Ma Nah Ma Nah... so great... "Muzak for an imaginary Brazilian Elevator" would have been a cooler and more fitting title!

Is it possible to buy this track somewhere? Thanks!

Omg this fucking amazing i love this game show music 

xxotica

A Tribute to the Blessed Robert Nesta Marley!

Eric Sugarsnap Pea ~ Kamale Ngoni/Percussion
Wilson Harwood ~ Banjo

Natural (Mbanza Acoustic Demo)

CRITTERVSWORLD

David Keno & Mat Joe - Early Morning (feat. Shamoozey)

Taken from Jack Pattern's "Ponteloco EP", soon to be relased on Drumpoet!

Jack Pattern - Melting Oceans

Maja Ratkje - Crepuscular Hour part 1

mani fredo feat solomon burke - get out of my life woman ( remugged by muggo man )

After announcing her arrival with the single ‘Reckoning’ Izo won strong support from the likes of Clash Magazine, Blues & Soul, BBC London and Radio1 NL. Back with this equally amazing follow up, it’s hard to disagree with her as she declares in the song’s lyrics she’s “A force to be reckoned with”. 

Boasting an itchy footed bassline, screaming blues lead guitar, catchy horn licks and the tightest drums in the business (courtesy of her album producer Dr Rubberfunk) – Izo once again showcases her powerful vocal range and direct lyricism over the bouncing track. Remixes come courtesy of Moods and Flevans.

Download / Stream: https://IzoFitzRoy.lnk.to/HereICome
'Skyline' available on Vinyl/CD/Digital: IzoFitzRoy.lnk.to/Skyline

DOWNLOAD

Here I Come

Holotype Editions was founded as a means of bringing out music by some of the most unique and peculiar artists of the last decades. What could be more fitting for the imprint’s seventh release, than the duo of cult artist Ghédalia Tazartès and multi-instrumentalist, composer and singer Maya Dunietz.
Recorded live at Cafe Oto, in December 2013, Schulevy Maker documents the duo’s first live appearance. An amalgam of bizarre samples, concrete sounds, live piano and bells, juxtaposed with the otherworldly voices of Dunietz and Tazartès. At times light and humorous, at others dark and ritualistic, Schulevy Maker can hardly be labeled or tagged. The album title refers to Shoemaker-Levy 9, a disrupted comet that collided with Jupiter in July 1994. Tazartès and Dunietz freely reassembled the syllables of the comet’s name, coming up with this obscure title.
A truly life-affirming record, by two artists defying categorization, Schulevy Maker comes in a limited edition of 300 copies, pressed on black vinyl with a beautiful cover designed by We Are Still Bold and Beautiful.
http://www.mayadunietz.com 
http://julietippex.com/roster/ghedalia-tazartes/
Recorded live at Cafe Oto, London - December 2nd, 2013 by James Dunn Mixed by Daniel Meir
Mastered by Nikos Lavdas at Kiwi, Athens, 2017
Design by We Are Still Bold and Beautiful
Special thanks to:
Ilan Volkov, Stephen O'Malley, Hamish Dunbar, John Chantler, Noam Inbar

SCHULEVY MAKER

Ghedalia Tazartes + Maya Dunietz - Schulevy Maker (excerpts)

L.A. Witch
"L.A. Witch" CD/LP/DIG
Pre-Order: http://store.suicidesqueeze.net
Release Date: September 8, 2017
Label: Suicide Squeeze Records
www.facebook.com/lawitches
Artist Twitter / Instagram: @la_witch
lawitch.tumblr.com
www.facebook.com/suicidesqueezerecords
Suicide Squeeze Twitter / Instagram: @suicidesqueeze
www.suicidesqueeze.net

L.A. Witch

Kill My Baby Tonight

Couloir Gang / Zuur Kool

Label / Suara Papua
Ref / SUAP 8

2017
Ravi Shardja : Bass, scratch synth, transverse flute, lap steel guitar, tapes, voice.
&
Jean-Marcel Busson : Rythm boxes, Synthesizers, hand-made electronics, elecrtic guitar, voice.

All tracks composed, played, and mixed by Couloir Gang

Recorded by Xavier Roux between 2014 and 2016 at Satante, Brussels, and Papua Barat, Montreuil.

Mastering and cut by Fred Alstadt

Art cover, typography and printed by M.U.R.R, at Pantin.

With help of Attila Tralala

only 300 copies

Zuur Kool

Zuur Kool Promo Side B

Its been a long time coming and finally after 5 years in the making we are very proud to have the chance to present to you instrumental music of a different kind created by the iconic Brazilian musician - Camarão.      

One of the very first Forró songs I ever heard was Camarão’s “Retrato de um Forró,” courtesy of a mix that Fred Thiphagne – founder of the Goma-Gringa label – had made for the music blog Les Mains Noires. But it wasn’t until my friend, the Australian DJ Carlo Xavier, dragged me to Brazil that I got hooked.

