A dive into mechanical and corrosive landscapes, where noise becomes pulse and machinery becomes heartbeat. Raw, minimalist industrial to pierce the sonic darkness

𝖋𝖆𝖓𝖈𝖞 𝕮𝖔𝖗𝖗𝖔𝖉𝖊𝖉 𝕮𝖎𝖗𝖈𝖚𝖎𝖙

taking inspiration from trap, breakbeat, gqom and phonk

turret

masonry

clouds spread (blue stork's splitterbrrremix)

See here for more info: https://wp.me/pwcbn-kHX

Flatline

Lensk, 'Stoptime' (2018). Courtesy angoisse, Barcelona.

Marco Colocci (@queimada77) is an Italian producer and sound engineer based in Berlin. Learning how to play the contrabass and music theory has initiated the growth of his interest in the techniques of field recording and sound design, as well as his overall passion for electronic music. After self-releasing music during his teens, and later producing for Taiwanese artist Sabiwa from Chinabot, under the moniker Queimada he now presents a debut record coming out on Gin&Platonic.

Built around a concept proposed by Harvard professor E.O. Wilson, Eremocene depicts a future state of miserable epoch into which human species is slowly but steadily accelerating. Characterized by the existential & material isolation that comes from having calamitously extinguishing other forms of life on Earth while intrepidly fulfilling our immediate needs, the future labeled as The Age of Loneliness sees our identity completely transformed. 
On the record, Queimada explores precisely the conflict between the tempting ease and a pang of unconfessed guilt in an attempt to capture the ironical relationship they epitomize. The album represents an encounter between different techniques of granular synthesis and field recording. The encounter between the unstoppable and destructive, altogether resulting in a disruptive anthem of the intensifying burden of the postmodern times.

Produced by Queimada
Mastered by Wim Dehaen
Artwork by Jiri Macku

Buy via: https://ginandplatonic.bandcamp.com/album/eremocene

https://soundcloud.com/ginandplatonic

Eremocene

Premiere: Queimada - Why U Cry? (ft. Sabiwa)[Gin&Platonic]

Mix by @seraphim2228
Artwork by Omar El Sadek
https://www.omarelsadek.com/

Tracklist:
111X-Insects Drowning In a Pool
@111x
Exploited Body-I Was Never Enough
@exploitedbody
TENDRE AEL-Shapeshifter
@tendreael
SADAF-Feed Him
@sadnava
Lensk-Bared Teeth
@anonymouscomplicity
100K-Revolver
@centk
N1L-fang mark semantics
@n_1_l
Michael Speers-Tombeau
@michaelspeers

ECHO AS premiere Wed 9PM CET weekly 🔊 @croradiowave 
(reruns monday 3AM CET)

SERAPHIM FOR ECHO AS | Radio Wave

Obriultn - A destructive compilation curated by BOLT RUIN

BOLT RUIN shredded all tracks of his self-titled debut to pieces & constructed a new composition out of the debris.

In the same manner, he invited five artist to let their inspiring approach to destructive sound-design crash with his source material.

These processes resulted in six completely new productions.

julek ploski - Uchu & Paznokciu

Confusía

Everything For Everyone

https://bit.ly/2xQyzmN

Taken from @forces-music's new album Epoch, out March 22, 2020 via @ginandplatonic.

Following Forces’ breakthrough string of acclaimed albums coming out on the key label triad of Bio Future Lab., Conditional & Genot Centre in 2018, Gin&Platonic is extending the output of the Finnish musician and multidisciplinary artist Joonas Siren with his next full-length Epoch:

"The album maps out all these topical ideas (the general political, ecological and social problems) sonically. Collapsing sound material, unsteady temporal structures, noise and distortion build up intensities without catharsis. The tracks are made with different live programming techniques, peculiar time-stretching and layering techniques and other VST and FX’s dysfunctions. Within the mournful aural chaos, there is a potentiality for change."

- Forces aka Joonas Siren

Produced by Forces
@forces-music

Mastered by Wim Dehaen
@wimdehaen

Artwork by Jiri Macku
jirimacku.tumblr.com

Released by:
Gin&Platonic

clouds spread (blue stork's splitterbrrremix)

AMUSPHERE

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