07-18-25 // 07-18-25 // STOP THE FEED - Let's Dance Friday - FREEZe THE LOVE / / Catch of the Day, originals and reposts

......3 more days of.. you know...i like you...
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07-18-25 // STOP THE FEED - Let's Dance Friday - FREEZ THE LOVE / Catch of originals and reposts

The First Family: Live At Winchester Cathedral 1967

Saint James Infirmary (Live At Winchester Cathedral 1967)

fernab Compilation #2
Buy & Download: fernab.bandcamp.com/album/fernab-compilation-2

⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍⚍

Wieder einmal gehen wir uns auf eine abenteuerliche Reise.
Diesmal führt sie uns zu einer geheimnisvollen Festung, durch Nieselnebel, Brombeersträucher und Geschichten voller Wind, Brot und seltsamer Kreaturen. Und wie schon bei der ersten Compilation, bei der wir eine Luke unter einem Sofa fanden, war auch dieses Mal die Musik unser Kompass.

Wir hatten wieder große Lust, unsere liebsten Künstler*innen aus unserer Bubble zusammen auf eine Platte zu bringen und freuen uns sehr, dass es erneut geklappt hat. 27 Songs, 27 Türen, durch die man hören kann. Mal laut, mal leise, mal schnell, mal langsam, mal verträumt, mal pulsierend. Die Genres springen, die Stimmungen wandern, aber irgendetwas hält alles zusammen. Vielleicht das Abenteuer, von dem wir gemeinsam träumen?

Hier gehts zum Hörbuch zur Compilation:
https://soundcloud.com/fernab-berlin/hoerbuch-compilation-2

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Curated by Kito & Henriette (@kahl-kaemena & @henriettesgoldenekette)
Mastering by Iorie (@iorie)
Artwork by Domjan (@eldomjan)
Storyline by Zazou (@zazou-berlin)
Hörbuch by Barnabass (@cptbarnabass)

fernab Compilation #2

Barnabass & Robin Dey - Crocket Jinx (Original Mix)

Mastered by Paul Mac @ Hardgroove Mastering

Umbra

Recorded in Modesto, Ca.   Featuring Godin Nylon Strings Acoustic Guitar solo. Soprano Saxophone solo. Flute solo.  Steinway Brothers Acoustic Piano Rhythm. Godin Nylon String Acoustic Guitar Rhythm. Acoustic Bass Stand-up. Roland Synthesizer Bass. Acoustic Full Drum Kit Set. Percussion Timbales, Cowbell, Ago Go Bells, Tree Chimes.

Ipanema

Feel Free

"Réalisé par l’artiste française @sonja_music, voici le 5e et dernier épisode de Lentement, une émission créée par @kida-paris pour Radio Béguin qui vise à explorer les pouvoirs magiques de la downtempo à travers les yeux de plusieurs artistes FLINTA qui l’inspirent.
-
Crafted by french artist Sonja, here is the 5th and last episode of Lentement, a podcast series created by Kida for Radio Béguin. It aims at exploring downtempo’s magic powers through the eyes of several FLINTA artists who inspire her.

—

- interview de Sonja en français -

Qu'est-ce qui t'a fait tomber amoureuse de la downtempo ?

Je ne me souviens pas vraiment comment est née ma passion pour la downtempo, je n’ai pas de souvenir clair ou conscient, mais ce que je sais, c’est que cet amour s’est installé lentement, petit à petit, bâtissant progressivement un lien fort et durable avec la downtempo.

Au début, j’étais fascinée par son aspect mélancolique et nostalgique : les mélodies en mineur, les tensions harmoniques et leurs résolutions me rappelaient la musique classique. Plus tard, j’ai découvert et j’ai plongé dans la puissance des lignes de basse plus groovy, les kicks profonds et les bruits irréguliers par ci par là. Selon mon humeur, j’ai commencé à explorer d’autres émotions que la nostalgie, notamment la douceur, et en même temps, l’étrangeté de la downtempo. J’adore qu'elle puisse être à la fois chaleureuse et inquiétante. C’est complexe, flou, et je sais jamais vraiment sur quel pied danser — ce qui crée en moi des mouvements drôles et décalés  ! Et je crois que j’aime cet état d’esprit étrange, cet état du corps étrange aussi.

Quelle émotion ou pouvoir magique de la downtempo tu explores dans ton set et pourquoi ?

Dans ce set, j’ai le sentiment d’explorer un pouvoir particulier de la downtempo : sa capacité à jeter des sorts. Des sortilèges de toutes les couleurs. Parce que pour moi, la downtempo est comme une sorcière, dans son sens le plus originel : une magicienne, une femme un peu en marge, qui déclenche quelque chose chez ceux qui l’écoutent.

