How does your body sounds when it bends es el primer mix de Corpoareas para el programa #Magma de Irma Ruiseñor en #ClubLava de YoRadio

Tracklist:
1. Lucrecia Dalt - No era sólida
2. Laurie Anderson - Born, never asked
3. Music Research Strategies - 13 (Eleven Postures)
4. Karen Constance - Nothing to see hear 
5. Hannah Silva - Talking to silence - Part 1
6. Danielaaa - Paisaje guajalote
7. Music Research Strategies - 2 (Eleven Postures)
8. Raven Chacon - An Anthology of Chants Operations Side A -  
9. Claire rouse - Discrete (the market)
10. Cecilia Vicuña - When This Language Disappeared 
11. Elizabeth Veldon - This is a recording 
12. Kilchhofer Anklin - Flor 
13. Joe Colley - No Way in  
14. Karen Constance - Old Scar For New Nose 
15. Concepcion Huerta & José Orozco Mora - Pulsos 
16. Amanda Irrarázabai - Improvisación i.ii
17. Emily Roll - Eat a person 
18. Breadwoman - Gu She’ na’ di’ 
19. Antiplot - (a-n) live low - discrepant
20. Mabe Fratti + Iliana Vargas + Fer Franco - Nebulosos Espectros 
21. Oliver Coates feat- Malibu - Soaring X
22. Manage The Trois (Irene Trejo) - Lucia R
23. Cassiopea Sturm- Marfa Spaceship
24. Southeast of Rain 东南有雨 -  Day 42
25. Felix Laband - The Savage Buge Hotel

How Does Your Body Sound When It Bends

Sin nombre

Zheng Tsung for prepared 21-string steel string Zheng(2018)
《錚鏦》給預置21絃鋼絃箏（2018）

2019三個人獨奏家系列－箏新視野II～郭岷勤箏獨奏會】
2019/01/04 19:45 
國家兩廳院演奏廳
策展/演出：郭岷勤 

演奏箏意味著什麼？更具體地提問，當演奏者將手放在樂器上，樂器與演奏者之間的關係是什麼？當然，箏充滿了無限的可能，而《錚鏦》是作曲家對「縮短演奏者與樂器之間的距離」這單一面向，所做的探索。把箏作為演奏者的延伸，而演奏者也成為箏的延伸，使演奏者的身體也成為箏共振的載體。雁柱左側的絃通常是作為亂奏區，在預置下改變了它的原聲，產出如鐘聲般的聲響；雁柱右側的絃則在定絃上做出呼應，產出另一種鐘聲。在這兩種不同聲音上的振動，使箏與演奏者成為一個無限共振的循環。

2019 3people Solo Concert Series - Zheng: New Horizon II - KUO Ming-chin solo Zheng Recital
2019/01/04 19:45 
Recital Hall at the National Theater and Concert Hall in Taiwan
Producer/Zheng: KUO Min-chin

What does it mean to play the Zheng? More specifically, when the performer puts hands on the instrument, what is the relationship between them? Of course, Zheng is full of infinite possibilities,
but in “Zheng Tsung” I am only interested in exploring the path of dissolving the distance between the performer and the instrument. The Zheng becomes an extension of the performer, the
performer also becomes an extension of the instrument, and further serves as the resonant body of the resonance. Normally the left side of the bridge is considered as an area of unspecified
pitches, however, under unique preparations, the sound is transformed into bell-like qualities; the strings on the right side are also tuned accordingly in order to echo similar bell-like
characteristics. The vibration of these two different sounds form a cycle of infinite resonance and reverberation with the body of the performer.

Zheng Tsung (2018) for prepared 21-string steel string Zheng

Música: Amanda Irarrázabal
Letra: Manuela Irarrázabal
Guitarra eléctrica: Rodrigo Morris
Contrabajo y voz: Amanda Irarrázabal

Es Simple ~Cardias~

Angelo Cassanello (trombone), Ramiro Molina (electric guitar), Amanda Irarrázabal (double bass), Nicolás Kliwadenko (electronics)

cassanello / molina / irarrázabal / kliwadenko 15.12.18

Christine Cornwell - violin
Josué Amador - electric guitar
Friso van Wijck - drums

Cornwell - van Wijck - Amador

Alfredo Tauber, trombón
Edén Carrasco, saxo alto
Amanda Irarrázaval, contrabajo
Felipe Araya, batería
Tomás Gubbins, guitarra

Registro concierto en SOFA, Sábado 4 de Enero 2020.

T.C.I.A.G

Roberto Tercero (saxophone), Ramiro Molina (electric guitar), Amanda Irarrázabal (double bass), Nicolás Kliwadenko (electronics)

tercero / molina / irarrázabal / kliwadenko 18.01.20 (1)

Grande Équerre: ensayo sobre la negación
for saxophone quartet

Víctor Ibarra (1978)
https://www.victoribarra.net

World premiere:
El Colegio Nacional Auditorium, Mexico City
13/XI/2014

Live concert: 
https://www.youtube.com/watch?v=xXB2tJGMGU0

CD recording, here:
https://sigmaproject.es/discografia/

Es Simple ~Cardias~

Amanda Irarrazabal

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