Name: Badi Dheere Jali- Amrita by Amrita Rao in K.Classical
Duration: 4 min 22 s
Description: Here's my version of Badi Dheere Jali Raina from the movie Ishqiya.

awsome who ever has sung and/or posted awsome awsome

Was about to pass it as soon as i realized its not rekha bhardwaj but your voice made me stay a little while. Kuddos :)

K.Classical

This musical work belongs to Mr. Rohail Hyatt and I have nothing to do with this track, merely sharing because it is relatively unknown I think it needs the appreciation.
Music Credits: Rohail Hyatt
Producer Credits: Rohail Hyatt
Performance Credits: Zara Madani

Rohail Hyatt ft. Zara Madani - Reunion

Thumri - AGNEE

India's classical music is deeply bound to the country's ancient mystical traditions. This unique Rough Guide brings together the greatest names in Indian Classical music, performing some of the most beautiful ragas of India’s classical legacy. Enjoy the musical artistry of legendary performers such as Shivkumar Sharma, Hari Prasad Chaurasia, Zakir Hussain and Ravi Shankar.

For more information, visit www.worldmusic.net/indianclassical

THE ROUGH GUIDE TO INDIAN CLASSICAL MUSIC

India's classical music is deeply bound to the country's mystical ancient traditions. Stretching back  through time to the Vedic period musical historians encounter the Rigveda, an ancient collection of Sanskrit hymns, and the Sama Veda, a text which begins to discuss the origin of seven shruti (notes) from the sounds of nature. The practice of combining tones in certain sequences and the notation system that was developed during this era is connected to the development of the Indian classical raga form. 'Raga' literally translates as a 'hue' of colour and is a musical method of constructing melody through prescribed conventions. Ragas are linked to different moods and times of the day. Amjad Ali Khan's ‘Raga Chhaya Nat’ is in the Hindustani (North Indian) chhayanat mode and illuminates his crystalline prowess on the sarod, a stringed lute that is played with a plectrum. Uppalapu Srinivas' song 'Sankari Sankuru' is played on his mandolin in saveri raga, which is said to bring about the mood of pity and was originally composed by one of Carnatic (South Indian) music’s greatest figures Syama Sastri (1762-1827). 

Indian Classical Legends Shivkumar Sharma, Hari Prasad Chaurasia and Brij Bhushan Kabra are heard delicately delivering a Hindustani bhairav raga on ‘Ahir Bhairav’. This raga is related to Sikh tradition from northern India and appears in the Guru Granth Sahib (the central religious text of Sikhism). Ravi Shankar’s radiant sitar shines bright on the fast-paced track ‘Devgiri Bilawal Dhun’. Shankar’s name and ascendant international career is now synonymous with Indian classical music. Widely regarded as a musical sage or pandit, his definition of raga touched upon its vast and complex nature, describing it as a ‘scientific, precise, subtle and aesthetic melodic form’. Another sitar scholar, Vilayat Khan is heard on ‘Dhun Punjabi Ang’. The Khan musical lineage traces all the way back to the court musicians of the Mughal Empire.

Father and son duo Allah Rakha and Zakir Hussain enter into percussive playoff on the live track ‘Ek Taal’. Tabla virtuouso Zakir Hussain remains grounded by the musical discipline and natural flair he inherited from his father who he regarded as ‘a spirit who was created to work for music by God’. Carnatic vocalist Dr M. Balamuralikrishna’s marvellously melodic instrument sparkles on ‘Sadhathava Pada’. His formidable range and versatile tone mark him out as a legendary singer. He is also credited with popularising the jugulbandi concept in Indian classical music – when two soloists of equal skill perform together. Riverboat Records artist Jyotsna Srikanth contributes ‘Annapoorne’, a work crafted by the famous Carnatic composer, Muttuswami Dikshitar. The subject matter concerns Annapoorne, the Hindu goddess of nourishment. The raga used is sama, one that denotes peace.

Uncover the mystery and beauty of India’s verdant classical tradition on this excellent introduction to one of the world’s most valuable musical repertoires. 

