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Kaya mula pa sa panahon ng mga propeta hanggang sa panahong Cristiano, may mga taong kinikilala nalg Diyos na kaniya. Bagaman nilalang Niya ang lahat ng tao, gayunman ay may mga ibinukod at pinili Siya upang maging bayan Niyang pag-aari niya.


Kung ano ang Iglesia Ni Cristo ngayon ay katibayan ng katapatan ng Diyos sa pagtupad sa Kaniyang mga pangako, sa loob ng nagdaang 103 taon, tinamasa ng Iglesia ang walang patid na pagpapala ng Diyos. Kaya sa paggunita natin ng ika-103 annibersaryo ng Iglesia, ipinagdiriwang at ipinagpapasalamat natin ang ating pagiging bayang sariling pag-aari ng Diyos.
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Hyderabad blues for Delhi
 Sunrisers top-order strikes in tandem, bats out Daredevils to set up first win for the team

Dubai, April 25
 Kevin Pietersen failed to fire in his first match for Delhi Daredevils as Sunrisers Hyderabad rode on a brilliant batting show by Aaron Finch and David Warner to notch up a narrow four-run win in Dubai on Friday. 
David Warner and his compatriot Aaron Finch hammered the Delhi Daredevils bowlers to put their team on road to a much-awaited win. PTI
 

Mohit bowls Super Kings to third consecutive win

Dubai, April 25
 Mohit Sharma produced a fine death bowling and picked up four wickets to help Chennai Super Kings register a comprehensive seven-wicket win over Mumbai Indians on Friday. While it was Chennai's third consecutive win, the defending champions sank to their third back to back loss.
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What a great idea and what a great selection of songs for today, Atul! I know most of the songs well, and have enjoyed listening to them today. Such a refreshing change from the Indian channel we have where all we got today was a few patriotic songs in the morning, to be followed by loud, noisy movies which had nothing to do with Republic Day. Thanks again!
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Writing for 
The Hindu
, Malathi Rangarajan said, "As you watch the film you cannot but admire the ingenuity of writer-director P. Vasu in choosing a story that is bound to sell and at the same time helping Rajini maintain his image of an invincible hero", before concluding that, "The 'Mannan' team proves a winner again".[67] Another critic from 
The Hindu
, Sudhish Kamath, said Rajinikanth is "at his vintage best".[68] A reviewer from 
The Times of India
 called the film "Entertaining, stylish, respectful of ritual, and always massively larger than life".[69] Arun Ram of 
India Today
 said, "With 
Chandramukhi
, Rajnikant revives his fading career and fortunes of Tamil cinema".[2] G. Ulaganathan, writing for the 
Deccan Herald
 praised the chemistry between Rajinikanth and Vadivelu, saying "Rajinikanth is back in full form, comedy comes naturally to him and he finds an able ally in Vadivelu. Some of the best scenes in the movie are when both are together."[70]


Tamil magazine 
Ananda Vikatan
 said in its review, "Rajni's films normally revolve around him but in this case, Rajni is in a script which goes around several people ... Rajni as Vettaiyan is the highlight of the film ... After many years, Rajni has shown that he does not confine to his personality cage through this film." and gave the film 40 marks out of 100.[71] The Sify reviewer wrote that 
Chandramukhi
 was simply "a remake of P. Vasu's 
Apthamitra
 from Kannada with some additional songs, fights and comedy scenes thrown in to further boost the superstar's image" but like Ulaganathan, commended the comedy scenes of Rajinikanth and Vadivelu, terming them the film's highlight.[72] A. Ganesh Nadar of Rediff said the film would become "a certain hit" and,"[t]he star will be happy, his fans will be happy and producer Prabhu will giggle all the way to the bank".[73]


V. Gangadhar of 
The Tribune
 wrote, "As in all Rajni films, 
Chandramukhi
 is a one-star attraction and Rajni plays to the gallery, There are no political messages in the film and that should come as some relief. With Nayanthara and Jyothika in the female leads, there is plenty of glamour in the film. But the message is clear, King Rajni is back. His legion of fans can not ask for more."[74] Karthiga Rukmanykanthan writing for 
Daily News Sri Lanka
 said, " ... the long anticipated delight 
Chandramukhi
 has made itself the box-office hit of the year".[75] Grady Hendrix of 
Slate
 appreciated Rajinikanth's characterisation in the film, calling the character, Saravanan's ability to read minds "well-trained" before concluding, "Rajinikanth's movies are crammed with comedy, action, and musical numbers and they take great delight in kicking narrative logic in the face."[76]


"Rajinikanth attributed the success of the film mainly to Vasu's script and the performance of his co-artistes. He said his comedy track with Vadivelu went a long way in making the film a successful venture and that it helped bring audiences to the theatres to watch the film more than once. He also said female viewers loved the portrayal of the female cast."



