I love it!!!💜💜💜💜💜💜💜💜

AVRIL 2016

Amason - Älgen

"FIRE" VIDEO OUT NOW ON YOUTUBE -----> https://www.youtube.com/watch?v=0Vd-aGTmTdY

seaweed chains, hold me down 
Tear my skin, claw my heart 
I can feel, I can feel, the water, fill my lungs

Emptiness vastness, everlasting darkness 
anchor me, to the sand, underneath

this body is mine no longer 
scales creep up all over (x2)

seaweed chains let me go, fins for wrists, cold blood 
I can feel, I can feel the air fill my gills

emptiness, vastness, everlasting darkness 
welcome me, to my home, underneath

this body is mine no longer 
scales creep up all over (x2)

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Ocean

Taken from new EP "Dreamzone", coming December 2nd 2013. For more info: 

http://www.weirdworldrecordco.com/2013/10/jaakko-eino-kalevi-signs-to-weird-world-dreamzone-ep-coming-december-2nd-2013/ 

Cover photography by Harley Weir.

Dreamzone

No End

Jaakko Eino Kalevi - No End

'Last Word' is the new single to be taken from Hospitality's latest album 'Trouble' (out now on Fire Records/Europe + Merge/USA). The band will embark on their first ever tour in May, which includes a sold-out headline show at London's Sebright Arms as well as a slot Primavera Sound Festival. Full European tour dates below.
 
European Tour Dates:
09/05/14 : London Calling @ Paradiso – Amsterdam (NL)
10/05/14 : Vera – Groningen (NL)
11/05/14 : Die Pumpe – Kiel (D)
12/05/14 : Stengade – Copenhagen (DK)
14/05/14 : Debaser – Stockholm (S)
15/05/14 : Pustervik – Gothenburg (S)
16/05/14 : Pop Revo – Aarhus (DK)
17/05/14 : Kampnagel – Hamburg (D) (+ The Julie Ruin)
18/05/14 : Bi Nuu – Berlin (D) (+ The Julie Ruin)
19/05/14 : Hafen 2 – Offenbach (D)
20/05/14 : Les Nuits de Botanique – Brussels (B)
21/05/13 : Sticky Mikes Frog Bar – Brighton (UK)
22/05/14 : Brudenell Social Club – Leeds (UK)
23/05/14 : Broadcast – Glasgow (UK)
24/05/14 : Whelans – Dublin (EIR)
26/05/14 : Sebright Arms – London (UK)
27/05/14 : Peniche – Lille (F)
28/05/14 : Fleche d’or – Paris (F)
31/05/14 : Primavera sound – Barcelona (ES)
 
Hospitality return with the follow-up to their glowing 2012 debut with a darker, richer collection of eclectic avant pop in Trouble. Taking unexpected yet satisfying turns, the new album sees the band offer up a moodier palette, with more instances of space and silence, looser arrangements and more open production.
 
The album draws on the expansive sound of 70s progressive rock and the minimalist urgency of post punk, citing specifically King Crimson’s "In The Wake of Poseidon", Arthur Russell and Wire as influences.
 
"Sweet at the core but pleasantly dark around the edges." Uncut

"Like Sleater-Kinney reimagined for synth-pop teens." Mojo

"takes a different direction from what was heard on the debut, embracing dark, dour synths and vocalist Amber Papini's slightly growling lower register." Pitchfork

“Papini’s lyrics are witty, and if you let her songs—which range from toe-tapping power pop to amped-up folk—into your head, they’ll stay there.” —The New Yorker


Order here: http://www.firerecords.com/site/index.php?page=releasereleaseid=00000001051r.com/firerecordings




iTunes

Hospitality - Last Words

Buy the song on itunes: http://bit.ly/169P5L5
Preorder the album on itunes.: http://bit.ly/1Cp4HZn

Whereas last time around, they were all about "vocal harmonies from NYC to Cape Town" and "massive guitars from Portland to Düsseldorf, mixed with clattering beats from Berlin to Detroit" Aloa Input – a Munich-based three-piece that seems to be just as addicted to new input as it's quick and productive when it comes to releasing more genre-smashing, ebullient output – are about to leave planet earth altogether with their sophomore release: Dropping only a year after the band's debut album "Anysome" (with additional remix EP "RMX" released in-between), they return with an album that finds them dashing through the better part of recent music history, to eventually take off for the Red Planet: "MARS ETC." is terrestrial life condensed, an experimental study in hands-on, sonic set theory, both a stunningly wild and unbridled beast of an album and a long-overdue update to 1977's Voyager Golden Records.

