Deuce

Görli

Fragmento del DJ set de @thomassjackson en MUY DURO x CDMX en Fünk Club el 1 de agosto 2025

MUY DURO x CDMX / Fünk Club: Thomass Jackson

Dançá Dançá T'Manchê (Acid Pauli Mixes)
BUY LINK: https://compostrecords.lnk.to/ValXalino-AcidPauliMixes
Label: Compost Records (https://soundcloud.com/compost)
https://www.instagram.com/compostrecords
> Acid Pauli (https://soundcloud.com/acidpauli)
https://www.instagram.com/therealacidpauli

A rare and juicy tropical fruit. Acid Pauli conjures up a summer hit here.
The original version was written by Val Xalino (singer, guitarist, percussionist, ukulele player), a legend from the Cape Verde Islands. His albums from the 1980s are extremely rare.
Dançá Dançá!

BUY LINK

PREMIERE : Val Xalino - Dançá Dançá T'Manchê (Acid Pauli's Autowah Dub)

The Agharo Mix Series
Agharo is a language, book, philosophy and tarot deck created by collective member Jaco Perroud. We invite a guest to pick a card at random and create a mix inspired by its meaning. Our 17th submission comes from Club Mackan label owner @marcuschristiansen from Sweden 
Follow: https://www.instagram.com/marcuschristiansen/

About

Hi, I'm Marcus Christiansen and I'm a DJ, Producer and label owner from Stockholm. When this episode gets released, I've been DJ:ing for almost 14 years. I've also been making music on and off for almost as long as I've been DJ:ing. 

Musically, before I ended up with my beloved modern italo disco and eurodance sound, I think I touched on most electronic music genres on my journey, including both edm, industrial techno, house, garage and even indie electronic at some point (not the Beatport kind). Both as a DJ and producer. 

When I started releasing music I had a really hard time getting any response at all from record labels. Because of that, in 2018 I set up my own label, Club Mackan, as a way of releasing my own music. After eventually releasing music on a few labels like Mélopée Records, Espacio Cielo and Toulouse Gouffre Club, I decided I wanted to include more artists than just myself on the label. 

From November 2022 and onwards, we've had a lot of talented artists bless Club Mackan with their music, both original and remixes. Some of the artists include; Mundo D, Bizzarro Universe, Miguel de Bois, Bubs, Alen Skanner, Brandski, Mon Cher Guy and many more. Since then the label has taken off pretty well. The only thing holding it back really is my limited time as I'm doing all of it myself. 

The Card 32: Dundiel - Prolapse
They speak about the world, our surrounding. They advise and give council on how to approach life as a big picture. Also tell about what was and what’s coming. Each season has it’s own qualities. The bearer needs to recognise in them what he reflects, what he needs. This card will point you in a direction, not necessarily with the strength of a command but rather guide you.

Lead Aging, fortitude of heart, justice, longing, elegy, melancholy remembrance of the things past. Time to look back. Time to be grateful. The last hope. Then it came Dundiel crossed by ageing, where fortitude and love filled one's heart. Justice was sought and longing appread in the ways of elegies. 


How did the meaning of the tarot card inspire the journey of this mix?

I feel like I've been at a crossroads as of lately. Do I stick with the 80s sound or move over to the faster 90s and 00s sound that is so popular at the moment? Can I do both? Which makes more sense for me? 

I've been longing to connect more with the DJ's and clubbers in Stockholm, and somehow I imagined it would be easier if I played more similar music to the other DJs in Stockholm. For a time now, I've wanted to have an outlet to try this faster 90s and 00s sound. And like a gift from above, I got a Wednesday residency during the whole summer where I've been able to start with the 80s sound and end with the faster 90s and 00s. 

My sets have been about 3h - 3h 30 min long, and this mix would be a good example of the second half of my sets. It's a mix of newly released music with the best house, trance and euro dance from the 90s and 00s. It's been a lot of fun, and I think moving forward, I could quite possibly do both!

