Name: Negativeland by AmoK
Duration: 4 min 48 s
Description: The track's name is an attempt to honour the german band "Neu!"(Negativland is one of their tracks). The violence of the song is an attempt to describe a modern human condition. Audio tracks taken by a video of 11 september. The last series of chords are the same of 'toccata and fugue in d minor''s end, from Bach, as a tribute.

what a brilliant idea, painted with beautiful music.

very striking having the turmoil in the background, but the music reminds me of some of the music and instrument choices in zelda. Choicely, it particularly reminds me of the observatory music in the legend of zelda majora's mask :) organic space harmony!

wow that was a very surreal existential journey, thanks

powerful - really affects you - makes me feel: "childhood innocence juxtaposed with the horror of reality"

I assume you know that the band "Negativland" also took it's name from the Neu! track, but just in case!

The last track made for the album Time Enough At Last, released in 2O22
Grab it here: https://zuunzug.bandcamp.com/album/time-enough-at-last
Le dernier morceau réalisé pour l'album Time Enough At Last, sorti en 2O22

Time Enough At Last

Kali

Album

Fantasque

With my dog Sidh

Soy la bruja del serpiente
y con la loba
de sangre ferviente
bajo la luna negra
invocaré
la magia estellar
invocaré tambien
la enerjia del salvaje altar
y como comer tu corazon
sin matanza
Soy la bruja del serpiente
y con la loba
de carne ferviente
invocaré
por la estrella
la canción oscura
de la energía sagrada
soy la bruja del serpiente
y como una loba
de huesos ferviente
bajo la luna negra
invocaré
la magia de amar
y como comer tu corazon
sin matanza

Bruja Del Serpiente

Meligiz Kedi

Cello is a musical journey from Jeff's magnificent solo into the stratospheric layers of Patrick Picault's turbulent electronics.
Use of headphones recommended.
visual: pencil drawing, photographed and digitized.

Cello STONERJAZZ - Patrick Picault

I've come to the realization that anything is possible.

Imps

Withers

This wonderful song by @matthias_am_klavier is a trip through landscapes and inner realms, a topic that has always fascinated him. Thanks a lot to Matthias for asking me to record the trumpet part and Adam Tucker for doing the mastering.

Approximate translation of the lyrics:

We fill up the bottles,
the goal the horizon.
In the heart no pain, no thoughts,
our worries are gone too.

So far this world,
so wonderful this sand,
With you by my side
With you by my hand

Here no one can stop us any more,
swimming in the horizon
Wide open views, from high cliffs,
deep inside us, the land speaks.

Flying high, circling the coast,
Deep in the sea, we see the ground,
Warm air warms our thoughts,
Deep within us, the land speaks.

Then in the evening under the blankets
Cold air on the face
Infinity in the starry sky
which then engulfs us

Trumpet: Igor Iofe @igor-iofe-1
Mastering: Adam Tucker @adam-tucker-composer

Sea In Sight [Matthias Am Klavier, feat. Igor Iofe]

The track's name is an attempt to honour the german band "Neu!"(Negativland is one of their tracks). The violence of the song is an attempt to describe a modern human condition. Audio tracks taken by a video of 11 september. The last series of chords are the same of 'toccata and fugue in d minor''s end, from Bach, as a tribute.

Negativeland

I nabbed this from another profile mainly because I wanted to try out the mastering. This is the first time I tried it; it cut the volume a lot. I was hoping to just cut the volume on the second half. Mainly for experimentation.

Weird Instrumental

The attempt is to create a music which combines the modern structure of soundtrack with a rock rhythmic, an industrial approach, and a little use of synths and keyboards. Inspired by Neu!, Velvet Underground, Throbbing Gristle, Slint, Karlheinz Stockhausen and modern soundtracks.

Always interested in searching and reposting good music here on SC.

Negativeland

AmoK

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