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Cassini, the first single from Secret of https://soundcloud.com/secretofelements ' new album "Chronos“ named after the Italian space probe that came closest to Saturn, shares with it the the ascending circularity of a hypnotic synthesizer loop and the panoramic musical spectrum of the great cosmic spaces.The dance steps that open the piece gradually fade away to reveal a rich and immersive universe of sound, inviting the listener to escape into an interstellar electronic ballad.

"Chronos", the debut album of Secret of Elements will be released in vinyl / CD and online Friday April 23rd

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Chronos

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Secret of Elements - Cassini

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Broken Clock Radio - Glitch -Core Ambient - DARK Soundtrack (XI)

Story
The Lady of the Lake.
In the heart of the Brocéliande forest, where the trees whisper in Breton and the stones hold the memory of the Druids, there is a lake that does not appear on modern maps. They call it Lac du Miroir, because its surface reflects not only the sky, but also the most hidden thoughts of whoever looks in.
There lives Viviane, the Lady of the Lake, an immortal sorceress born from the dew and the music of the leaves. Her hair is like mist at dawn, and her eyes contain the blue of all the rivers of France. She does not walk: she glides over the water as if time obeys her.
Merlin's Legacy
Viviane was a disciple and lover of the wizard Merlin, but she was not his shadow. She learned the secrets of time, the alchemy of feelings, and the geometry of dreams. When Merlin fell prisoner of his own desire, locked in an invisible tower, Viviane became the guardian of his wisdom.
Since then, she has protected the balance between the human and the magical. Sometimes she appears to lost poets, to musicians who weep in silence, or to children who still believe in dragons. She offers them a cup of water from the lake, which does not quench their thirst, but awakens ancestral memories.
The Knight of Silence
In times of war, a nameless knight came to the lake seeking redemption. He had killed for orders, for honor, for fear. Viviane looked at him without judgment and offered him a crystal sword that could only be wielded in defense of beauty.
The knight accepted, and since then he has wandered the lands of France, protecting dreamers, lovers, and those who still believe in music. His armor does not shine, but his presence calms the wolves.
The Return
It is said that when the Louvre fills with water and the clocks of Paris stop, Viviane will emerge from the lake and walk the avenues.

🎶 Listen 💫 Share 💬 Comment ➕📃🎧 Add to your playlists... Because this journey is meaningless without you... Thank you for being here... J. Bilbao

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Argentinian musician Federico Durand returns with his 2nd full length album on 12k following 2016’s A Través Del Espejo (12k1085). Taking his already minimalist composition style Federico challenged himself by using only one synthesizer for this beautiful album of sparse, hypnotic dustiness. His talent for creating works of so much emotion out of so little attest to his concentration when working and his passion for the craft. La Niña Junco is a handwoven gem. Music with a humble origin and a deep resonating soul.  Famed Argentinian artist Lola Goldstein graciously illustrated the album cover, caputuring the idea of memory and object that is so infused with Federico’s work.

“Immersed in the beauty of the very moment, the songs for La Niña Junco were recorded in one take during two days, in a rush of inspiration. I used a small sound palette: one instrument, a Crumar Performer synthesizer along with two looping pedals and Roland Space Echo RE-201. The Crumar was my first synthesizer. I bought it many years ago and then gave it to a friend, who later lent it to my brother. After a very long time, I got it back when we moved to La Cumbre, a small town in the central mountain area of Argentina. As this instrument has a very limited but beautiful oscilator, it was rewarding to make small melodies using only its almost magical sound. I was enchanted to have the chance to play with my Crumar again: in many ways this album feels like returning to an early home. The electric noises of my old, broken keyboard, were an unexpected and musical gift and a humble proof of the passing of time.”

– Federico Durand, La Cumbre, 2017

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