Our Brazilian record safari started in Belém, the capital of the Pará state in the north of the country, and although Forró music originated in the northeast of Brasil, it was here in Belém that my Forró education began. 

In the first two days of our trip we had the good luck to bump into a record stand at Praça das Mercês, in the old part of the city; its owner, known as Max Alvim, is considered to be one of Belém best record dealers, and he certainly lived up to his reputation. We found many records of interest almost immediately, but Max advised us to leave a want-list and come back a few days later. When we returned, Max had manage to lay his hands on many of the Carimbó and Siriá LPs we had been looking for. But what surprised us most about Max was his extensive knowledge of Forró music and where to find it. Two weeks into our adventure, not only had we managed to find most of the Pará music we were after, but we also ended up with about half of Camarão’s musical output. 

Some of Camarão’s tunes had a wonderful sense of humour, while others sounded as if they had come from the soundtrack to some imaginary Brazilian Western movie, but all of them were united by a special drive and positive energy. The music surprised me, and anything that tickles my curiosity is destined to be thoroughly scrutinised.

We started toying with the idea of a compilation and decided to travel to Recife, not only to continue our Forró education but also to meet Camarão himself. 

During our stay in Recife, whenever the word Forró was spoken there was always someone coming out of nowhere eager to explain how the word came to be. Apparently in the 1940s, so the popular story goes,  British train-line manufacturing companies based in northeastern Brazil would throw parties for their employees and the best thing about these parties was that everyone was invited. These events were advertised on the radio and in the newspapers as being “for all” which, when spoken with a Brazilian spin, became “Forró”.

But according to historians this explanation is nothing more than humorous folklore. The term Forró, so they say, comes from the bantú word Forrobodó and had already been used in a song called  “Forró Na Roça” composed by Manuel Queirós and Xerém in 1937, five years before the British had arrived. Even before that, in 1912, Chiquinha Gonzaga composed the song Forrobodó, which was classified as a burlesque piece and earned her the Mambembe Prize in 1915.

No matter which version you decide to believe, Forró developed into a general term referring to a group of musical styles, including Xote, Marchinha, Coco de Roda, Baião and other mixtures of African, European and indigenous rhythms. 

We had manage to arrange for an interview with Camarão who was notorious for being a man of few words. His peers would say that “his accordion speaks for him”. We had high hopes that Camarão would not only shed some light on his own legacy but also give us a sense of the vibe in Pernambuco during the heydays of Forró music. We met Camarão at his house in Recife and found him in excellent spirits.

Interviewed by Carlos Xavier himself on the 29th of November 2012, Camarão gave us an in-depth look at his own musical story in the context of the state of Pernambuco during the 60s and 70s. We also received about 50 pictures, half of which have been used to craft the beautiful LP/CD booklet that will come with the music.

Camarão - Ma Nah Ma Nah

Stream or buy https://partyfine.lnk.to/WeekendAffairDuRivageALL

Follow Weekend Affair
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From l'album "Du rivage" de Weekend Affair. 2 février 2018

(p) & (c) 2017 Play It Loudly Records, under license to Partyfine

Weekend Affair - Le virage

Tal M. Klein remix of Alice Russell's "Got The Hunger?"

Alice Russell - Got The Hunger (Tal M. Klein remix)

I cut this for all the people that may want just this tune! ENJOY!!!!

DJ Freebuzz

Pillow Talk - The Real Thing - David August - posted by DJ Freebuzz

Barefoot Beats 11 DJ Buzz
 
DJ Play: Horse Meat Disco, Jacques Renault, Tim Sweeney, Pete Herbert, Frank Booker, Felipe Gordon, DJ Rocca, Lexx, Sleazy McQueen, Harri, OOFT!, Get Down Edits, Fingerman, Love Drop, Peter Croce and many more.
 
 
DJ Feedback:
 
‘Just what we need right NOW!’
Horse Meat Disco
 
‘Ahh yes another treat from BB. Jams as expected. Dig the arrangements on both. Thank you for the music.’
Jacques Renault
 
‘Nice one.’
Tim Sweeney
 
‘SUPERB!! Both winners x’
Pete Herbert
 
‘SERIOUS BIZ!!! Love them both xx’
Frank Booker
 
‘Amazing release!’
Felipe Gordon
 
‘Great stuff on this release. Both tracks are awesome.’
DJ Rocca
 
‘Xango is the one for me.’
Lexx
 
‘Much needed sunshine.’
Sleazy McQueen
 
‘Quality sounds, quality production.’
Sancho Panza
 
‘Lovely stuff. Will play and support.’
Harri
 
‘Excellent stuff lads. Well done!’
OOFT!
 
‘Nice x’
Get Down Edits
 
‘Dreams of summer right here.’
Fingerman
 
‘Lovely stuff xx’
Love Drop

Camarão - Ma Nah Ma Nah

Analog Africa

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