ערן צמית - 
הניסיון הראשון בניסוי לגלות מה ומי עומדים מאחוריי אלבומי המוזיקה שיצאו במחלקת המוזיקה של מוסררה

הפרק הראשון מציג את אלבומה של יערה חיים
Lonicera

אלבומיזה - לוניסרה

פרק שלישי
היום שומעים מלא קלאב ממשחקי מחשב וגם לא ממשחקי מחשב!!
♥ ♥ ♥

פלסטיק פודקאסט 3.0 - אייפ אסקייפ

מאת שאול דהן

בפרק הראשון נאזין לשירים של מוצאי שבת , ואף שירי געגוע שאינם בהכרח מתוך פסוקים 

טראקליסט
נגון געגועים - חב"ד
במוצאי שבת - מודזיץ'
המבדיל - יוסלה רוזנבלט
אמר ה - באבוב 
שיבנה - משה קוסוביצקי
השכיבנו - יוסלה רוזנבלט
ELEGIE ביצוע של יוסלה לשיר של ג’יל מאסנה
שלאפ אין זיסער רוה - יוסלה רוזנבלט
אלי אלי - יוסלה רוזנבלט

תמונה מתוך התקליט 
song of my people “ של יוסלה רוזנבלט

גירסא דינקותא - שאול דהן

Pegi Supersaw

Live set at Radio tonka Den Haag.
Thanks to Vaida and Yorrit Bling.
www.radiotonka.org

Kacper Ziemianin and Amir Bolzman @radio Tonka part B

Francisco Lopez talk at Musrara Mix Festival 23, Jerusalem. Part 1.
http://www.franciscolopez.net/
https://t-hs.bandcamp.com/

Francisco Lopez - Socialization Of Technology

Ungoing War

Elvin Brandhi - OWsT
LP on Xing (XONG collection XX18) out April 2025, order at https://www.soundohm.com/product/owst-brandhi-lp and at https://www.lespressesdureel.com/EN/ouvrage.php?id=12211&menu=0
Collector's edition available at https://www.soundohm.com/product/brandhi-owst-art and at https://shop.flash---art.it/products/elvin-brandhi-owst

*

Xing presents the new LP OWsT by Elvin Brandhi, eighteenth release of XONG collection - artist records. The release is on white vinyl, in a limited and numbered edition of 150 copies, including a collector's edition of 20 copies, each featuring bespoke talismans, painted by the artist in squid ink, to be worn as patches or kept safe somewhere to ward off misanthropists.

OWsT is a vociferous attempt to Shout The Self Out. Elvin Brandhi, artist and poet propelled by constant nomadic rupture in both art and life, screams her mind to explore the urgent contradictions of self and world, of language and meaning, relentlessly unlearning at the edge of words. In OWsT she extrudes her limbic dissidence keeping a raw tension through chaos, where the fumbling find its stratum of empowerment and can become more than its forlorn wondering:

"LanGuAGE! ContinuES to BE a FRantic FOCUS WHich CAN ONLY BenefIT from Internal ASSAULT. 
I try to OUT all of the words inside the HEAD. 
The struggle to articulate necessitates violence, bursts of inclination, gestures of intent that supersedes the capacity to express coherently. 
OWsT as a pretext for the form to disgorge, comfort zone extinguished awe against a lore. 
I am not I am KNOT. JOWST THE OWST OUT  OWST THE CELL”F OWT!"

OWsT originates from a live recording session at Raum, Xing’s space in Bologna. Recorded on tape and re-manipulated by the artist several times, more than a transcription of the expulsion process (literally ‘oust’, poetically and phonetically ‘owst’) the album is "a retrospective spell where tensions and indecisions, resistances, deviations and relapses constitute the process of the archaeologist attempting to retrieve from sight the mangled contents of what poured out.” Listening to Elvin Brandhi’s music can offer a chaotic and overwhelming experience.