Parfois c’est une sorcière de la neige et des montagnes, parfois envoûteuse de la nuit, parfois magicienne de l’aube. Elle oscille entre espièglerie et mystère. Elle est lente, elle traîne des pieds, un ‘lazy bit' à la fois. En chemin, elle collecte des sons de la terre, de l’eau, du ciel et du feu. Elle devient lourde, marche plus fort, plus profondément, presque à bout de souffle.

Puis, elle chute… dans le sommeil, et se repose — juste un instant. Mais bientôt, elle renaît, d’abord par son battement de cœur, puis son souffle, son bourdonnement intérieur, le clignement de ses yeux, ses murmures et, enfin, le son de sa voix. Elle revient à la vie, avec une force tranquille, se dirige vers sa cible — l’auditeur — prête à jeter ses sorts à nouveau… Elle ne meurt jamais."

Lentement • Kida invite Sonja (22.07.25)

Sober

With “Say My Name”, David steps out of his comfort zone and delivers a surprising, euphoric and trance-inspired anthem designed for peak-time moments and big festival stages. It’s bold, driving, and ready to conquer the floors without losing that unique Hasert signature: timeless melodies and hypnotic grooves.
"Say My Name" proves once again that David Hasert knows exactly when to break his own rules without ever losing himself.

By @david-hasert from Cologne.

Say My Name

everyone is waiting.

Parallelle & Nicolas Masseyeff - Shake it Out (Airrica Remix)

*bockwurst und bierbewegen*

I am doing this thing where i upload crazy genre breaking, maybe damaged, dj-freestyle-set-recordings, which shouldnt see the light, but would make people sad who witnessed them live, if i would not upload them. you know?

shuffel 01 // skarú @ dancing tiger 2025

@iorie & @sydkasd diving deep to bring you some proper nighttime tales.

download / stream

Iorie & Sydka - Microdose Machinery

wow. MOYN. - I have fallen in love with you!!!

Big thanks to all of you for showing up and sharing this moment with me. It was a viiiiiibe. 

#nodowntempotoday

Tracklist coming soon:::::

photo captured by: Delia

MOYN'25  | dubdorf sessions

Slow on Water 2025 @ Lago Maggiore

Wow! What a journey! 

Thank you to all my beloved friends for showing up, and to everyone else who was there to share this very special moment!

This live set was created especially for this occasion, and it turned into an incredible journey of pure inspiration.

Big thanks to the whole @kauzmusik team for your endless trust and support!

Enjoy! <3

*Intro text is from an interview with Goa Gil, a true pioneer who taught us that music is meditation. Be blessed!*

dit:eau 𝑙𝑖𝑣𝑒 @ season opening | Kauz | August 2025

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Want more like this? Check out our blog for the latest news, music premieres, exclusive mixes and more: www.undrtone.co.uk

Follow our House and Techno Spotify Playlist: tinyurl.com/mr3k96z7

Track: Back To School 4 (Original Mix)
Artist(s): STO
Record Label: Free Download
Release Date: 26th September 2025
Download: https://hypeddit.com/sto-fr/backtoschool4

STO brings his acclaimed Back To School series to a close with its final chapter, ‘Back To School 4’. Out now as a free download, the track blurs the lines between tech house and techno, delivering a hypnotic, rolling groove that nods to the golden era of 2010s Music On Ibiza.

From the first beat, the energy hits instantly. Heavy, swinging percussion locks into a driving rhythm while a rolling low end builds unstoppable momentum. The groove feels alive, pulsing with the kind of underground energy that defined iconic Ibiza floors. Every sound is placed with intent, from the tight drums to the subtle FX that keep the track evolving throughout.

Where earlier instalments in the series leaned into disco, acid and electro influences, ‘Back To School 4’ ties everything together. It is functional and fluid, packed with weight and movement, yet full of character. STO’s signature production style shines through with clean percussion, punchy low-end and a precise arrangement that keeps dancers locked in.

The result is a track made for the club. DJs will find it versatile and powerful, ideal for driving peak-time sets or adding underground flavour to warm-up moments. Its hypnotic flow, tight groove and percussive depth make it a reliable tool for selectors who value rhythm and energy.

With this release, STO signs off the Back To School series on a high. Across four instalments, he has explored a wide palette of sounds and influences, from raw club tools to hybrid experiments. ‘Back To School 4’ serves as the perfect finale, a heads-down groover built to move crowds and celebrate STO’s evolution as a producer.

Grab your free copy of ‘Back To School 4’ now and complete the journey with a pure underground weapon.

STO
https://www.facebook.com/STO.dj
https://www.instagram.com/sto_dj
https://open.spotify.com/artist/4BIwrHBpAWdIjPXLK1M7gq
https://soundcloud.com/stodj
https://stodjmusic.bandcamp.com

Free Download

STO - Back To School 4 [Free Download]

SFEE_b1

Amselcom has forever been near the forefront of change, exposing new ideas and giving insight through music and creativity. Our goal is always to bring the world closer by removing barriers and letting sound and rhythm demonstrate humanity's true, loving nature.

