Elen Huynh is a French artist who explores the boundaries between words and sounds. Her spoken-word narratives « Choses Contraires » on LYL hover in sharp contrast between ethereal soundscapes and industrial twisted rhythms. She also has self-released « Les maux libres », the first compilation of collaboratives pieces from the show and she prepares us the second album for the coming winter.

https://soundcloud.com/nowherearu

Wavering Forms 40 -  Elen Huynh

With snowmelt, a vast forgotten place has reemerged. Rumors started circulating amongst people in the city nearby, and a few decided to go. These pilgrims could access the place only by moonlight, down long dirt paths. Amongst the ruins of this partial town, they found a funhouse, tavern, and cathedral. One of the visitors later described them as three different structures. Another swore it was a single space. The only certainty was that the structures shared a bright, blue-green mold.

On "Waiting + Remixes", two compositions by Emily Berregaard bookend five remixes. Each artist redraws a map from Berregaard’s: the areas where glacial expanse meets the heat of touch. These documents are devout as they are erotic, mirror images of the prayerful originals. The two tracks by Berregaard—extended abstractions of voice and saxophone, with dashes of textural field recordings—sourced from the artist's archives—are treated differently by each interlocutor.

Wilted Woman adds rhythm, darkly carnivalesque. Florian T M Zeisig, a celestial scrim. Angelo Harmsworth’s interpretation sees the place as a factory for affect, while Glyn Maier provides an asynchronous almanac. Alie draws an absorbing series of loops, a lacy garland made of Berregaard’s dreamy cantos.

released July 21, 2021

“Come Inside” originally released via lathe cut 7” by Primitive Languages (now psychicliberation.bandcamp.com) in 2018

Audio finalized by Glyn Maier

Waiting + Remixes

Emily Berregaard - Waiting (ENMB08)

"There’s a body of water in the woods near Carrboro. Dappled light on the trail leads you to it. Crunch of leaves underfoot. A river feeds the swimming hole where people plunge, naked and alive. On a chair you sit reminiscing about the future. After a dip, you lay on a big smooth rock - let the sun bake you dry. Then you walk further into the woods..."

Recorded in one take, July 5, 2021 marking the release of Marv’s “Keyboard Suite I” LP [ENM-10] on September 3, 2021 via enmossed: https://enmossed.bandcamp.com/album/keyboard-suite-i

Track list: (Artist - Track)

1: Salvatore Martirano - L’s GA
2: Dog Lady - Tympanum (side B)
3: Marv - LB’s Obol
4: Karla Borecky - The Island of Taste
5: Robert Haigh - Stranger on the Lake
6: Ivan Kosancic - Uhodi Turke
7: Ingram Marshall - Fog Tropes
8: Huerco S. - Quiet Time
9: SEM Ensemble - 106 Kerri Chandler Chords (Arranged by Jack Callahan)
10: Isorinne - A1
11: Joan La Barbara - Vocal Extensions
12: Warren Burt - Three Inverse Genera
13: Glyn Maier - Memoria
14: V.B.D. Joel/M. Prindy - Various Reflections
15:Tim Story - The Lure of Silence
16: Alessandro Pizzin - Francesco (live in studio)
17: Marv - Present Worth

https://soundcloud.com/enmossed

Marv presents: Mix III

“Much of your pain is self-chosen. It is the bitter potion by which the physician within you heals your sick self. Therefore trust the physician, and drink his remedy in silence and tranquility"

For Those We Trust 19/09/2021

Après avoir organisé de nombreux concerts à Marseille, le collectif et label Champ Döner s'attache désormais à la production de cassettes et a lancé sa première série de splits : deux artistes convoqué(e)s et invité(e)s à se remixer le temps d’un morceau. C'est aux côtés des duos Humbros et R.I.P, primo-invités de cette série, que Champ Döner officiera sa première fois à Ola Radio.

@josue.confort @thibaut_de_raymond @lsma_rds @charles_dubbois humbros.music

Champ Döner Invite Humbros & R.I.P.

The immense soundscapes of Arkhad cannot be mistaken for those of another artist's - each work seems to be completely unrestrained, yet an over-arching sense of structure, a feeling of a looming megalithic presence haunts throughout. The rhythms are irregular and strange, yet palpable. The droning calls and textures appear inorganic, yet certainly feel natural; as if rising from beneath the living earth, from beneath deep layers of stone. The artist has been a known and unique presence in Lithuanian experimental art, traversing through drone, noise, post-industrial techno-hybrids, and many other unknown realms of music over the past decade. Such depths are thoroughly explored in the 18th Amulet of Tears mix.

Amulet of Tears 018: Arkhad

Music: @arkhad

Artwork: @anasisana

Amulet 018: Arkhad

Composed during a whirlwind period of touring and sound engineering in 2019, ???? functions as both a tranquil refuge and as a heartfelt appreciation for the instruments highlighted. Berlin-based Bridget Ferrill crystallizes her professional recording experience and artist residencies into a singular focus on Buchla modular, harp, zither, and viola da gamba. Not merely an exercise in technical mastery, Ferrill's careful arrangements invite us to linger with each instrument; in her words, fulfilling the longing to "listen a little longer, a little slower". Every contour of the instruments is lovingly traced, a warm invite for us to join her in the exuberance of exploring their inner life.

Only

PHYSICAL COPY

ENXPL10 - BRIDGET FERRILL - A2. HARP

Sample from the third track of the 'Broken Lust' CD, available in January on Monorail Trespassing.

Broken Lust

Vasculae - Immolation and Atonement (excerpt)

Truthfully, the most emotional track of the album, this is about when trauma consumes the light in your life and calls you to change. When I listen to this, it reminds me of people I've had in my life who have passed away. It also reminds me of my very brave cousin Ethan, who had a car jack fall on him.. much love to Ethan if you see this.

Welcome To Space

Accretion Disc

Violan for Padshop 2 continues the groundbreaking orchestral FX string expansion series, reimagining the viola as a powerful cinematic sound design tool. By transforming traditional articulations and percussive strikes on the instrument’s top plate, pegs, and bridge, Violan delivers an extraordinary palette of textures that go far beyond the concert stage.

Inside, you’ll find evolving pads, re-synthesized comps, chromatic percussion, and a wide range of orchestral FX including risers, glissandi, and clusters. These are paired with dark soundscapes and rhythmic suites of strings and percussive elements, offering endless inspiration for tension, atmosphere, and movement.

Perfectly suited for science fiction, epic thrillers, and horror, Violan empowers sound designers, film scorers, and trailer composers with apocalyptic intensity and ethereal beauty—unlocking new dimensions of creativity.

Amulet 018: Arkhad

Amulet of Tears

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