Chandramukhi
 was parodied in various films. In a comedy scene from 
Englishkaran
 (2005), Theeppori Thirumugam (Vadivelu) invents an idea to frighten Thamizharasu (Sathyaraj) but the ruse backfires on him as he witnesses Thamizharasu in a garb similar to that of Chandramukhi's.[116][117] In a scene from 
Thalaimagan
 (2006), Erimalai (Vadivelu), after entering an old abandoned bungalow, gets frightened when he hears the "Lakka Lakka" sound, and says 
Yaaro Telugula Koopuddrangga!
 (transl. "Someone is calling in Telugu!").[118] In 
Vallavan
 (2006), Vallavan (Silambarasan) is seen singing "Konja Neram" to Swapna (Nayanthara).[119] In 
Sivaji
 (2007), Thamizhselvi (Shriya S

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Scores of countries around the world have hopped on the M82 bandwagon, so even though the Mk 22 MRAD will take over some of the duties that the M107 currently serves for U.S. Military forces, the big Barrett .50 is going to be booming for years to come, cementing its legacy as one of the best sniper rifles ever.


We need to be able to work well with our partners on the global stage, said Capt. Alexander Fhlug, 157th Military Engagement Team. Each army must be able to function together and communicate effectively to carry out the mission.
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Sify
 called the film a "paisa vasool" one and stated "Both, actor Ram Charan and his director Sampath Nandi play a safe game by following the same pattern of earlier mass-masala movies. Rachcha offers nothing new but has enough elements that entertain the mass audiences and mega fans."[60] Sangeetha Devi Dundoo of 
The Hindu
 stated "Within the framework of pleasing the actor's fan clubs, the film works. But the sense of déjà vu in the tale of revenge is palpable. Even when you tune yourself into watching a mass entertainer and don't expect anything intellectually stimulating, you do miss the ingenuity and spark that were the hallmark of mass entertainer blockbusters like 
Singam
, 
Pokiri
 or 
Kick
. Go without expectations and you will be entertained."[61]


Your support as a VIP member will help us pay for server bills, developer costs, and even fuel our coffee addiction so we can continue to bring you the best in Asian dramas and movies.

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One of the greatest misconceptions is that black Americans haven't been active participants in early American cinema. That's why The Black Experience on Film, presented by TCM in conjunction with the African American Film Critics Association (AAFCA), is essential viewing. The unprecedented eight nights of programming is an impressive and multifaceted cinematic overview of the Black experience that offers a fuller picture of black people across various spectrums of life. Appropriately, Exploring Black Identity, hosted by myself and AAFCA co-founder and CEO Gil Robertson, kicks off the first night. Of the four films we discuss, Within Our Gates, from pioneering black filmmaker Oscar Micheaux, might be the most revelatory. Released in 1920, this rarely seen film, with a virtually all black cast, counters D.W. Griffith's racially damaging The Birth of a Nation. 

When both of these films were made, film itself was relatively new and had only been around since the early 1890s. Slightly later in that decade, the rumblings of a film industry started as the first films were projected to an audience. That phenomenon began to pick up steam in the early 1900s as more and more Americans began going to the movies. And The Birth of a Nation was an important pivot in that movement. Hollywood's first blockbuster remained the country's highest grossing film until Gone with the Wind dethroned it. At three hours, The Birth of a Nation was the longest film to date. It is also credited for its use of dramatic close-ups and parallel action sequences. According to celebrated TIME film critic Richard Corliss, Griffith created a visual language for film. Without The Birth of a Nation, many others have also argued, film would not have evolved as quickly as it did.

Like far too many other landmark events in our nation's history, however, this evolution came at the expense of black Americans. Adapted from the 1905 novel The Clansman by Thomas Dixon Jr., one-time politician and minister as well as a playwright and novelist, The Birth of a Nation glorifies the Ku Klux Klan's use of violence against black people. It also celebrates Dixon's revisionist history of the Civil War and Reconstruction. Hooded Klansmen are presented as justified in lynching Black men for allegedly trying to rape white women. Southern white supremacy is romanticized. So, for all its technical advancements in film and compelling story structure, at its core, The Birth of a Nation is violently anti-black. Its use in Spike Lee's most recent film, BlacKkKlansman, underscores that. Sadly, thanks to Dixon and President Woodrow Wilson once being classmates, it was even the first film screened in the White House.

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The Silver Mask

 (
Masca de argint
) is a Romanian 1985 adventure movie directed by Gheorghe Vitanidis and starring Florin Piersic as noble brigand Margelatu "The Yellow Rose". The plot is set in the Principality of Wallachia (modern Romania) before the Revolution of 1848 and directly follows the events of 
Misterele Bucurestilor
. After the unsuccessful rebellion in Bucharest Margelatu is imprisoned, but his friend Hare Lip helps him to escape. Meanwhile Margelatu's archenemy Agatha Slatineanu (Marga Barbu) and a swindler Serge Troianoff, posing as a Russian banker, try to get hand on treasures that are intended for the "Justice and Brotherhood" organisation. And to make things even more complicated, a mysterious ruthless robber in silver mask poses himself as Margelatu.