Buy on itunes

Aloa Input: Perry

All "Wish EP" songs are originals compositions 
recording and mixing by Sébastien Fleury/Aldrinson
"Wish" & "My Heart Wanna Go" featuring Clara Decerle 
@all right reserved by Sébastien Fleury 
HELICE MUSIC RECORDS
credits
releases 30 July 2015 

Guitars/Bass/Drums/synth & recording/mastering : Sébastien Fleury 
Vocals : Alexis Genelot 
Additionnals vocals : Clara Decerle 
Support : David Fleury
crédit photo: Justine L'habitant

Wish

music video    https://www.youtube.com/watch?v=eNbSHEK3PTc

original song by Vale 510 - out of reach (demo)

https://www.youtube.com/watch?v=CwJw01T1F5k&list=RDCwJw01T1F5k&start_radio=1

.lyrics.

don’t look at me i’m out of sight 

my jeans are black just like the night 

you hold my hand you squeeze it tight 

just tell me why

just tell me why

the rain still falls like every night 

We talk to much when were sipping wine

With your black hair and green eyes

You look so good like all the time

stare - dont look ( out of reach ) .mv in desc.

WARPAINT "Ashes To Ashes" (taken from WE WERE SO TURNED ON: A TRIBUTE TO DAVID BOWIE; October 2010/ MANIMAL)


Paul Beahan/MANIMAL 2010

WARPAINT - "Ashes To Ashes"

Written & Produced by: Rainbow Chan.
Mixed & Additional Production by: Matthew Hadley.
Mastering by: Andrei Eremin.
Out now on Silo Arts & Records - inertia.lnk.to/RC_Nst

Rainbow Chan's debut album 'Spacings' out now.

Debut Album 'Spacings' → Inertia.lnk.to/Spacings

Follow: Rainbow Chan
www.facebook.com/rainbowchanmusic/
www.instagram.com/chunyinrainbowchan/
twitter.com/rainbowcmusic

Nest

Debut single released via Tambourhinoceros on Mar 18, 2016.
http://facebook.com/irahmusic

*** Lyrics ***
Send out into space
Never ending frames
Universe before 
My eyes, my eyes
	
Another galaxy
Colouring my ride
Somewhere in between 	
I'm free, I'm free

I want to meet the invisible me
Can't be haunted enough 	
To wake up and see
This is not the only reality 	
That is loading

I fall into dimensions	
This is it, that is all that I know
All that I know

Humankind is young
Sleeping with their eyes open	
Closed down higher thought
It feels wrong
So wrong that I 	

Fall into dimensions
This is it, that is all that I know 
All that I know

I am an ocean 	
The ocean is in my eye 	
My being is your being 	
Your being is my being


IRAH - Into Dimensions (single)

Vinyl: http://smarturl.it/MariaUsbeckVinyl
Spotify: http://smarturl.it/MoaiYYoSpotify
Apple: http://smarturl.it/AmparoApple
___

Maria Usbeck's solo debut, Amparo, is a collection of songs written and recorded across the span of three years in Ecuador, Buenos Aires, Santiago, Barcelona, Lisbon, Easter Island, Costa Rica, Florida, L.A. and her home in Brooklyn. Though the songs were composed electronically, Amparo called for an acoustic treatment, so Usbeck spent a winter in the studio recording the arrangements live with producer Caroline Polachek and mixer & engineer Miles Benjamin Anthony Robinson. Fleshed out in full sonic color on the marimba, xylophone, quena flute, piano, and harp, the album stretched into something hi-fi and expressive, meditative but not meandering.

Amparo stems from Usbeck's desire to compose in Spanish, her native language. Growing up in Quito, Usbeck was immersed in salsa, merengue, bachata, and Andean music, but was more attracted to German and American culture than to her own, and moved to America by herself at 17. After five years of fronting new wave outfit Selebrities and writing songs in English, Usbeck experienced a delayed-onset homesickness and knew it was time to "let the mother tongue speak." The impulse manifested itself directly: Amparo takes its title from Usbeck's middle name and her mother's name, and translates roughly as "to guide, protect, and embrace." Usbeck wields her Spanish lyrics cleverly while folding in snippets of several other far-flung tongues: Rapa Nui from Easter Island, Quichua from Ecuador, Bribri from Costa Rica, and Catalan. Because these lyrics were composed while visiting the countries from which they originate, their usage is more impressionistic than literal, like a mockingbird imitating fragments of other bird calls. Similarly, Usbeck reinterprets the Ecuadorian music that she grew up with as a newcomer, returning home with fresh ears, and as such the sounds are very much her own.

The backbone of Amparo is percussion, vibrating throughout with timbales, tumbas, a talking drum, bongos, shakers, and an Indian flat drum, with the gaps filled in by her field recordings of birds, beaches, and jungles. The songs were written and recorded chronologically, with the exception of the closing track, a cover of Colourbox’s “Tarantula” reimagined in Usbeck’s Spanish translation. Amparo is a reflection of the textures of Usbeck's childhood. It is also a distinctly grown-up pop record – a travel diary, music made by a visiting outsider to tap into a shared core of human expression. Emotively, Usbeck is her most powerful on piano ballads "Uno De Tus Ojos" and "Jungla Inquieta," but is a magnetic narrator throughout, moving between whispers, chants, and lullabies. Amparo pulses with many stories in many voices, but they flow together seamlessly like water, leaving behind a wordless hum.

