<Kubbi>

Tiny Fate

from 「THE BMS OF FIGHTERS XVII -VISION THE RETRO FUTURE-」
Team: 「AESTORIA」

[#BOFXVII] Lime - Luminaria

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変わり続ける世界が、怖かった
いつしか、変わることの無い世界が、怖くなった
もしも
この無機質な世界を、少しでも美しく思えたなら
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BMS：https://manbow.nothing.sh/event/event.cgi?action=More_def&num=33&event=137
BGA：https://youtu.be/8G590EiLQ3E

【 #BOFXVII 】無機質世界に彩を

Lindsey Stirling Exclusive Deluxe Re-release featuring this version of "Elements" at Target, available now! http://www.smarturl.it/LindseyStirlin...


iTunes

Elements (Orchestral Version)

Myth

A lonely flower lost in her own thoughts, inevitably carelessness will take control of her actions, over and over.
So originally the goal behind this track was having it be 110 bpm, start with a slow piano intro that would develop into more electronic drops with saw stacks and such, but I randomly decided to try it at 182 bpm and ended up liking the idea a lot more and just deciding to continue on that path for writing the song, and while doing so i ended up focusing a lot of on the thematic side of the piece, which i wrote with a story in mind first, which was one about downfall into melancholy/corruption of mind represented under the form of a flower, thus why the title, and is also why I wanted to be some parts to feel really glitchy and is how I ended up choosing some elements of the song like the operatic voice towards the end and the outro specifically, as well as some of the sound design focusing a lot on down sampling elements, then after that pretty much focused on making everything feel as Artcore possible.
Overall had a lot of fun making this, although piecing all of the individual ideas was pretty hard, especially when it came to writing the verses, but still pretty proud of how it turned out and I hope you guys will enjoy and be able to feel what I was trying to portray in the song!

Λmaryllis

Hey, I made yet another jam for my buddy Slamacow to use in his animations. This is a full length track and I hope you'll enjoy it lots! 

Check out Slamacow's animation montage where this track was used here:
http://www.youtube.com/watch?v=2cO5ilh1iwk

And to all of you going to MAGFest; See ya there! :)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Music, guitars, production: Kubbi

Kubbi HQ

Algebraic!

Hey there! Really sorry I haven't been releasing tracks lately; school and stuff have been a little rough recently.
Here's a piece I did as a submission for Sapporo International Art Festival's Urban Soundscape Competition! I realize that it's not so much a soundscape as it is a song with numerous background samples in it. That being said, I approached this in the best way I know how, and I'm happy with how it turned out.

Enjoy! Comments and critiques always welcome.

Track Art by shapecaster (Chris Rogers)
Check out his fantastic Tumblr! (Updates more than I do!)
http://shapecaster.tumblr.com/

Track on YouTube: http://youtu.be/ERKcV3wzePs

(Below is the 250-word summary I wrote up for the entry. It's super pretentious, but I think it makes me sounds like I know what I'm talking about.)

"Cycles" is a short piece that reflects upon the modern-day coexistence of nature and people, and is influenced by sounds from both the urban and the organic. The piece as a whole is ornamented with numerous theme-based samples, intricate countermelodies and polyrhythms, and neat, crisp percussion. Above all, this piece aims to be catchy, and provide easy-listening atmosphere in a meaningful way.
The first half of the piece is marked by simple piano melodies arranged polyrhythmically and a flowing string quartet section, played over an upbeat synth chord progression. Sounds of life, from a restless outdoors to a bustling city crowd, can be heard in the background.
This is followed by a short buildup to the second section, which exposits the second section's driving chord progression. One minute and twenty-eight seconds into the soundscape, the piano melody counts its beats and takes its pitches according to the sequence {1, 1, 2, 3, 5, 8, 13, 21} (the first eight naturally-occurring Fibonacci numbers, with "1" = one eighth note = scale degree 1). This oddly syncopated melody conforms well to the vi -- IV -- I -- V chord progression.
The last section brings back the "bustling city crowd" section and represents it with comfortingly jazzy piano chords offering closure. The soundscape ends cyclically with a callback to the simple melody from the beginning of the piece.
The sound logo paired with this piece harmonizes the bustling crowd and forest samples to signify the theme, and ties it together with the beginning piano melodies.

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