/ -.--.--. I AM LIVING PROOF  -- . .  -- . -- .. --  I AM LIVING PROOF -- . .  -- . -- .. --  I AM LIVING PROOF

Manifesto

We Declare:

    That the suffering in Gaza is not a distant conflict but a wound in the conscience of humanity.

    That silence and political games by so-called Western defenders of democracy are betrayal incarnate.

    That art, music, and truth must tear through walls of apathy, breaking chains with sound and spirit.

    That to remain silent is to support the erasure of life itself.

    That we rise—voices united, hearts aflame—to amplify those crushed under siege, to shatter the walls of oppression.

    That every beat, every echo, every lyric becomes a rebellion against forgetting.

    That through collective awakening, we reclaim not just Gaza’s future but the soul of humanity.

/ -- . .  -- . -- .. --  I AM LIVING PROOF

/ : fictionalive, August 16, 2025 - 4:21 pm

/
Disclaimer: Ladies and gentlemen, and anyone who needs a special mention, I'm throwing caution to the wind and speaking out about this chaos. I'm going live, ready or not. So, sit back, relax, and try to enjoy - it's all for your own good.
/
/ -- . .  -- . -- .. --  I AM LIVING PROOF
/
//
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY." 
/
/ : fictionalive, July 30 - 11:11 am
/
//
For This Is The Voyage, The Legend, The Song – Where We Belong
/
/ Keep shining
/
"NOTHING UNDER THE SUN IS NOT PART OF CREATION, NOR IS IT NOT CREATION ITSELF—IT'S ONLY WHAT YOU MAKE IT. NO JUDGES, NO DIVIDES—UNITY."

1. Philosophical and Metaphysical Context

This phrase operates on a profound metaphysical premise rooted in ancient and modern spiritual thought: the idea that everything within existence ("under the sun") is inherently part of creation, yet simultaneously defies a simple binary of "creation" and "non-creation." The double negation — “is not not part” and “is not not creation” — serves as a dialectical device emphasizing paradox rather than straightforward affirmation or denial.

Nothing exists outside creation’s domain. All that "is" is both a part and a reflection of the creative whole — but perhaps creation is not a static “thing.”

It touches on panentheism or even non-dualism, suggesting creation transcends our binary modes of thought.

In this sense, the phrase challenges rigid ontologies. It rejects compartmentalization — what we consider ‘created’ vs. ‘uncreated’ is a false dichotomy.

2. Existential and Constructivist Overtones

The clause “It’s only what you make it” signifies a turn from metaphysical absolutes to personal agency and interpretation.

Creation is not a fixed category but a creative, subjective, and participatory process.

Reality is texturized by human meaning-making — your perception, actions, and judgments shape what ‘is.’

This brings in vibes of existentialism and constructivism, affirming our power and responsibility in shaping the world and imbuing it with meaning.

3. The Ethics of Judgment and Division

“No judges, no divides” strikes a moral and social chord:

It calls for radical acceptance — no external or internal authority imposes judgment.

It opposes division, sectarianism, or exclusion based on arbitrary or prejudiced distinctions.
This has echoes of universalist humanism and inclusive ethics, a plea for unity beyond fractured identities, labels, or separations.

4. Final Summation: Unity as a Creational Ethos

The closing refrain “UNITY” serves as the conceptual apex:
Unity is not merely a formal condition but an existential and creational ethos, holding the paradoxical unity of all existence despite apparent differences or judgments.
It is a call to embrace multiplicity without fragmentation — wholeness that contains diversity.

Style and Rhetoric

Paradox and Double Negatives: The use of double negatives (“not not”) is daring and poetic, evoking the style of Zen koans or 
Hegelian dialectics — prompting reflection rather than offering a direct statement. It challenges the reader to dwell in ambiguity and complexity.

Capitalization and Punctuation: The em dash creates dramatic pauses, underscoring the key thematic shifts; the capitalized “UNITY” acts as a powerful, summative slogan or mantra.

Economy of Words: Despite its complexity, the phrase remains succinct, poetic, and emphatic—a hallmark of impactful philosophical proclamations.

Cultural & Literary Resonances

Biblical Allusions: “Under the sun” recalls the Book of Ecclesiastes, with its contemplations on the nature of existence. This embeds the phrase within a long tradition of existential inquiry.

Contemporary Spirituality: The phrase resonates with New Age and postmodern spiritual ideas emphasizing non-duality, co-creation, and global unity.

Political and Social Dimensions: In a world segmented by ideologies and conflicts, “no judges, no divides” can serve as a subtle political manifesto for peace and acceptance.

Say My Name

Amselcom

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