Various Classical Selection by Amir Mahdavi Sharife

Rearranged for Erhu and Chinese Orchestra to play this beautiful love song, liebeslied. 

Liebeslied - Fritz Kreisler

one of the most classical song that i've ever heard

J.s.bach - Air In G (piano And Violin Version)

Love's Sorrow (Piano Solo) — Fritz Kreisler (Shigatsu Wa Kimi No Uso OST)

Winner of the 16th Martirano award

echtzeitEnsemble
Conductor: Christof m. löser

Recording of the premiere performance.

28.1.2011

Visit my website: www.MichaelSeltenreich.com

Michael Seltenreich - Sparks and Flares

played to an icy crowd in the diabolic den of hip misunderstanding above the largest outdoor-wear shop in Ann Arbor. A reworking of Chopin's Etude No. 7, Op. 25 and Hungarian Rhapsody No. 2 by Lizst...


Chopin; Etude No. 7, Op. 25 and Lizst; Hungarian Rhapsody No. 2 - improvised re-interpretation

Monday, September, 14, 2015
"Night in Vienna" at Grünauer
Kansas City, MO 

Elizabeth Suh Lane - violin
Beau Bledsoe - guitar

La Gitana - Fritz Kreisler

Paganini Violin Concerto No. 1 Hilary Hahn (FULL)

"Every day is piano day"

To celebrate Piano Day, I'm sharing one of my morning improvisations  with all of you , please enjoy ! 

Every day is indeed piano day !

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Impromtu in B minor

HAPPY PIANO DAY

Chilly Gonzales - Impromptu in B Minor

The Juilliard Orchestra
Robert Fleitz - Piano
Jeffrey Milarsky - Conductor

This piece is written in the memory of the French composer Henri Dutilleux who would have celebrated his 100th birthday at the time this piece was completed in January 2016. 

I started writing this piece in Paris in May 2013 when Dutilleux died aged 96. Dutilleux helped to shape and form my sound, taste and sense of aesthetics and for me was a symbol of French music. In deep morning I sketched the first few pages of this piece.  

In my first sketch there was no piano, and it was titled “Ascend”. Not long after I stopped working on this piece, I was too overtaken with grief, and I left Paris.  

About three years later, as his 100th birthday was nearing I decided to return to this piece and to add a piano.  

The piano for me represented the individual, a protagonist dealing with deep sorrow. A lonely voice in a world filled with voices.  

The strings start off the piece in a procession. The string writing of the first few pages is borrowing heavily from the baroque lamento, with a repeated pattern of notes that creates dissonances and resolutions and an ever descending bass.  

The piano has three main elements through-out this piece: 
*A three note motive (A-Bb-Db) which was taken from Dutilleux’s piece “The Shadows of Time”, a piece based on Anne Frank’s diary. In his piece, those three notes are sang by a child with the words “Pourquoi Nous?” – “Why us?”. 

The second element presented by the piano is a series of very quick disjunct patterns. Those patterns are supposed to represent murmuring, or crying in an onomatopoeia. 

The third and final major element is represented by thick chords played by the pianist who depict the church bells.  

As this piece is written about my grief, I thought that the Kübler-Ross model (better known as “The five stages of grief”) would be a suitable platform to shape the arc of the piece. The piece starts in Denial, goes through anger, bargaining, depression and finally concludes with acceptance.  


Seltenreich - Élégie (2016) for piano and string orchestra

Warhol Piano Quartet | Gustav Mahler - Piano Quartet in A minor (1876)

2012 부활절 콘서트 (2012 Easter Concert)
장소: 성찬교회
바이올린 (Violin) : 양승희 (Seunghee Yang)
피아노 (Piano): 오은애 (Eunae Oh)

Recording & Mixing: 오지성 (Jiseong Oh)

Liebesfreud (Fritz Kreisler)

J.S. Bach - Cello Suite No. 1, Prelude

Ekaterina Mechetina plays Fritz Kreisler

Fritz Kreisler Streichquartett - 1. Fantasia

Fritz Kreisler Streichquartett - 2. Scherzo

Fritz Kreisler Streichquartett - 3. Romanze

Fritz Kreisler Streichquartett - 4. Finale

Bodenseefestival 2011 - 10.06.2011

https://www.aleksandramikulska.com​

https://bio.to/aleksandra​