با سلام و احترام، کوک این کار نسبت به اوریچینالش بالا برده شده؛ ضمن اینکه دکلمه ی اثر باصدای زنده یاد سعید سلطان پوره نه مظفر مقدم

درباره این رقص در «گوشه» بیشتر بخوانید http://www.gooshe.net/?p=9463

موسیقی رقص کلاه مکزیکی

بيانو بنكهة شرقية جواد معروفي

Mohammed Pianist 
https://www.facebook.com/pages/Mohammed-Pianist/222016961183223

Yanni End of August Piano cover by Mohammed Elrubaie

Captain Corelli's Mandolin

"گفتگویی با گلی"
پنجه ی مریم رُسته در شکافِ صخره یی
این همه رنگ از کجا آورده یی تا بشکوفی؟
ساقه یی چنین از کجا آورده یی تا بر آن تاب خوری؟
قطره قطره خون از سرِصخره ها گرد آورده ام
از گلبرگ های سرخ دستمالی بافته ام
و اکنون آفتاب خرمن می کنم
------------------------------------------------------
شعر:  یانوس ریتسوس (شاعر یونانی)
موسیقی: میکیس تئودوراکیس
ترجمه: احمد شاملو
دکلمه: مظفر مقدم
 1360 تهیه شده به صورت نوار و کتاب در سازمان انتشاراتی و فرهنگی ابتکار

Mozaffar Moqaddam - Shamlou -  Mikis Theodorakis

Get my album 'Ela Mataa?' here!
https://music.apple.com/ca/album/ela-mataa/1450133455

Tarek El Borollossy: Vocals, Acoustic Guitar
Ali Omar El-Farouk: Oud, Acoustic Baritone Guitar, Nylon String Guitar, Vocals
Words by Tarek El Borollossy &amp; Sabry
Music by Tarek El Borollossy &amp; Omar Raafat

Recorded in August &amp; September 2011

This is an acoustic/unplugged ‘home recording’ version of the song written by Egyptian rock band Digla. The band’s lead singer and songwriter Tarek and I decided to record our own version after receiving strong positive feedback from having performed the song as a duo several times.

The Story of “Tamam Ya Fandem”
------------------------------------------------

The original idea of “Tamam Ya Fandem” came to Digla members Tarek &amp; Omar in 2008. They wanted for once to write and produce a decent Arabic song, one that is different from their usual style and beyond their range of expertise. They found their inspiration one night as they were sitting on the balcony of Tarek’s house when they heard a simple draftee by the name of Sabry singing to himself Egyptian folklore music on the street. Finding his voice captivating, they approached him with the idea of writing a song together.

As Tarek would put it “I wrote the song through him” he spent long hours in his garage with Sabry working on a song that addresses the oppression and corruption of Egypt’s long withstanding unjust regime.

It was not easy for Tarek &amp; Omar to train Sabry to sing the song, as he had no musical or singing background. But with enough work and dedication he came through and recorded the vocal part on the original recording.

In December 2010 the original version of the song was complete. Digla were contemplating how to have the song released when, as fate would have it the Egyptian revolution began next month. The significance of the song was stronger than ever, and it was released as a tribute to the heroes of the revolution:

http://www.youtube.com/watch?v=Mp0fj8D8Ero

The Egyptian revolution still continues, and the “Arab Spring” revolutionary wave is far from over. Let it be known that any dictatorial regime is bound to fail, not matter how long it tries to remain in power…

Ali El Farouk Music:
www.facebook.com/alielfaroukmusic

Digla Online:
www.facebook.com/digla
www.myspace.com/diglamusic
www.diglamusic.com

Lyrics (translated by Karim El Borollossy):

“Aye Aye sir, always a grand salute to you Sir who's shown me nothing but agony and humiliation

I blame you O' fate, I only blame you
You've taken away my nearest and dearest
I feel lost and abandoned
My emotions pain, and my mind has gone astray
My soul weeps precious tears

Aye Aye sir, always a grand salute to you Sir who's shown me nothing but agony and humiliation

No longer is there fidelity, O' life what have you done to mankind
O' life you made me gulp down the bitter cup of sorrow
Why is it O' life that the worthy get trampled underfoot?
Betrayal has become your pattern
Enough is enough; no longer shall I submit

Aye Aye sir, always a grand salute to you Sir who's shown me nothing but agony and humiliation”


تمام يا فندم، تمام كبير، كبير اوي
يا اللي عمري ما شفت منك غير العذاب

بأعتب عليك يازمن، بأعتب عليك يازمن و خلاص
طب ما راحوا يا دنيا، راحوا اعز الناس
انا تُهت في مكاني، و بقيت لوحدي خلاص
و الحب جارح وانا فكري سارح
ابكي يا عيني، والدمع غالي، غالي

تمام يا فندم، تمام كبير، كبير اوي
يا اللي عمري ما شفت منك غير العذاب

معادش فيه إخلاص، يا دنيا عملتي ايه في الناس؟
و سقتيني يا دنيا المر في الكاس
ليه فيكي يا دنيا ابن الاصول ينداس؟
والغدر فيكي بقا اساس
مخلاص كفايه، كتبت النهاية، نهاية

تمام يا فندم، تمام كبير، كبير اوي
يا اللي عمري ما شفت منك غير العذاب

Tamam Ya Fandem (Acoustic Version) تمام يا فندم

Symphone 40 W.A.Mozart 
1st Movement Allegro Molto (main part)
Arranged for Santoor: Poolad Torkamanrad
سمفونی ۴۰ ولفگانگ آمادئوس موتسارت
موومان اول قسمت اصلی آلگرو مولتو
تنظیم و اجرا با سنتور: پولاد ترکمن راد

سمفونی ۴۰ موتسارت برای سنتور Symphony Nr. 40 W.A.Mozart for Santoor

٢. فضل الله توكل

اجرای ترکی اشعار عمادالدین نسیمی - سامی یوسف

Roubbama الثلاثي جبران

نگرانم Music By Iman Jafari pooyan 
Saxophone&clarinet Solo By Iman Jafari pooyan 
Performed By Imazh Band .Mix & Mastering By Orod Anzabipour .(Guitar : Mehdi Beykverdi.Electric Guitar :Shayan Majidi Keybord :Saman Heydar Khani Drums Programing :Ehsan Gholami Beyraghdar Bass:Ali Shaghaghi.) NEGARANAM (IAm Worry)

آهنگ : نگرانم
آهنگساز و تنظیم کننده : ایمان جعفری پویان
میکس و مسترینگ : ارد انزابی پور
پیانو و کیبورد : سامان حیدر خانی
گیتار : مهدی بیک وردی
الکتریک گیتار : شایان مجیدی
باس : علی شقاقی
کلارینت و ساکسفون : ایمان جعفری پویان
درامز پروگرمینگ : احسان غلامی بیرقدار

Mozaffar Moqaddam - Shamlou - Mikis Theodorakis

Amir Alidoust 1

Recent comments

Hossein Arabzadeh

Related tracks