Breizh Fun!

a-di-da-da-da-da
dai-dai-da x8

hurting happily
craving time
slowing rapidly
staring blind

own the shipwrecks that cast us ashore
ask for all we've got before we ask for more

we're sitting recklessly
guess who's always running out of time?
you're sitting next to me
but we can only exit in a line

don't ask what's become of me when I do
we will keep meeting in the churn

[chorus: repeated]

ti-dai-da-da-da
ti-dai-da-da-da
ti-ti-ti-dai-da-da

succeeding helplessly
guess who's never fully in the know
repeating breathlessly
all the way until it's time to go

don't ask what's become of me when I do
we will meet again & again in the churn

[chorus: repeated]

a-di-da-da-da-da
dai-dai-da x8

Spotify

Ask For All We've Got

Dreams

follow - https://ullip-percussion-artist.bandcamp.com/track/waterdragon
follow - https://open.spotify.com/album/1o1tTHSMdgUfKkC4h4sdOj?si=3_0bk0K3RkmWea-uuXQgpw
Ullip - Single : Waterdragon

EAN : 4061707378010
Release : 07.06.2020
1.Waterdragon 7:27 min             
ISRC : DEAR42031594
﻿Gema reposted ©

Recording , mix and Master by Ullip at Bergtonstudio Andalusien.
music by Ullip ©
Cover : Katulli Artwork ©

Waterdragon

Many paths before us are clear and many are hidden. Our only inner confidence is that we can even recognize the hidden path and step on it.

بسیاری از راه های پیش روی ما واضح و بسیاری پنهان هستند تنها اطمینان درونی ماست که میتوانیم حتی راه پنهان رو تشخیص بدیم و قدم در آن راه بگذاریم

Tracker

The Angel Awakens

All Music By Me

"Lehi" written by Me and Dani Ford

Cover by Engin Akyurt (Pixabay)

Special thanks to Kahlan Davis and Dani Ford

Lehi

Released originally in 2019 on Suburban Bicycle Gang's debut album Soft Balls Are Too Hard.

Suburban Bicycle Gang - Mal A Dos

Shifting rhythms with a calming vibe. It reminds me of a program I used to watch on Discovery channel called Wake Up Earth where they placed cameras near a river or creek and they showed an hour of nature waking up between 6am and 7am. 
Now, of course, I have to think about making a song called Day. The ending surely suggests I should let the beat continue into the next track… we’ll see.

Dawn - Short version

This started out life in a style inspired by Orbital but I just couldn't make it work. So I stripped it back and ended up with this. One day I'd like to do the more upbeat version...

It was written in Propellerhead Reason using in-built sounds and some leftover audio from previous versions.

Mixed and mastered by Rudy at S9Fifty
s9fifty.co.uk

Picture credit: https://flic.kr/p/51Xfpg

Monomania

Written: 2019-20
Duration: ca. 21'
Instrumentation: string quartet
Commissioned by The Indianapolis String Quartet
Premiere: The Indianapolis String Quartet, Carnegie Hall, Weill Recital Hall, New York, NY, March 5, 2020.
Publisher: Bill Holab Music: http://www.billholabmusic.com/composers/robert-paterson/
For More Information: https://robertpaterson.com/string-quartet-no-3

PROGRAM NOTES
String Quartet No. 3 consists of five movements that explore “other voices,” either literally or figuratively. In a literal sense, this could mean speaking or singing in a way that is not considered normal or even out of one’s control. It could also mean speaking differently for a desired effect. Figuratively, “other voices” could mean a voice that is not one’s own. All five movements touch on these definitions in one way or another.

The first movement, Twist and Shout, uses musical patterns that sound like stuttering or someone who has a severe form of Tourette’s Syndrome. I use these sounds as a technical point of departure, incorporating jagged rhythms, erratic melodic patterns, and sudden volume shifts throughout the movement.

The second movement is entitled Poet Voice, and uses this style of reciting poems as a point of departure. In particular, this movement is based on a video of Louise Glück reading her poem “The Wild Iris,” which is included in a book of poems of the same name for which Glück won the Pulitzer Prize. Glück’s poem compares human suffering and finding a voice to the growth of a wild iris that makes a “passage from the other world” underground, despite the difficulty of breaking through. In the image of the wild iris, the explosion of color symbolizes new life. In this movement, I mimic Glück’s speech patterns and structure the movement around the sound of her voice and the content of her poem, essentially giving new life to her poetic reading. 

The third movement, Auction Chant, is inspired by North American auctioneering, which is a rapid-fire, rhythmic repetition of numbers and “filler words” spoken by auctioneers in the process of conducting an auction. This movement is also inspired by country fiddle music, which is a type of music often played in areas where auctioneering takes place.

In the fourth movement, Effects Pedal, I mimic sounds made by electronic effects pedals—and in particular, a vocal effects pedal, but without the use of actual electronic effects on the stringed instruments. I also use musical effects that sound somewhat like swallowing helium, which raises your voice when you inhale it, or sulfur hexafluoride, which lowers it.

The final movement is entitled Anthem. In this patriotic-sounding, yet slightly humorous movement, I weave together various sports themes and state songs from around the United States that are used to rile up fans at sports games.

String Quartet No. 3 was commissioned by The Indianapolis Quartet.

The Indianapolis Quartet: Robert Paterson - String Quartets 1-3

String Quartet No. 3 - I. Twist and Shout

I am composer , Musician and Producer , all of my songs influenced by classical music and ambient and progressive rock. If music is our common language that does not need a translator, I hope you enjoy listening to my pieces

امین دوگونچی ، آهنگساز وتنظیم کننده 
موسیقی های ساخت من تاثیر گرفته شده از موسیقی کلاسیک ، پروگریسیوراک ، جز و موسیقی متن فیلم هست
موسیقی زبان مشترک همه ی ماست بنابراین
امیدوارم از این قطعات  لذت ببرین

Tracker

amin dogonchi (امین دوگونچی)

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