Elvin Brandhi (born Freya Edmondes) is an improvising lyricist, producer and sound artist, originally from Bridgend in Wales, but a citizen of the world, moving between Vienna and Kampala, Berlin, Cairo, Dakkar, Marseille and Newcastle. She had a childhood immersed in music every day, and studied painting and drawing at the Academy of Fine Arts in Vienna. Her sound production develops on distorted bases that act as an unstable platform on which she sings and performs her improvised stream of consciousness lyrical trips. Deep furious or nonsense, her spoken word lies on explosive and aberrant beats from field recordings, tape, vinyl, instrument and voice. Since 2013 she has played and collaborated with many improvisers. At each stop of her nomadic journey she collaborates with local artists. She has participated in international festivals. Among her stable collaborations are the low-fi noise pop duo Yeah You with her father Gustav Thomas, the duo BAHK with Daniel Blumberg, the INSIN duo with Bashar Suleiman, the project Avril Spleen with Joseph Jadame, the duo Pollution Opera with Nadah El Shazly, and Bad@Maths. She released the LPs Shelf Life (C.A.N.V.A.S), Villaelvin (Hakuna Kulala), Elvin Brandhi (Krai), and OWsT (Xing/Xong collection). In 2017 she was awarded the PRS Oram Award for Innovative Musicians, with a production commission at the BBC Radiophonic Workshop. She was also part of SHAPE platform 2020.
soundcloud.com/elvin-brandhi-1   elvinbrandhi.bandcamp.com

*

sound, composition and performance by Elvin Brandhi; elaboration, re-composition from tape recordings and mix by Elvin Brandhi;
live session at Raum (Bologna, 2022) recorded by Pasquale Savignano, Tobia Bandini, mix Pasquale Savignano; master Riccardo Mazza; artwork Xing; printed by handle with care Berlin; 45 rpm.

XX18: Elvin Brandhi - OWsT - O"w - excerpt side A 1

Rotem Trifman / Shell Selection 0.3

Premiered by Syzygy Ensemble at the Melbourne Recital Centre. For Laila Engle (flutes), Robin Henry (clarinets), Jenny Khafagi (violin), Campbell Banks (cello), Leigh Harrold (piano) + Electronics.

This piece was made possible by the genrosity of patrons Mark Lazarus and Kingsley Gee. 

Recording made at ABC Iwaki Auditorium, with sound engineer Chris Lawson

Tracecore

Messy lattice is a work composed in such an uncertain epoch. The year 2020 is different for the  whole of humanity as for me. We see how people are impatient for getting back to “normal.”  Therefore, I felt the spirit of Autumn and its grief more than every year. The only thing that I could  be definite about is that there will be Winter that can be more chirpy. Another hand, chaos is  always interesting to me. Chaos is something that entangled by order. However, here I attempted  to get closer to being “messy.”

(This piece premiered on 21st December 2020 in Spectro Centre for New Music's event: Yalda Electroacoustic Music Marathon Vol.1)

Messy Lattice

Composer, Sound Artist, Producer & Educator.
Born 1985 in Brazil. Based in Jerusalem, Israel.  
Studied new music at the Naggar school in Musrara, Jerusalem, and Graduated with honours in July 2010. He then moved to the Netherlands and studied at the Sonology Department of the Royal Conservatory in The Hague where he received his Bachelor and Master Degree's, graduating in 2015. Since 2016 Amir is a faculty member of the Naggar school for new music in Jerusalem, teaching electronic music and composition, in groups and in private. Amir has been active as a performer around the world and in Israel as a curator, record producer, festival organiser and artistic director, alongside his main musical activities as composer-performer-educator.
Amir runs the label "Hedim" which releases local new form music, acting as an embodiment of the fusion between a publishing group, record production group and an event production group.
He is a co-curator and resident at the Mamuta art & media research center.

Kacper Ziemianin and Amir Bolzman @radio Tonka part B

Amir Bolzman

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