Azrael's Childe

Slumber... Beneath the Stone Angel's Gaze

Here is my 5th track with the virtual singers Nathali and Mai from Dreamtonics. 
This title is my small contribution to the fight against homophobia

Free To Be

Sympatico

🔥 New Music Alert! 🔥

Get ready to feel the heat of summer with my latest Future Dance track! 🌴✨ Perfect for poolside vibes, festival nights, and late-night drives, . 🎶🔥 🎶

🎧 Hit play, drop a like, and let me know how this track makes you feel in the comments! 🚀💙


Beach Front Penguins

Just a quick jam in my studio with guitar, bass, and drums.

The shores of my mind

A new song  Enjoy  !😎
words: (translation below↓↓↓)
oly sokáig vártam       
idelent a fényre
azt hittem hogy eljön
énhozzám is végre

azt hittem hogy lesz még    
azúrkék az égbolt
selymes és lágy          
olyan  mint rég volt
chorus:
ajajjajaj ez kegyetlen vidék   
ajajjajaj itt túl sok a pribék   
dobog még a szívem           
de közel már a vég

felmásztam a létrán
és mit lát a szemem
csúf sötét felhő
ül a szíveden
csúnya sötét felhő 
a háztetők felett
beborít mindent    
elveszi  kedvedet

chorus 2x

lágy szellő fújd el,
fújd a felleget
napfény ragyogja be
az egész eget
azt dalolja már
a rigó madár
sokkal szebb nyár
és tavasz vár

translations:
I've waited for so long
For the light down below
I thought it would come
To me, you know
I thought there'd still be
A sky of azure blue
Silky and soft
Like it used to be, too

Chorus:
Oh-oh-oh-oh, this is a cruel land
Oh-oh-oh-oh, too many thugs at hand
My heart still beats
But the end is near, it seems
I climbed up the ladder
And what do I see?
An ugly dark cloud
Sits on your heart, you agree
An ugly dark cloud
Above the rooftops so high
Covers everything
Steals your joy, oh my

Chorus 2x
Gentle breeze, blow away
Blow the clouds away
Let sunlight fill
The whole sky today
The blackbird sings
A joyful melody
A brighter summer
And spring, you'll see

J'ai attendu si longtemps
Ici-bas, la lumière
J'ai cru qu'elle viendrait
Enfin, pour moi, entière
J'ai cru qu'il y aurait encore
Un ciel d'azur si pur
Soie douce et tendre
Comme avant, c'est sûr

Refrain:
Aïe, aïe, aïe, c'est un pays cruel
Aïe, aïe, aïe, ici, trop de rebelles
Mon cœur bat encore
Mais la fin est si près, il me semble
J'ai grimpé l'échelle
Et que vois-je, ensemble?
Un nuage sombre et laid
Sur ton cœur, il s'est installé
Un nuage sombre et laid
Au-dessus des toits, perché
Il recouvre tout
Te vole ta joie, c'est fait

Refrain 2x
Brise légère, envole-toi
Chasse les nuages, loin de moi
Que le soleil inonde
Le ciel, à la ronde
Le merle chante déjà
Une mélodie de joie
Un été plus beau
Et le printemps, il y a

Ajajajajj

Hey everyone! Let’s dive into the production of my song, Reason.
We built this track on a foundation of smooth, mid tempo drums, nothing too aggressive, but just enough to keep the groove moving. The kick and snare are tight and punchy, while the hi-hats add a bit of swing to keep things dynamic. There are also some soft percussive layers in the background, giving it a touch of organic feel.
The bassline is one of my favorite parts, it’s deep and warm but never overpowering. We used a mix of a soft sub-bass and a slightly plucked synth bass, making sure it sits just right in the mix. It glues everything together while adding that necessary emotional depth.
The chords are a mix of gentle electric piano and some atmospheric pads, creating that lush, floating vibe. There’s also a light guitar melody weaving in and out, adding a bit of an organic touch to contrast the smooth synth textures.
For the vocals, we went for a really close, intimate sound. There’s a slight reverb and delay to give it space, but we kept the main vocal crisp and upfront. The harmonies are soft but powerful, creating a layered effect that builds emotion throughout the track.
You’ll hear little details like soft vocal chops in the background, light reverb tails that add depth, and some reversed synths swelling in and out. These small elements make the track feel alive and evolving.
Overall, Reason is about capturing that late night, introspective energy, smooth, soulful, and full of feeling. Hope you guys love it as much as I do!

Tasha - Reason

Introduction in English:

Sometimes I wonder if there is some kind of ‘safe place’ in this world. Everywhere I look: Wars, climate disasters, starvation and poverty. Not to mention the increasing everyday violence at home, in the neighbourhood and on the streets.
As early as 1962, John Lennon described in the song ‘There's a Place’ (perhaps also under the impression of the Cuban Missile Crisis at the time with the acute threat of a third world war) that sometimes the only thing left to do is to retreat to an inner safe place when the outside world (as is now increasingly the case again) is increasingly on the brink of an abyss.
In this respect, this song is highly topical, although I would like to add that the search for the inner safe place should only ever be temporary, in order to regain strength there (for example through one's own musical creativity) in order to make a greater contribution to the preservation of the earth and human coexistence in the outer world.
I am sure that John Lennon meant this kind of fluid balance between gathering oneself inwardly and being lovingly in the world.       

