I have been working, tweaking and editing this recording for a long-long time Drum and bass / breakbeat style beats with multiple layers of harmonic fingerstyle guitar. The addition of birdsong in the background (recorded at 5 a.m in the U.K during the first COVID lockdown) augments the melodic, harmonic and overflowing guitar. The birdsong fades, giving way to an increased complexity of melody and harmony. The central silence half-way through the track is when things get more intense. The intro overflowing with harmony gives way to the main chord progression. At 4mins 30seconds, it's time to break it down again. I really love getting lost and disorientated by the timing of this breakdown leading only to land firmly on a really neat 8 bars of guitar breakbeat/DrumandBass. The birdsong returns and slowly the tune breaks apart. At the very end it revisits what I considered to be the highlight of the track in a loud finale. It is totally OKAY to TURN THE VOLUME UP and FEEL this. Thanks for your time. x

w4ves_44/karmic state 20,000 (epic)

An ambient version of the once acoustic; 123,123,123456 (Yanika's song)

123,123,123456. (Yanika's song ambient take)

This is work from summer 2023 on a boss multi-track which was stolen when unfortunately I was homeless and living on the street over Christmas. Of course I have finally replaced it with a good old Tascam Digital 006 and back on it, hoping to soon maybe get a good stream going. I also had a relapse for a while and I caught Jamiroqui Live one night out with a girlfriend and just in the right spot stood on a wall, in summer '23.
This is really just an extension/ another mutation of W4ves_44(epic). So it is in the same open tuning. I think I was reaching out for 432. I have now found 432 and I intend on releasing a huge body of work now tuning tightly into 432hz, litterally on the fork.

Summer '23/ambience

Medley pt.2

A few tracks overlayed forming their own pattern. Input ambience; returns form in beautiful mid-ranges. This really needs a bassline, a GOOD bassline, to weave in amongst those midranges like a tree. I'll return to it myself sometime when I'm controlling a bass/synth. I think the difficulty in adding a good sample is that it isn't tuned to concert pitch, it's down a bit in a open-tuning. It would work to tune a bass guitar into the same freq. as this before then writing it a solid bassline.

Ambienthazematrix