This is my first completed mix. Quite old, but delivers a sensation to the ears that most people would not expect. Sound selection was pretty delicate, excluding some synthesis work which collectively glues this piece together.

Anonymity

ANONYMITY

This one is a bit of a mixture of world, and a hip-hop downbeat with bass. I would've categorized it under world but it has too many contrasting elements and is more complex than your original piece. With the after life being a party, this is something that is less of a bass kicker.

After Life

AFTER LIFE

This one has a countering line that makes it feel like things are going backwards, or in reversal at certain points. You have the bop, and other elements that all collect together for a nice little drop. One that I'm definitely proud of and hope it remains in someone else's book.

Cradle Dream

CRADLE DREAM

This one is also another favorite. A combination of live recordings with a video game synthesis base. It explodes into a field of flowers, with a windy ending. I think I had the most fun making this one just due to how many transitions and parts there are that make up the piece.

TO THE KING!

TO THE KING! (ft. MARCUS COTTON)

I forgot to add this one before the next track. LIMBO is fun. An eerie state that describes kind of like a deep stasis of concentration and behaved decision making. One that I won't forget just from the amount of memory that I had working in the project file. A good piece.

LIMBO

LIMBO (ft. VERO AND ERIC)

This track explains my vision of a snow storm, or a violet blizzard gust. There is obviously more to the story but I decided that this one was the best results out of many of the projects that were going on at the time.

DEATH BY SNOWFALL (ft. ELIZABETH)

This track was supposed to be the beginning of project, with "Death By Snowfall" coming last. It's a mixture of piano with inorganic elements that provide some really nice ear candy. For how short it is, there were actually a lot of work hours that went through this piece.

THE BEGINNING

Intaking elements from the cinema, electronic, and impressionism, Amero Demetri aims to create a magical sound. Inviting listeners to accompany him on his journey. A story teller. He began said journey with piano and orchestral studies,  later exploring other regions of the musical world out of curiosity, but also for influence and inspiration. He favors the chamber halls, but also respects the dance floors. "Limitations are no more but a mirage". Through his eyes music is not only an art, but practically a religion and an endless language that allows expression beyond anything else. The ultimate translator.