Agharo 17 - Marcus Christiansen (Prolapse - Dundiel)

@kabinettnicosaav - Media Kids
Remixer - @peterinvasion & @gregor-habicht
Label - @playgroundrecords

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG
Instagram: https://www.instagram.com/sinchicollective

♫ Info + Buy ♫

PREMIERE – Kabinett – Media Kids (Peter Invasion & Gregor Habicht Remix) (Playground Records)

All Mutant Disco Radio Show premieres available on :

Youtube : https://www.youtube.com/channel/UCLypdVb_SuSmL_C21MgXo2Q
Spotify : https://open.spotify.com/playlist/31NT4Oq48gcKdmttAFbx23
Facebook group : https://www.facebook.com/groups/170732496230
Facebook page : https://www.facebook.com/MutantDiscoRadioShow
Twitter : https://twitter.com/LeriAhel
Soundcloud : https://soundcloud.com/mutant-disco

Taken from "Boys' Shorts - Handsome EP (Retro Future Disco Club)". Out October 15th 2025. Buy here : https://retrofuturediscoclub.bandcamp.com/album/rfdc-001-boys-shorts-handsome

When Kiss Me Hard hits the room, it opens like a sigh: slow waves of groove rolling in, arms outstretched, ready to claim the skin. It’s a track built not on words, but on motion: every element conspires to move your body, sharpen your focus, and elevate the night.
 From the outset, the percussion is crisp yet elastic: hats slicing through the air, toms and rims that snap and stretch. The kick is warm, present, grounding, a heartbeat you can lean into. Over it, supple bass echoes with funk-tinged resonance, weaving through the low end with confidence.
Synth lines rise like flirtatious whispers: bright stabs, shimmering pads, arpeggios that circle and tease. There’s a touch of acid,  just enough to sting the edges, while subtle melodic motifs push and pull you forward. The harmonic layers build gradually, giving space, tension, release. No vocal anchors here; the music is the call.
Kiss Me Hard is disco-house in motion, pure and potent. It’s for bodies gliding in half-light, for elbows pressing shoulders, for smiles caught over glances. It reminds you why we gather: to lose time, to find each other, to become something more than solitary.
This is the third offering from “Handsome”, the bold EP launching on October 15th via Retro Future Disco Club, Barcelona’s rising label ready to make waves beyond Catalonia. Let Kiss Me Hard be your passport into something visceral, joyful, and undeniably danceable.
Move deeper. Touch harder. Kiss harder. 

Artist social media :

https://soundcloud.com/boysshorts
https://www.instagram.com/boysshorts
https://www.facebook.com/boysshortsbeats

Label social media :

https://www.instagram.com/rfdiscoclub
https://www.facebook.com/rfdiscoclub
https://soundcloud.com/retrofuturediscoclub
https://linktr.ee/rfdiscoclub

PREMIERE : Boys' Shorts - Kiss Me Hard (Syntax) (Retro Future Disco Club)

@boysshorts - High
Label - @RetroFutureDiscoClub

All Sinchi premieres available on 
Youtube: https://www.youtube.com/@SinchiMusic
Spotify: https://open.spotify.com/playlist/7sd3nFrzl9itGooHqItGFG
Instagram: https://www.instagram.com/sinchicollective
Soundcloud: https://soundcloud.com/sinchicollective/sets/sinchi-exclusives

PREMIERE – Boys Shorts – High (Retro Future Disco Club)

The Agharo Mix Series
Agharo is a language, book, philosophy and tarot deck created by collective member Jaco Perroud. We invite a guest to pick a card at random and create a mix inspired by its meaning. Our 20th submission comes from @vhyce 
Follow: https://www.instagram.com/vhycevhyce/ 

About

I’m a producer and dj from La Louvière, Belgium.I was playing guitar in a band then saw Kraftwerk live at festival and got into producing electronic music.I loved the fact you could make a record on your own without depending on no one else.About the DJ aspect specifically- I’ve always loved making playlists and sequencing tracks.How the choice and order of tracks you play create a story

Card 53: Ordvfinir Star — Fate

Calmness, confidence, dignity, honor, respect, and pride.
The stars of fate hold inscriptions of secrecy — the path of our thoughts and spirit. 