Introduction in German:

Manchmal frage ich mich, ob es auf dieser Welt eine Art "Sicherer Ort" gibt. Wo ich hinschaue: Kriege, Klimakatastrophen, Hungern und Armut. Ganz zu schweigen von der zunehmenden alltäglichen Gewalt zu Hause, in der Nachbarschaft und auf den Strassen.
John Lennon hat (vielleicht auch unter dem Eindruck der damaligen Kuba-Krise mit akuter Dritte Weltkriegsgefahr) in dem Song "There's a Place" schon 1962 beschrieben, dass einem manchmal nur der Rückzug an einen inneren sicheren Ort verbleibt, wenn die äußere Welt (wie jetzt zusehends wieder) zusehends an einem Abgrund steht.
Insofern ist dieser Song brandaktuell, wobei ich hinzufügen möchte, dass das Aufsuchen des inneren sicheren Ortes immer wieder nur vorübergehend erfolgen sollte, um dort (etwa über eigenes musikalisches Schaffen) wieder Kraft zu sammeln, um in der äußeren Welt verstärkt einen eigenen Beitrag zum Erhalt der Erde und des menschlichen Miteinanders zu leisten.
Ich bin mir sicher, dass John Lennon diese Art von Fließgleichgewicht zwischen sich innerlich sammeln und liebevoll in der Welt sein gemeint hat.              


There`s a place (Lennon/Mccartney)

It's a long drive to Kentucky  
And the signs you can read above you say
"Wrong way home"

You try to focus on the greenery
While the green, mean mile markers scream
"Turn a-round"
"Turn a-round"

In the slow-ass traffic patterns
Oh, the road work doesn't matter
on I-sixty four
            
I can see you now in the construction zones
While yelling to the traffic cones
"We both know"
"We both know"

That this thing here between us
We gotta keep it whole as the asphalt erodes
That this thing here between us
Doesn't need to involve all these goddamn roads
Goddamn roads
Goddamn roads

You may be in West Virginia
But you still have to avoid the drivers of
O--hi-o

This road goes on for miles
And you don't want what's at the end of that
Long white line
Long white line

So park it, dear
Get your head clear and turn around
I need you here
Put that thing high gear and gain some ground               
I'll pay the ticket babe     
Just give those green mile markers one last wave
‘Cause we know!

That this thing here between us
We gotta keep it whole as the asphalt erodes
That this thing here between us
Doesn't need to involve all these goddamn roads
Yes, this thing here between us
We gotta keep it whole as the asphalt erodes
Darling, this thing here between us
Doesn't need to involve all these goddamn roads
Goddamn roads
Goddamn roads

It's a long drive to Kentucky 
And the signs you can read above you say
"Wrong way home"

Green Mile Markers

The Snake, a Bargain, a Common Fate

Dazed - B'sides, we're complacent 
In this dying world 
As we got a common fate
Too proud to atone

The horses run the race 
Even wearing blindfolds
And, forced to keep the pace

The cost to play is staged
'F you wage rather than own
Hounds will count the days
To take the throne

With fangs within estates
Stake the land and claim a loan
The snake appears so brave


[Short Chorus]
Don't write a sin about me
So, don't you write a sin about me
You got no medicine without me
Drug you off the cave, and now you blame me?
Now that you pray, you try to blame me
Now that you can think, try and replace me...
No...


Faded - What could have conveyed
A motion to disown
Those words are mutilated 
Into what's opposed

In pages we portrayed 
Our most beloved ones
But lost what we translate

What's convenient for today
Oh, Pick your bone
Write in your own name
In two tablets of stone

The bargain you acclaim 
Might be great, but you should know
Not to idolize the Snake!


[Long Chorus]
Don't write a sin about me
So, don't you write a sin about me
You got no medicine without me
Drug you off the cave, and now you blame me?
...
No way you win without me
You'd still be climbing trees without me
So go and sing a praise about me
Thinking it's your God, when you made me
Thanking your God, when you lay with me
Thanking your God, when you lay with me
Thinking it's your God, when you made me
Him...

[Solo]

[End Chorus]
Don't write a sin about me
So, don't you write a sin about me
You got no medicine without me
Drug you off the cave, and now you blame me?
...
No way you win without me
You'd still be climbing trees without me
So go and sing a praise about me
Thinking it's your God, when you made me
...
Don't write a sin about me
So, don't you write a sin about me
You got no medicine without me
Thinking it's your God, when you made me
Him...



/////////// MARCH 2025

The Snake, a Bargain, a Common Fate

Guitar and Bass by Robert Grigg
Drums by Yamaha Keyboard

Swank

Amorteus Nocturne – The Architect of GraveTech
Amorteus Nocturne is the dark creative force behind a genre-bending fusion of electronic, cinematic, and industrial soundscapes known as GraveTech. With a sonic palette drawn from the depths of gothic horror, cybernetic nightmares, and apocalyptic visions, Amorteus Nocturne’s music is a haunting blend of darkwave, ambient, industrial metal, and video game soundtracks. This unique sound embodies both the ethereal and the visceral—where melodic beauty collides with the mechanical grind of a dystopian underworld.
With four full-length albums to date—Prophecy (2001), Suffering (2002), Azrael’s Childe (2023), and Leviathan Rising (2024)—Amorteus Nocturne has continuously evolved, crafting soundscapes that transport listeners to realms beyond comprehension. His work is both deeply atmospheric and intensely rhythmic, weaving together symphonic elements, electronic pulses, and metallic aggression into an immersive experience.
Operating under BloodCraft Studios, Amorteus Nocturne is more than just a solo artist; he is an architect of sonic horror, designing music that speaks to both the subconscious and the spectral. His mission is not only to expand the boundaries of dark electronic music but to pioneer new forms of immersive 3D audio that blur the line between sound and experience.

Slumber... Beneath the Stone Angel's Gaze

Amorteus Nocturne

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