O masca geneiala, care poate concura lejer cu masti la un pret mult mai mare. Exfoliaza tenul intr-un mod remarcabil, fara iritatii si alt disconfort. Sunt la al doilea tub si cu siguranta nu e ultimul. Pe perioada verii nu l-am folosit, fiindca in general renunt la produse cu acizi pe perioada verii. Insa cu atentie si cu mult SPF poate fi foloti anul in jur. Big LIKE.




The Silver Mask

 (Romanian: Masca de argint
) is a 1985 Romanian action historical film directed by Gheorghe Vitanidis.[1] This is the fourth film in the 
Margelatu
 series,[2] after 
Drumul oaselor
 (1980), 
Trandafirul galben
 (1982), 
Misterele Bucureștilor
 (1983), followed by 
Colierul de turcoaze
 (1986) and 
Totul se plătește
 (1987).[3][4]


Marga Barbu was born on February 24, 1929 in Ocna Sugatag, Maramures, Romania. She was an actress, known for Amprenta (1967), Haiducii (1966) and Masca de argint (1985). She was married to Eugen Barbu. She died on March 31, 2009 in Bucharest, Romania.
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Persis

 (Greek for Persia) is a fantasy overture, which tells the story of a modern-day American man who travels back through time to the ancient Persian city of Persepolis. He begins a wild and wonderful adventure as he is suddenly surrounded by magnificent architecture, grand marble statues, and beautiful works of art in one of the earliest known cultured civilizations. Then, he turns and sees a beautiful Persian woman in a flower-laden courtyard. She is the most beautiful woman he has ever seen in his life, and he is completely captivated by her. He carefully approaches her, and miraculously, she recognizes him as someone she had known before in another place and time. They embrace and share a brief, blissful moment together. But his presence in the royal courtyard is forbidden and he finds himself being chased by armed warriors. As he runs frantically through the corridors of the city, he reflects sadly on the romance that might have been.


To give renewed life to two of his less well-known scores, the fantasy opera Die Frau ohne Schatten and the biblical ballet Josephs-Legende, Richard Strauss created symphonic memoirs which preserved both their storylines and musical highlights. This disc also includes one of his best-known works, Der Rosenkavalier.


This new 2-CD edition is the official tie-in soundtrack to the forthcoming STAR TREK: THE MOTION PICTURE: THE DIRECTOR\u2019S EDITION, premiering this year on the Paramount Plus streaming service. Post-Production Supervisor/Associate Producer Mike Matessino co-produces the album with Bruce Botnick, handling restoration, editing and assembly of the music.

This edition definitively presents the full film score on CD1, continuing through the start of CD2. The program now begins with the long version of the \u201COverture,\u201D reflective of \u201CThe Director\u2019s Edition,\u201D with the short version heard in 1979 now kicking off a section of \u201CAlternates\u201D on CD2, which feature early versions of major score cues that were later reworked. Closing out the presentation is the enduring 1979 soundtrack album program, now re-created from the remixed first generation master material for consistent and superior sound quality throughout the set.
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Rainbow Cards are normally only given 1% of the time you save a character, but can be given to anyone with the unlocked maker. The game considers these characters "main characters" and will give them the following bonuses:



4. Character Import & Export
This might be the strongest part. First, it allows you to import characters into vacant slots. Second, you can exchange characters without resetting personal status. Lastly, you can export the character with clothes data. In other words, you can save clothes setting of the character using export.



The Future of Artificial Intelligence in Ophthalmology. 
The next trans­formation in ophthalmology is the application of artificial intelligence in diagnosing and treating disease in clin­ical practice. It is beginning to be used in retinal disease for detecting diabetic retinopathy and diabetic macular ede­ma from fundus photographs, and it has potential to provide more efficient and objective analysis of images and prediction of disease progression. This session explored what artificial intel­ligence means for practicing ophthal­mologists, its promise and limitations, and what the future holds. It was mod­erated by 
Rahul Khurana, MD, 
Editor in Chief, The ONE Network.


To save this undefined to your undefined account, please select one or more formats and confirm that you agree to abide by our usage policies. If this is the first time you used this feature, you will be asked to authorise Cambridge Core to connect with your undefined account.Find out more about saving content to .


This paper deals with some theoretic and numerical issues in the learning algorithm for Procedure Neural Networks (PNNs). In PNNs the weights are time functions and can be expended by some basis functions. The properties of PNNs vary with the choice of weights functions. Orthodoxy basis functions have many advances in expending the weight functions and save training time in PNNs learning. In this paper several kinds of orthodoxy functions are proposed. Also the algorithm convergence of PNNs training is discussed.
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