Excellent choices on sounds.  All melds together seamlessly.  Very meditative, very beautiful.

Very nice, it's good to look at the painted score as I listen to these pieces but I can certainly see a clear correlation between this track and the score

Lovely bit of organic unfolding through this.

Art by Odilon Redon, "I Am Still the Great Isis! Nobody Has Ever Yet Lifted My Veil! My Fruit Is the Sun!" (1896)

Kenoma (To Go Without Light)

Saint Soliloquy Starling

violet ex machina | feature-reel here: https://www.instagram.com/p/DGy6GSnAQ3a/

here and there 
upon scorched field
s wild violets
 
– Arii Shokyu-Ni – 

Arii Shokyu-Ni was a haiku poetess during the Edo period who began a wandering life after running away from her husband at 29 with the haiku poet Kohaku. Just like Matsuo Basho, "the Nun Shokyu" traveled to the Deep North of Japan.

Contribution for naviarrecords’ Haiku 582.

https://www.naviarrecords.com/naviarhaiku582-here-and-there/

violet ex machina

Inspired by Naviar Haiku 583:
https://www.naviarrecords.com/naviarhaiku583-out-of-the-blue/
Thanks to Marco Alessi from Naviar Records for the weekly challenge!
Photo by zenbytes (Colorado, USA, 2024)

early morning light - Naviarhaiku583

Prompted by and in response to:

out of the blue
of early morning light:
a paulownia leaf

Naviar haiku challenge 583, details here: https://www.naviarrecords.com/haiku-music-challenge/

Not as I envisaged at the outset owing to a lucky experiment and a willingness to got with the flow. All the base sounds are generated in virtual modular using VCV Rack with split outputs allowing multitrack recording. I had planned on using the Deelay plugin from Sixth Sample and while I was tweaking the settings put it into chaos mode as an experiment, not what I wanted but more suitable for this track, saved some VCV patching.  With the other elements in place I set up physical controls and did a test run to get an idea of what to patch next. After what would have been the opening ran to over six minutes I decided that with a couple of tweaks I had enough for a take, more minimal and slower evolving than my original idea but probably suits the haiku better. I used a touch of Frostbite 2 from Audio Thing to add some texture to the opening.

Early Morning Light - (naviarhaiku - 583)

she is truly sorry

#4171 91.95% 365 left): May.16, 2025: Come hither lady fair and joined be to our wild minstrelsy  (again, John Keats from Apr. 12, 2025) 

======~====
Wow! Today is a bit of an important day for the Piano Manyoshu Project. It's one year from now. That is, on May 16, 2026, we will reach the project's goal of 4536 pieces. If I'm lucky, that's when it will happen. It's a happy day. Thank you all.
===========

Today's pure primal piano music here. Happy if this music makes you feel peaceful.. : )

Looking for absolute natural beauty every day for Piano Ten Thousand Leaves. Target number is 4536:
This piece may might have good 1/f fluctuation characteristic although I stopped investigating it each piece.

######## Latest Album: 29th SELECTION ALBUM JUST RELEASED ########
"shin Clair De Lune" - the 29th selection album of piano ten thousand leaves

The best song in the last few years, Shin Clair De Lune, was born, so I named the album after it. The opening song is that song.

youtube: FULL VIDEO with 20 full songs in very high quality sounds
https://youtu.be/_KoD3Urfn38?si=WP2OCvwwVeLYyfnU

Album Download:  iTune
https://music.apple.com/jp/album/shin-clair-de-lune/1796986397

spotify
https://open.spotify.com/album/0IesFKVy7eEyvrfn90AW8b?si=_-BDNh2JQ3yUSQyOpSUSFQ

appleMusic
https://music.apple.com/jp/album/shin-clair-de-lune/1796986397

amazonMusic
https://amazon.com/music/player/albums/B0DXKJ5655?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_Af4hYEidL5bbME7ncUiUORjxE

all music streaming services:
https://linkco.re/mF4G0R43?lang=en

come hither lady fair and joined be to our wild minstrelsy - #4171(365 left) by chair house 250516

Recorded, edited, mixed & mastered on 28 May 2017 & 06 Jun 2025 by Jim Lemanowicz at Blissville Electro-Magnetic Laboratories of Massapequa, USA. 

