Each time I listen to this mix - it's better & better <3

The 16th Amulet is a plot full of twists and turns, a mystery unraveling; brief flashes of digital artefacts seems to appear in the landscape that it leads through. Is it real at all? The story is best experienced unspoiled. Concrete Fantasies is a producer from Madrid; his album 'Which Angel Gave Us Their Wings' was released on @audiovisualsatmosphere in June of 2021. The project explores 'elemental electronics', poetic impressions, and visions of the future, unafraid of wandering into unexplored territory.

Amulet of Tears 016: Concrete Fantasies

Music: @concretefantasies

Artwork: @anasisana

Amulet 016: Concrete Fantasies

WEATHER Z

CD PURCHA$E

PLIB020 - YEONG DIE - SEVERE CASES

CTM returns with the double single ”Stanza/ Basic X”. A
melodramatic suite of love songs, a sensuous slumber
filled with moments of tenderness, which, when briefly interrupted,
still linger and light your heart with dream and longing. A hand you
want to hold, first sprouts of new love and hatching new hopes and
beginnings, yet with the sense of uneasiness, like a sudden ripple in
calm waters, anticipating and embracing the unknown. A story that
is yours to keep.

Posh Isolation 265

(Cæcilie Trier)
Production: Malthe Fischer, Cæcilie Trier
Mix: Malthe Fischer
Engineer: Cæcilie Trier
Beat: Claus Haxholm
Keys: Malthe Fischer, Cæcilie Trier
Cello: Cæcilie Trier

Stanza / Basic X

CTM - Stanza

—APOD0057—
Nikhil Vettukattil & Jackson Burton Takeover.
Edition Erich Schmid Ep. 33

APOD0057 Nikhil Vettukattil & Jackson Burton Takeover. Edition Erich Schmid Ep. 33

Taken from the forthcoming album "Printemps-Ete" on In Paradisum, to be released April 11 2016.


After a couple of EPs, qoso reveals his first LP on In Paradisum, a label he joined in 2013 for the Like It Soft EP he cosigned with Low Jack. Charlie Janiaut opens up a third way between physical energy and experiments on sound textures. The producer originally from Franche Comté has dusted his fingers on battle scratch and his playing with computer is totally instinct driven. Playing techno from the viewpoint of rap music, qoso’s music is entirely based on samples and feeds on mistakes, frequency translation and a piling up of effects leaving space to randomness. The tracks on Printemps Ete were composed all at once and speak more to the body than the head - they’re rhythm tracks as stated by Emotional, which opens the record where most electronic albums like to put a nice ambient track. After being compared to Blawan or Levon Vincent by Resident Advisor, qoso is now leaving most references points behind with a syncopated sound that puts some fun into the raw.

Qoso -  Peaches N Cream

every month on berlin community radio

Sun An — Can We Talk?
Sarah Miles — ???
Mencius Leonard — Mia
M.E.S.H. — Thorium B Live Cut
Deena Abdelwahed — Ena Essbab
Tensal — Inertia 3 (Pangaea Remix)
Insha — Reboot 14
B.YHZZ — Rinnoji
???
Prettybwoy — Instagram VIP
DJ Overdose — 05 Poly 800 Loop
Nkisi — Kill
Evaa — Scheme
Superfície — Dengue Drums
Mumdance & Logos — Hall of Mirrors (Perc & Truss Remix)
Museum — CCC
M.E.S.H. — Damaged Merc (Fraxinus Remix)
Why Be — 5TARBO1 FOLLOWED AND MUTED (M.E.S.H. w/ lexxi mess)
David Carretta — Extreme Body
Basic Rhythm — Bury Him
Kablam + x  — ???
Amnesia Scanner — Vandalism
Kareem Lotfy — Fr3sh
Illusor — Scythe
M.E.S.H. — Information Skies OST (excerpt)

MIMIC III 5/4/17 on BCR

ELLEN ARK - FOR ORGAN AND BRASS
ASTRID SONNE - STRONG, CALM, SLOW
ASTRID SONNE, MINAIS B, SOHO REZANEJAD - THE IDEALIST (LILLE REALISERING)
DAHLIA BISCUIT, SOHO REZANEJAD - THE IDEALIST (SOLAR VERSION)
ELLEN ARK VS. SOHO REZANEJAD - FOR ORGAN AND BRASS/INECHO
ELIZABETH PEYTON (EXCERPT FROM INTERVIEW)
DOON-KANDA VS. UNKNOWN - BLOODLET/LA ISLA BONITA ACAPELLA (REZANEJAD EDIT)
LYRA VALENZA - REALITY BLIZZ
SERGE BULOT VS. SOHO REZANEJAD - EURYALE/CONFIDENTIAL ACAPELLA
TOXE - HONEY ISLAND
RYONG - NEVER
PUCE MARY, SOHO REZANEJAD - THE IDEALIST
SUGAR - HEART LESS
BABYFATHER - STEALTH INTRO
CROATIAN AMOR FT. JONNINE STANDISH - DARK CUT
HTRK - MENTIONS (REVERSED)