Jyotsna Srikanth: Annapoorne (taken from The Rough Guide To Indian Classical Music)

Ghode is Raagleela's original which stands for the energy this song brings. It depicts the Celebration of life. Based in Raag Bageshree, which is meant to depict the emotion of a woman waiting for reunion with her lover. It is said to have been first sung by Mian Tansen, the celebrated court singer of the Emperor Akbar in the sixteenth century

Recorded & mixed at Plug n' Play Studio Delhi by Anindo Bose

Mastered By Tyrone Fernandes

Ghode - Raagleela - Raag Bageshri

‘Moham’, an instrumental interpretation of the song, Moham Kondujaan’, a song originally composed by music director Johnson Master, one of Baiju Dharmajan’s biggest musical inspirations.

Download

Moham

Indian classical raga (Kosh Pal Ji on raag Puria dhanashree)

Mai To Piya Se

Here's my version of Badi Dheere Jali Raina from the movie Ishqiya.

Badi Dheere Jali- Amrita

Truly for music lovers and special for Amit Trivedi's fans...

With Love..

#Dats

07 - Haan Reham - Amit Trivedi - MTV Unplugged Season 4(MyMp3Song.Com)

We work hard and pray harder and what do we expect in return. Just some cash. 

A track by Karthik Rao.

Credits:
Composition, Vocals : Karthik Rao
Arrangement : Tarun S, Karthik Rao
Mixing and Mastering : Tarun S
Special thanks 
Audio Arts
@all rights reserved 

Chilled out fakira

Ram nam sab darpan jeevan 
Batein unki hai fakiran
Duniya bhage yeh chale madham
Chalte chalte ruk gaye fakira kyun.

Mantriyon ki gadi ayi 
Ruk gaye saab desh ke bhai
Chal diye jaab desh ki janta
Ruke rahe bas yeh fakira  kyun

Mein ne puch un se jake kaisa hai tera yeh jeevan
Chal raha hai tu kiski aur

Wo muskuraye chilam thamaye 
aur gaye raag malhar

Idhe to raag malhar 

Chume yeh pairon se mitti
Thak gaye ab pi li frooti 
Subhe shyam shiv shambho duty 
Moh maya se bach gaya kaise wo

Mangu ga us rab se kaise 
Thode se kaam ke zyada paise
Dekh le yeh khuda ka banda
Khush rahe bas eek rupey se wo

Mein ne puch un se jake kaisa hai tera yeh jeevan 
Chal raha tu kaise uski aur
Wo muskurae chillam thamaye 
Aur gaye raag malhar

Idhe to raag malhar 


The copyright holder provides the rights to download and share the music. The music should not be used for commercial purpose or anything else without prior permission.

Chilled out fakira

Composed for SheeshMahal by Vivek Sagar
Lyrics and Vocals by Piyush Mishra
Guitars and Banjo - Vivek Sagar
Flute - Pramod  Umapathi
Electric Bass - Varun Venugopal
Drums and Percussion - Sanjay Das
Mix and Master - Sanjay Das


Bholasa Mann Tha -  SeeshMahal OST Featuring  Piyush Mishra

Tribute to Indian Classical Music

Amit Trivedi's Sound Of The Nation Uncut Performance At Royal Stag Mirchi Music

Man Kunto Maula  Orchestral Qawwali  Abi Sampa

Our season opens with a cross-border collaboration where East meets West in the spiritual journey that is 'Let Go'. The episode features the emotive acoustics of British singer-songwriter Fin Greenall and the soulful voice of Shafqat Amanat Ali Khan from Pakistan, as they experience Mumbai through the eyes of their hosts Salim-Sulaiman, the prolific Bollywood composer duo. Fin adds his indie-folky style to Shafqat's powerful vocals, while Salim and Sulaiman produce a contrasting yet effective fusion that can only be understood as sufi-step.

Download the song: bit.ly/10MLnBj

'Let Go' - Salim-Sulaiman, Shafqat Amanat Ali Khan, Fin Greenall - The Dewarists S02E01

Jagadodharana - Bombay Jayashree

Retired Official, interested in Music of all types

Badi Dheere Jali- Amrita

Amrita Rao

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