-time-will-tell/

@arms-and-sleepers

TIME WILL TELL [via XLR8R]

Download: Arms and Sleepers - Time Will Tell

‘The Colour Of Long Days’ is a companion track to the recently released We Don’t Look Back For Very Long EP by neo-classical/minimal ambient artist Antonymes.

As with the songs on his new EP We Don’t Look Back For Very Long, ‘The Colour Of Long Days’ is Antonymes’ reworking of music by fellow Hidden Shoal artist Slow Dancing Society. This time ‘The Red Summer Sun’ from Priest Lake Circa ’88 is transformed, the original’s shimmering waves of guitar forming a background against which plaintive piano chords resonate beautifully. Antonymes marries SDS’s glistening atmospheres to his own trademark ambient neo-classical minimalism, creating a completely mesmerising hybrid.

Antonymes meets Slow Dancing Society - 'The Colour Of Long Days'

Go On

Supernaive are two brothers from Paris, France, merging electronic and acoustic music in a delicate and unique manner. Bloggers, critics and music fans praise them as a fresh and creative band, composing with colors and emotions, in a Japanese pop culture-like fashion, which the Supernaive brothers refer to as a major influence. Their new “Dazed & Confused” EP makes on one hand reference to a magazine with covers which evokes sophisticated – but sometimes disillusioned – portraits. And on the other hand, to Richard Linklater’s movie of 1993, which shows us the last day of some fairly lost high school students at the beginning of summer 76. “With this EP, we wanted to speak about adolescence, sex, girls, and the passage to adulthood”.

Dazed & Confused

Naïve

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Naïve

Dream

Mixtape Usadba Jazz 2018

More info - http://loose-lips.co.uk/blog/bunkr-tears-at-dawn-echaskech-remix

Outerstellar EP

Tears At Dawn (Echaskech Remix)

Pre-order

PREMIERE: BUNKR - Tears At Dawn (Echaskech Remix) (VLSI03)

City Nights

Peace and Gravity

DJ set from the Wizard Sleeve night @ Stepping Stones, Maidstone 28/09/12.

1. Concept Neuf - The Path (Sofrito Edit) 

2. Manu Dibango - Soul Makossa 

3. Zoo For You - Leaf [http://zooforyou.bandcamp.com/album/fast-dance-on-a-nail] 

4. Gregory Porter - 1960 What? (Opolopo Kick & Bass Rerub)

5. Pedestrian - Hei Poa 

6. Hot 8 Brass Band - Sexual Healing

7. Antibalas - Sáré Kon Kon 

Stepping Stones mix

PROMOTIONAL PURPOSE ONLY !!

If you are the artist and you want that I delete this song send me a message !

Gangways - Out Here

alucidnation is Bruce Bickerton.

I've been writing and producing music since 1992, amassing a broad spectrum of what I'd describe as 'good quality listening music for the home and the head'.

To the uninitiated, my music is probably quite hard to categorize, as it ranges from blissful ambience through to deep, dubby beats, taking in electronica, pure pop songs and acoustic numbers along the way. Having been playing the piano (and various other bits and pieces) since my formulative years, I've always liked to improvise, messing around with chord structures and vocal harmonies. It was only when I took the plunge in the early nineties and invested in a small MIDI studio setup that I was able to realise some of those ideas. This resulted in a scramble of activity over the course of the next ten years, when I spent a good deal of time recording rough improvisations on whatever medium came to hand, whether that was cassette tape, DAT or MD. These improvisations either culminated in finished pieces, or if the groove or feeling wasn't there, they were either discarded, or put to use in future compositions. This way of working still informs much of my work these days, even with the advent of modern digital editing software : "I like to get a loop up and running that's 'doing it', and then just hit the record button and let the vibe take me away for about 15-20 minutes. Out of this, there's bound to be something that's useable - sometimes the whole thing is!"

My music eventually came to the attention of prolific producer Tom Middleton back in 2000. I'd produced a limited edition CD of material he'd been working on in 1999 (just 10 copies were pressed up!); one of which found its way to Tom and then by word of mouth to Pete Lawrence, co-curator of The Big Chill, a music and arts organisation based out of the UK. Pete signed alucidnation up to the then fledgling Big Chill Recordings label on the strength of 'I'm Not Bad', a ditty that I'd penned in a few hours. I ended up releasing two EPs and two LPs on the label, both sold well and were critically well-received.

With Pete Lawrence, I assembled and sequenced a Big Chill compilation ['Glisten'] that won a Time Out award. My music has also surfaced on plenty of compilations throughout the world, appeared on Grand Theft Auto and I've lent my hand to numerous remixes. I've collaborated with various composers of note, including Tom Middleton, Ulrich Schnauss, Pete Lawrence, Another Fine Day, The Verbrilli Sound, Pitch Black and many more. I run my own label, imaginatively called Lucid Recordings, and am signed to Interchill & Six Degrees Records. I am published by Faber.

I also spend a fair proportion of my time producing my weekly radio show for a number of radio stations throughout Europe called 'Eclectronica'.

One Zero Two

alucidnation

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