Aibana (Constellation)

According with the mythology of Agharo, the spirit of every being lives in the stars. And so when the body dies, the spirit returns to the stars where it belongs. The soul is then the constellation formed by the stars every being has.

This structure of constellation, however, isn’t two-dimensional as in western astronomy; in Aibana each star is intimately connected with every other star within the constellation and within them runs the will of the spirit and its fate. The stronger the structure of Aibana, the stronger the spirit.

These cards speak of the individual — of our self in relation with the self. Or our spirit and our soul. Of that which is behind all masks, our true self and our true fears. What is instinctive, besides reason. Our faith and alignment with what we are. The obstacles put in our path by ourselves.Aibana (Constellation)

According with the mythology of Agharo, the spirit of every being lives in the stars. And so when the body dies, the spirit returns to the stars where it belongs. The soul is then the constellation formed by the stars every being has.

This structure of constellation, however, isn’t two-dimensional as in western astronomy; in Aibana each star is intimately connected with every other star within the constellation and within them runs the will of the spirit and its fate. The stronger the structure of Aibana, the stronger the spirit.

These cards speak of the individual — of our self in relation with the self. Or our spirit and our soul. Of that which is behind all masks, our true self and our true fears. What is instinctive, besides reason. Our faith and alignment with what we are. The obstacles put in our path by ourselves.

How did the meaning of the tarot card inspire the journey of this mix?

I was appealed by the ‘confidence’ aspect of it.
I really played the tracks I wanted to hear myself without thinking about anything else. Sometimes you might overthink a mix - especially one recorded at home one. But in this case I really went with the flow and eveything seems ‘fated’ to happen this way.

Agharo 20 - Vhyce (Ordvfinir Star — Fate)

Detroit’s Jon Dixon is set to bring to life his new “Paradise Valley” EP, courtesy of the British imprint No Speakers. An artist with a deep foundation in classical studies since his youth, Dixon has consistently woven a sophisticated Jazz sensibility into the fabric of his Techno productions. His respected history with labels like Freerange, Kaoz Theory, and Nervous, just to name a few, speaks to a seasoned creator who understands the soul of dance music. His freshest vinyl outing promises a dynamic journey, featuring reinterpretations from LA Synthesis and El Prevost, the label honcho himself, alongside a potent digital bonus from Ollie Drummond that demands attention.

Where the original mix of “Layers To This” builds on Dixon’s reliable groove, Ollie Drummond’s rework confidently shifts the entire axis of the track toward a breakbeat framework. He masterfully re-engineers the composition into a driving, peak-time offering built for motion. The result is a certified floor-filler, where raw, melodic synth lines slice through an impeccably constructed lattice of percussion. This full-scale rhythmic conversion injects the theme with a new kinetic energy, proving how a change in foundation can completely redefine a track's purpose and impact.

You can find (and buy) this and other music pearls on the Deejay page of the label: https://www.deejay.de/No_Speakers__L31435

Follow @jon_dixon, @jester92 and @no-speakers, peeps!

PREMIERE822 // Jon Dixon - Layers To This (Ollie Drummond Remix)

Sarah Wild’s Afterglow taps into a history of piano-led rave euphoria without leaning on nostalgia, nodding to blurry heads-down memories while keeping the arrangement lean and the sentiment fresh.

The drums are crisp, the bassline warm, and the hook lands with just enough shimmer to lift a room rather than flood it. Feelings of of the peak years cast anew for one more night. The production hits all the right notes, subtle vox work and neat fills keeping the tension pulling you along. Vhyce trims the edges and adds a slick, late-night glide to the rhythm, tighter phrasing, more slipstream than surge, nudging it into a streamlined pocket that sits neatly between what you expect from a remix, and something a little more.