Soho Rezanejad presents: Idealist Mix

Released on Enmossed 31 march 2020
Recorded in 2018-2019 :: 43°20'10.3"N 1°08'36.1"E
Mathilde Vrech :: Viola, Violin
Marylou Mayniel :: Cello
Nicolas Rode :: Soprano Saxophone, Alto Saxophone
Léo Hoffsaes :: Guitar, Bass, Piano
Tony Marie (Loto Retina) :: Organ on ''Il fait nuit depuis une heure maintenant - je m’avance dans la forêt"

all proceeds to Peace Ridge Sanctuary :: peaceridgesanctuary.org

buy :: enmossed.bandcamp.com/album/j-ai-pou…ne-faiblit-pas

J’ai pour eux cet amour qui ne passe jamais, qui ne faiblit pas-FullRecordSeamlessVersion [Enmossed]

@enapos uses algorithmic processes as the main source for his 'Git Sanctuary' creation. Forthcoming on @vlek.

More: https://ins-rt.net/audio/apos-dryas-cmd-period

Article

Premiere: &apos - Dryas [cmd-period]

Further information: bleep.com/features/bleep-mix-146-holly-childs-gediminas-zygus

In their Perfect Potting mix for Bleep’s mix series, Holly Childs and Gediminas Žygus have created a wonderful companion piece to their LP Hydrangea. Much like that album, Perfect Potting is a stunning hour of music which fashions new sonic vistas from a huge variety of styles - avant-garde balladry, futurist gabber and various schools of 20th Century classical music to name but three. The fact that Fatima Al Qadiri, Goldie, Elysia Crampton and John Cage are all in the tracklisting here should signpost just how wide Childs and Žygus have cast their net, but the focus and vision with which the pieces are combined is hugely impressive. From its weightless, heavily classical opening section, through the boundary-pushing songcraft of its midsection and onto its increasingly beat-driven second-half, Perfect Potting is a testament to the artistic ambition of its creators.

Bleep Mixes

Bleep Mix #146 - Holly Childs and Gediminas Žygus

Originally composed for livestreaming events during the ongoing lockdown of 2020, Felisha Ledesma presents two extended pieces as a debut album, “Sweet Hour”. Ledesma’s first full length release arrives after much experience in creating collaborative works with artists such as Isabella and Angelo Harmsworth, site-specific installations, and high-profile festival performances.

Both pieces were realized using a new software synthesizer, called “AMQR”, which Ledesma built for personal use in collaboration with Ess Mattisson. Contrary to many digitally-based compositions, a distinctly warm and organic palette pervades these recordings. An almost playful leisurely pace is employed, engaging the listener to listen deeper; the pieces gracefully evolve with special attention to subtle shifts in stereo field and sonic coloration.

The time-of-day titles illustrate the two distinct moods conveyed: "7:00 AM" integrates field recordings and a hardware modular synthesizer, taking the listener through a psycho-acoustic journey exploring various nooks and crannies of subdued auditory rivulets: perhaps a hidden woodland brook, a sunny glen, a crunchy gravel walkway. "2:00 AM" harkens to the memories of nightclubs, opening with a synthesized arpeggio which could lead into a dancefloor-ready stomper. But instead, Ledesma steps back, allowing the arpeggio to develop into an encompassing ASMR-like timbral massage. The two compositions are united in a slightly melancholic grasping for connection; are they unfolding or are they unraveling? Ledesma does not answer the question outright, but instead finds joy in superposition and sublimation - while creating a space for the listener to inhabit, to live in, and to re-connect.

---

Felisha Ledesma is a multi-disciplinary artist currently based in Berlin, GER. In Portland, OR, Ledesma co-founded and directed numerous organizations focused on experimental sound and community engagement such as S1 (an artist-run space) and the Synth Library (a lending library for electronic music equipment). Most recently Felisha co-founded Fors (fors.fm), creating "novel instruments that are elegant to use and adventurous in sound" in collaboration with Ess Mattisson and is studying sonic arts at Universität der Künste, Berlin. 

releases January 29, 2021

mastering :: Ess Mattisson

cover artwork :: Felisha Ledesma

design ++ layout :: Robin JM Vanderheyden

all proceeds to Equitable Giving Circle :: www.equitablegivingcircle.org

Amulet 016: Concrete Fantasies

Amulet of Tears

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