Deep Focus

Itasca

starve (demo)

The Hanging Arm

Step into a world where love feels soft, timeless, and endlessly gentle.
Calm Hearts, Warm Nights is a sanctuary of sound — a romantic and soothing collection designed to slow your heartbeat, quiet your thoughts, and draw you closer to the one you love.

Each song flows like a whisper under candlelight — delicate guitars, warm piano chords, velvet vocals, and ambient layers that wrap you in serenity. The melodies drift between intimacy and nostalgia, carrying the scent of night air and the quiet rhythm of two hearts resting in harmony.

This playlist is not about grand gestures or loud emotions. It’s about the small, sacred moments that define love — a shared glance across the room, the brush of a hand, the peace of simply being together. Every note breathes tenderness, simplicity, and the beauty of slowing down.

Whether you’re sharing a late-night coffee, watching the sunset from a quiet balcony, or falling asleep beside someone you adore, these songs will keep the world at bay — leaving only warmth, softness, and connection.

Between Our Hearts - “Calm Hearts, Warm Nights Music”

from 'III' [CD|2xLP|DIGITAL]
Denovali Records · den246
available on all formats at [http://denovali.com/bersarinquartett]

Melancholia. Longing. It is difficult to speak about these moods or states of the mind without invoking stereotypes. In ancient medicine, melancholia was considered to be one of the four temperaments, matching the four humours. In fact, melancholia, meaning "black bile" in Ancient Greek, was thought to be caused by an excess of this very body substance. By contrast, in more modern interpretations, literates and Freudians relate many variations of longing to the one primordial longing, the desire to return to one's mother's womb. In this context, the womb is considered to be the place of absolute comfort and cosiness, of total bliss. Thus it should not be surprising that to many of us melancholia is a mood which we like to invoke and to maintain, we like to envelop ourselves in it like in a warm blanket. Our brain and our sensory systems appear to be made for perceiving and emotionally responding to music in a very immediate fashion. Consequently music is the obvious drug for all of us melancholia-addicts. However, there is a thin line between melancholia and sadness, and music which is meant to be melancholic too often crosses this line by far. Only very few artists succeed in avoiding this crossing, and in creating music which is melancholia in its most pure form. It is safe to say that BERSARIN QUARTETT - the electronic music project of Thomas Bücker - is one of them.

After his successfull selftitled debut in 2008 and the sophomore "II" in 2012 - album of the month in many magazines and in numerous "Best of the year" lists - Bücker returns with his third BERSARIN QUARTETT album "III", due for release 6.11.2015 on Denovali Records. Much like his two predecessors, III is a pure paradox. It is the creation of a perfectionist, an adamant control freak. Every element, be it a note, an ambience layer, a string arrangement, a field recording, a baseline, a vocal (Clara Hill on Track 11) or a beat, is meticulously modified and then assigned its place in Bücker's vast but still minimalistic arrangements. Thus, superficially Bücker's pieces seem to radiate a certain mechanical bleakness. However, there is a unique reduced warmth and liveliness emerging from these stainless compositions and transcending them. This transcendence is precisely the point where Bücker ironically looses control over his creations. In contrast to the first two BERSARIN QUARTETT albums, III offers a few darker shades and succeeds even further in narrowing down the arrangements to the absolute essentials without loosing the characteristic grandeur of Bücker's sound. Whereas BERSARIN QUARTETT's debut was merely a description of melancholia in its most pure form, III maybe even goes as far a defining what melancholia really is. It is the only emotion in the vast spectrum of human states of mind which one can bear forever. 

Bersarin Quartett - Sanft verblassen die Geschichten

All I Need

Tom Day - Somewhere in October

Klangriket & Sjors Mans - Leidseplein

Pulsing, Flowing

Infinite Sustain

Floating

Escaping Time

432 Water Crystals

Just Look at You

The Echelon Effect - Tracking Aeroplanes (Nick Armbrister's Our Flying Days Mix).

Vocals recorded by Nick armbrister in March 2013 in Oldham. All vocals / words @ Nick Armbrister.

Mixed by Andy N. April 2013

The Echelon Effect - Tracking Aeroplanes (Nick Armbrister's Our Flying Days Mix)

Reconstruct

For a Moment

THIS ACCOUNT IS 7 YEARS OLD LOLOLOLOL LOLOLOLOLOLOLLLLLLLLLLLLLLLLL 
ALL OF THESE PLAYLISTS ARE BY SOUNDCLOUD LOL :)))))))))))

Infinite Sustain

Amaranth Cove

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