Both versions drive that emotive sound: the piano-lead hands-up moments we all long for, and a low end that translates on bigger rigs. These are the kind of cuts that makes a crowd feel like the night’s still just getting started, a steady lift all the way to impressive heights rather than a stunt drop that keeps bodies close to the booth as the lights come up.

The morning shines brighter than ever, the world bathed in a flickering glow. The city races forward at its relentless pace, and you yield to the rush, lost in the beauty of the moment. Afterglow.

https://www.instagram.com/sarahwild_music/
https://soundcloud.com/wildsarah
https://de.ra.co/dj/sarahwild
https://open.spotify.com/intl-de/artist/1GN1ifXtMB2ckfsSmbxNlq
https://www.youtube.com/channel/UCeifltAenoC45b9Zftwlp2w/videos


https://soundcloud.com/midnightoperators
https://midnight-operators.bandcamp.com/

Sarah Wild - Afterglow (Vhyce Remix)

INCOMING : Curses pres. Tutto Vetro - Wild Things (Fabrizio Mammarella Remix) #WrongEra

Release date : 21/11/2025
BUY : https://wrongera.lnk.to/TrustTheBeat



Luca Venezia, aka Curses, has always worn his passion for early underground club music on his sleeve. With the Tutto Vetro project, he taps into the late '80s and early '90s sounds of Valencia, Frankfurt, and NYC.

A moment when trance, post-EBM, and Detroit techno merged to create something raw, emotional, and futuristic.

The new EP, Trust The Beat, is a love letter to that fleeting but powerful sound. When artists like Umo Detic, Robotiko Rejekto, and New Scene were blurring lines between Electro, Progressive, and EBM, and the influence of Detroit and New York was having a heavy influence on the German underground. Before genres split and made their title, there was a little magic, and Venezia captures that essence throughout this record, pushing it forward for a new generation.

Wrong Era co-captain Fabrizio Mammarella delivers a relentless, no-holds-barred remix of ""Wild Things,"" reminding us why he’s a master of the sound.

With just one previous release under the Tutto Vetro alias on Spain’s Megebreakz (Oráculo), this marks a return to familiar territory for Venezia.

Venezia's 2015 So Strange EP helped shape the Curses sound and cemented a lasting bond with the Slow Motion / Wrong Era family.

☎️ Connect ☎️
https://soundcloud.com/cursesforever
https://soundcloud.com/mammarella
https://soundcloud.com/slow-motion-records

INCOMING : Curses pres. Tutto Vetro - Wild Things (Fabrizio Mammarella Remix) #WrongEra

Frank Music, Little Helper, Running Back, URSL, A Tribe Called Kotori, Darkroom Dubs, Laut und Luise, Feines Tier


Born in Bremen in 1980, Nayan Soukie's musical fascination began with Prince, Michael Jackson, Art of Noise and Franky goes to Hollywood. At 13, he swapped the classical guitar for computer music and never looked back. He tried his hand at Hip hop beats, later Easy listening, then Experimental sounds, and House music. Between community service and the start of the cooperation with Fritz Windish, which continues to this day, Nayan also went to search for meaning in other realms - but always ended up back in music. At the beginning of the 2000s, Techno, Minimal, and House music were also discovered in Bremen, and Nayan and Fritz took the bait. However, it would take until 2008 for the first vinyl release by the duo to appear on the Hamburg label Eminor. Fritz and Nayan moved to Hamburg, where they worked in a shared studio. Collaborations with Sebo and Madmotormiquel were followed by the founding of their label URSL and the move to Berlin in 2011. Here Soukie & Windish found a studio in Renate club together with Kotelett & Zadak and made a name for themselves as a duo. Since 2018, Nayan has been focusing more on his left-behind solo project Amount - and made a name for himself with his spirited live sets that alternate between Downtempo, Minimal, and Disco. An EP on Minimal Little Helpers was followed by his first Disco releases on Frank Music and Running Back. "The future will be disco for me, that's for sure," says Amount. And we can't wait to follow him into that future.
Booking Contact: julia@ursl-records.com

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