AMMUN - Mixtape Summer 2022

This is a 18,44 min extract of a jamm session played  with compositions of Alejandro Molinari, colaborating with Max Kracer, Mexican composer and guitar player, and Carlos Salame using a Prophet Synth.
Molinari took his unreleased work to blend it with audio recordings, film audio samples from french Nouvelle Vague (cinema), extracts of Mexican landscapes and his crave to recreate music that's was made in the ruins of Post-Modern times, like new German wave from the 80's and other Post-Punk influences. After this session, which has four parts, an earthquake shook the city and they were forced to leave the place.
This is a Downtempo/Electronic/Italodisco jamm session that took place in Artemisia, Mexico City. Some of these atmospheres and sounds were created while the jamm was happening.

Vocals + Beats & Tracks: Alejandro Molinari
Synths: Carlos Salame
Guitars + Fx: Max Kracer

Alejandro Molinari, Carlos Salame & Max Kracer - Jamm Electrique Live @Artemisia Mexico 2014

Voyage In Vitro

How do you explain a cantata by Bach, a raga by Ravi Shankar, a piano work by Phillip Glass, or a minimal techno piece by Plastikman? Rapidly, words become vague or abstract. Trying to explain the feelings that music creates sometimes makes it vanish, especially with the higher orders of music.

What I find true is that musicians who are in a spiritual quest, in a voyage to the interior, have the capacity to transmit frequencies that connect you to divinity. This is what I try to evoke in some of my music. 

Some types of music, and their frequencies, have the capacity to modify our emotions, our psychology, our social interactions, and applied collectively you start understanding the roots of ritualism.