Amparo is released May 27 via Cascine in North America, Labrador in Euope and Rallye in Japan.
___

Cascine on FB: http://bit.ly/1QTpyHQ 

Maria Usbeck - Moai Y Yo

Watch the clip here : http://www.youtube.com/watch?v=H8Y113JBTSU

LIKE : http://facebook.com/thepopsband 
FOLLOW : http://twitter.com/thepopopopops 
MORE : http://thepopopopops.com

The Popopopops ● Hypnotise Me

"Dreaming Legend EP" out the 19th november 2012
Buy it on iTunes here : http://bit.ly/UC3Nxm
Composed, recorded and mixed by Pegase at Fvtvr Stvdio & Le Lieu Unique 
All instruments by Pegase except additional guitars by Dan Baldwin (Dreaming Legend) and Tristar (Ladybug) 
Mastered by Benjamin Joubert & Damien Bolo 
(c) 2012 Fvtvr Records 
facebook.com/pegase.fb 
https://twitter.com/raphaelpegase 
pegase.bandcamp.com/
http://www.youtube.com/user/pegasemusic

Pegase - Ladybug

Nite After Nite

Open Rhythms

Having grown up in the U.S., the Amason was a Volvo model that passed me by, but in Scandinavia, it was a popular car in the 1960s. Named after the fierce female warriors of Greek mythology, Volvo adopted a Swedish spelling for its design, and the band has followed suit. Perhaps the spirit of a female warrior coupled with the liberatingly swinging ‘60s is a suitable description of this five-piece band of Swedish-born and based touring musicians. Or perhaps their name, chosen spontaneously by Pontus Winnberg of Miike Snow, is just one aspect of this multi-talented, musically minded group of friends that first came together in 2012.  

The security and strength offered in Amanda Bergman’s vocals is reminiscent of a warrior, but the whole picture of Amason carries much more depth than a single simplicity can encompass. The story of Amason begins with brothers Pontus and Petter Winnberg, whose father was a music teacher and classical musician. When Petter was 16, he studied at a jazz music school, where he met Nils Törnqvist, and from then on the two have played together in a multitude of musical constellations, including Little Majorette. In 2008, Nils saw Amanda playing a gig in Gothenburg with her band Hajen, and was so blown away by the power of her performance that he just had to tell Petter and Pontus about her. Pontus contacted Amanda through Myspace, and the two recorded a few tracks together. A few years later, Pontus met Gustav Ejstes of Dungen through Stockholm-based music collective INGRID. Within this open setting, they started speaking about making music together. When Pontus played Gustav a tape of him and Amanda, who currently writes under the name Idiot Wind, as she howled along to a drunken piano, Gustav also was blown away by Amanda’s voice, her way of expressing herself, and began thinking, “Let’s make something together.” Which is precisely what Pontus posed once the tape had finished. At the tail end of 2012, these five finally arrived in a musical space together.

Having arrived in a collective sonic space, they all hopped aboard a vehicle, with their past paths and divergent musical tastes thrown into the mix, and found this was more than enough to fuel Amason forwards. A sound created out of collaboration, with each member inhabiting an equally important space. Be it Nils on drums, Gustav on organ, guitar, and vocals, Pontus on piano and pedals, Petter on bass and vocals, or Amanda on synth and vocals, these simpatico souls share the creative ground as Scandinavians share their land. Everything is everyone’s. And the music is all the greater for it.

When Pontus first booked time in the studio and miraculously managed to get all five of them there during that time, the rest clicked into place. They started out by putting an idea on the drawing board, thrashing it out on their instruments, recording the tracks, writing a melody and lyrics, and swiftly had some finished songs to present. The first song to hit the Swedish airwaves, “Margins,” was soon followed by a self-entitled EP released in August 2013 on Stockholm-based INGRID, complete with single ”Went to War.” In February 2014, Amason released “Ålen” (The Eel), and on October 28th, 2014 they will release their single “Duvan” (The Dove) worldwide on Fairfax Recordings and INGRID. Their debut album, Sky City, is due for worldwide release in early 2015. 

With lyrics in both their native Swedish and the Swedish musical language of choice, English, Amason create in the moment, record almost instantaneously, and soon after scan the horizons for a stage, where the music truly comes alive, where they can share their collected collective moments. They fill their together time with sound, with music-making, with production and lyric-crafting and the joy of the song. Not to say that they don’t have to work to create what they get. Bringing five busy people together and getting crafted songs down in a state of permanence is a mammoth undertaking in and of itself. But as the old adage goes, where there is a will, there is a way. And the Amason will, the Amason way, is celebrated and magnified and revolves around the power of music. While the classic Volvo Amason still motors onwards in its intention to take people places, so too will a pure love of music drive Amason the band far into the future.

Amason - Älgen

Amason

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