🇧🇷 Pure piece!!! Ritual of love deep. Spiritual!!!! 🕊

Vamos a practicar español!

Qué Bonito

Dambakale - Compaoré Issouf

Coleto Bumpin'

Dark Matter Coffee presents
"FOREVER GOLDEN MIX" 
by Los Empresarios - August 2014
http://www.empresariosmusic.com
http://www.darkmattercoffee.com/

Artwork by Chicago street artist SARO:
"Brooks Golden was very much the old wise owl. Whichever the subject – art, music, or even politics – one could always count on Brooks for a golden conversation. He never lied, always said it like it is, and never apologized; that is a rarity these days. His long-time presence in the Chicago street art and graffiti scene made him everyone's big brother, and that is exactly how he should be remembered. Rest in Paradise, Brother!" - Saro 

Tracklisting:
1. Irene (Clayton & fulcrum Remix) - Alma Tropicalia
2. Sentimiento Latino – Empresarios
3. Cocaine – Escort
4. Favela Bboy Funk – WDRE & Freqnik
5.  Back to the 60’s - Timewarp Inc.
6. Happy Track (Telephunken Remix) – Empresarios 
7.  Ponte Duro (Empresarios Remix) – Fania Allstars 
8.  Escravos Do Jo (Da Lata Remix) - Friends from Rio
9.  Floor to the Roof (Instrumental) -  Dragon Fli Empire
10. Not Gonna Take It – Fort Knox Five (Rob Paine mix)
11. Giorgio’s Brother (Lack of Afro Remix) – Eddie Roberts
12. Ningane - Captain Planet feat. Fredy Massamba
13. That night (Wahoo Remix) – Vikter Duplaix & Jazzanova
14. Quimbara - Celia Cruz
15. Si La Ves Por Ahi - El Gran combo De Puerto Rico
16. Ambient Tropical – Palov & Mishkin
17. Brigit Me – Fonz
18. You know I’m No Good – Amy Winehouse
19. The Brazilian Hipster - Fort Knox Five

This Mix was released by Dark Matter Coffee with the August 2014 exclusive "Forever Golden" fair trade coffee.  You can order this amazing coffee and view Saro's full artwork here:  http://www.darkmattercoffee.com/collections/coffee/products/forever-golden-limited-release

Buy The Coffee

Dark Matter Coffee presents "Forever Golden Mix"

This song does not have the authority of Dj Cayolla.
Dj Cayolla only promotes and shares music from artists he reveres.
In African music it's not just about music, but also its culture and history.

Angola, Soundtrack 2: Hypnosis, Distortions & Other Sonic Innovations 1969-1978 (Analog Africa No. 15)

Tony Von - N`Hoca

The enigmatic Amara Touré from Guinée Conakry finally getting a well deserved compilation showcasing all of the 10 songs ever released between 1973 and 1980. Cuban influenced music of a different kind featuring amazing spaced-out guitar works!! Stay tuned for some of the most beautiful music ever recorded !! Release Date: Last week of May!

Lamento Cubano - Amara Touré

June 23rd marks the arrival of the long-awaited proper reissue of Amara Toure’s groundbreaking Afro-latin studio works captured between 1973 and 1980. Analog Africa has prepared a special gatefold double LP version on 140g vinyl, encompassing the three singles he recorded under the Black and White ensemble between 1973 and 1976 along with the highly coveted Orchestre Massako group’s stunning 1980 LP Accompagné Par L’Orchestre Massako. This is the entire known works of the mystic composer and it is stated in the press that after he recorded Accompagné Par L’Orchestre Massako, he would never been seen again and his whereabouts are unknown to this day. Breaking ground out of the rich legacy and musician development system Dakar, Senegal, producer Ibra Kasseì created, the origins of Ibra’s movement begins in the late ’50s when fusion music around the world was beginning to stretch outside of sketch forms. Cuban styles of son montuno and patchanga were infused with local folk traditions and modern instrumentation of each successive generation, producing a hybrid of West African and Caribbean music that is intoxicating and hypnotic in every rhythm, harmony and overtone. Senegal was buzzing with new creativity through the ’60s and beyond, met with an array of highly advanced musicians and visionaries. Nightlife music for those that wanted something beyond the radio hits and presented with a passionate essence that connected many people in the region of the time.

Amara Toure was brought up in a progressive movement unlike any other and by the time he was able to head his own groups and record his own content from the experience he gained networking with Ibra Kassei, African music had finally hit a global scale. When you open up the lid on the musicians who never made it outside of the regions known for strong music activity, an overwhelming list of artists come up and there is no question that Amara Toure ranks amongst the top of these creators. Originally from Guinea-Conakry, Amara Toure remained underground and raw during his tenure producing records, creating some of the most earth-shattering grooves and harmonies from any West African artist ever. To have his works in one album from the exceptional team at Analog Africa is a dream come true, updating pre-existing copies of originals that run in the triple digit numbers amongst hardcore collectors and doing a great job at preserving the analog warmth of the originals. The singles material was recorded in Cameroon while the 1980 content was done in Libreville, Gabon. Absolutely breathtaking guitar, percussion and horn heavy music that is timeless without question. For the vinyl junkies, this one has been pressed on deluxe gatefold double LP as a 140-gram vinyl and is presented in four-color screenprinted covers and also comes with a screenprinted poster. Limited edition to 1,500 copies, so order now if you want to secure a vinyl copy as these will surely run out quickly. Analog Africa does various reprints on back catalog titles out of print but these are never announced ahead of time. One can only hope they will run multiple campaigns for these prints as this music is too good for words.