Synths, effects

Photography/Art - Jim Lemanowicz, 06 Jun 2015 & 06 Jun 2025, Massapequa, NY, USA 

©2015, 2025 Jim Lemanowicz

---

This original version of “Usually May Disappear” was submitted as part of Disquiet Junto Project 0701: Gap Ear. The Assignment: Break apart a piece of music and fill the resulting spaces.

More on the Disquiet Junto at: disquiet.com/junto/

More on the 701st weekly Disquiet Junto project, Gap Ear — The Assignment: Break apart a piece of music and fill the resulting spaces — at https://disquiet.com/0701/

Usually May Disappear (disquiet0701)

Flamenco Jazz Fusion, Quintet (Guitare flamenca, Piano jazz, Contrebasse, Batterie/Cajón, Saxophone), Dialogue authentique entre traditions flamenco et jazz moderne

Contemplación

nation mission

**Production Notes**

Okay, conceptual it is. I went back to my Disquiet Junto 133 submission https://soundcloud.com/analoc/0714-disquiet-junto-133-little. 

Every little symbol on the score got its own sound now, panning and FX track. I isolated 8 different symbols and added sounds accordingly. 

1. Black horizontal lines:  Absynth
2. Black vertical lines: Chromaphone
3. Red full dots: Chromaphone
4. Empty dots: Kontakt Una Corda
5. Empty horizontal lines: Rhythmic Robot Orgatone 601
6. Red half vertical lines: Absynth
7. Empty vertical line: Absynth
8. Empty vertical line: Absynth

Musically, I stuck to the same simple chord I used for „Calm“. Note values were played just by chance. 

After 6 notes, there was a slight pause, then the next six notes started. I tried not to stick to a beat or metronome. 

* * * 

**Disquiet Junto Project 0224: Cold Embrace**
Disquiet Junto Project 0225: Serial Composition
Sight read a late-1940s painting by Argentine artist Lidy Prati as a graphically notated score.

This week’s project takes as its subject a painting recently posted by art critic Blake Gopnik. Seen here, it dates from around 1948, he writes, and is by the Argentine artist Lidy Prati (1921-2008). In his description, Gopnik references Piet Mondrian, whose music is often associated with musical scores. Both the grid-like structure of Prati’s piece and its title, “Serial Composition,” suggest it as the subject of sonic investigation. Gopnik connects the piece to computers: “[I]t speaks of a system that can generate them. Computers and their algorithms seem on this painting’s mind, at a moment when computers still filled entire rooms with vacuum tubes.” (Note that as I was researching this project I came across work by Marcelo Gutman, who has created colorful score tributes to Prati.)

These are the steps for this week’s project.

Step 1: View the circa-1948 painting “Serial Composition” by Lidy Prati at this URL:

http://blakegopnik.com/post/142806762364

Step 2: Consider it as a musical score. Think about the sort of musical composition that “Serial Composition” might be.

Step 3: Record yourself performing “Serial Composition” as a graphically notated musical score.

Step 4: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 5: Annotate your track with a brief explanation of your approach and process.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This project was posted in the afternoon, California time, on Thursday, April 21, 2016, with a deadline of 11:59pm wherever you are on Monday, April 25, 2016.

Length: The length is up to you, though between two and three minutes feels about right.

(…)

More on this 225th weekly Disquiet Junto project (“Sight read a late-1940s painting by Argentine artist Lidy Prati as a graphically notated score”) at:

http://disquiet.com/0225/

More on the Disquiet Junto at:

http://disquiet.com/junto/

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Subscribe to project announcements here:

http://tinyletter.com/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Image originally posted (and viewable in larger scale) at

http://blakegopnik.com/post/142806762364


Eight Lines [disquiet0225-serialcomposition]

Anatol Locker
Ambient | Electronica | Experimental
also plays in Lucid Grain, MOC and Spheric Lounge

Feel free to download everything here for personal use

Eight Lines [disquiet0225-serialcomposition]

analoc

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