Get it HERE

Salamouti  - Amara Touré et l´Orchestre Massako

1973 afro-cuban sounds from enigmatic Guinean percussionist/singer Amara Touré on Frankfurt-based label Analog Africa.

Read more: http://www.stampthewax.com/2015/06/30/premiere-amara-toure-temedy/

Follow:
@analog-africa

Buy Now

Premiere: Amara Touré - Temedy

Renouveau - Amadou Balaké et Les 5 consuls

Waiting For My Baby - De Frank & his Professionals

- La Chi fat edit - 

Waiting For My Baby (De Frank & his Professionals) La Chi Re-ed

Taarab doublesider killer! Harambe with it's insane R&B groove riff, flip it and you have the crazy liverpool track. Originally from mid 60s aimed for the growing tourism in Mombasa and it's regions. Both tracks officially licensed on our inhouse label. Comes in tasty Afro7 sleeve with original label design. Head over to afro7.net READ THE FULL STORY and get your copy today!

Harambe / Liverpool

Mac & Party Harambe / Liverpool - New Afro7 single!

Released on the 'Radio Mawimbi Volume 1' compilation, along with edits from The Busy Twist, Nomad (Africaine 808), Umoja, Aroop Roy, Around The World and more. 

Amadou Balaké was from Burkina Faso and an amazing. Do check out his back catalogue! 

The full set of edits is only €1 --> https://wearemawimbi.bandcamp.com/album/radio-mawimbi-volume-1

Amadou Balaké & L'Orchestre Super Volta - Johnny (Cervo Edit)[Mawimbi]

Rob Da Bank asked me to make a cumbia mix back in January 2009 for broadcast on his BBC1 show.  Enjoy!

you can download the mix here: http://nyc.duttyartz.com/mp3s/DJ_rupture_Cumbia-Mix-for-BBCRadio1.mp3

DJ Rupture mix for Rob Da Bank / BBC Radio 1 – TRACKLIST

El Hijo de la Cumbia – ‘Pista Para La Contra’
Pesadilla – ‘La Pava Congona’ (Discos El Papi)
Unknown – ‘Cumbia de la Selva’
DJ Panik – ‘Like This Like That’ (Bersa Discos)
Crunk Cumbia Bootleg
El Hijo de la Cumbia – ‘Para Bailiar Alika RMX’ (Soot Records)
La Yegros – ‘Trocitos de Madera:original mix’ (Dutty Artz)
Armando Hernandez – ‘Cumbia Doris’
Petrona Martinez – ‘La Vida Vale La Pena: Uproot Andy Remix)’
Pitbull – ‘Ya Se Acabo’
Noble Society – ‘The Swarm: Zuzuka Cumbia Klash remix’ (Klash City)
Los Destellos – ‘Elsa: Sonido Martines remix’ (Soot Records)
El Hijo de la Cumbia – ‘Cumbia Regional’ (Soot Records)
Los Daddy’s – ‘Cumbia Sampuesana’
J-Kwon – ‘Tipsy: instrumental’ (So So Def)
Julieta Venegas – ‘Eres Para Mi: Sonidero Nacional remix’
Ñejo feat Arcangel y Dalmata – ‘Algo Musical remix’
Crunk cumbia bootleg
Calle 13 – ‘Atrevetetete remix’
Crunk cumbia bootleg
Celso Piña – ‘Cumbia Poder’
DJ Rupture featuring Sister Nancy – ‘A Little More Oil: reggaeton remix feat. Pe Ere’ (Soul Jazz)
Uproot Andy vs. ODB – ‘Brooklyn Cumbia’
Maga Bo – ‘Earthshaking Riddim’ (Dutty Artz)
Jahdan Blakkamoore – ‘Earthshaking’ (Dutty Artz)
Matt Shadetek – ‘Pure Riddim’ (Dutty Artz )
Jahdan Blakkamoore feat Durrty Goodz – ‘Mesmerized’ (Dutty Artz)
Modeselektor and Matt Shadetek – ‘Dem A Idiot Riddim’ (Dutty Artz)
El Hijo de la Cumbia – ‘Conciencia de Barrio’ (Soot Records)
Grupo La Cumbia – ‘La Mulata’
Unknown – ‘Poco a Poco ‘Yes Yes’ (Discos Bones)
Celso Piña – ‘Cumbia de la Paz’J


DJ Rupture - BBC 1 Cumbia mix

"A Misturada” by Os Muiraquitãns 
Taken from the Various Artists compilation ‘Jambú e Os Míticos Sons Da Amazônia’ (out 21 June 2019 on Analog Africa)

The city of Belém, in the Northern state of Pará in Brazil, has long been a hotbed of culture and musical innovation. Enveloped by the mystical wonder of the Amazonian forest and overlooking the vastness of the Atlantic Ocean, Belém consists of a diverse culture as vibrant and broad as the Amazon itself. Amerindians, Europeans, Africans - and the myriad combinations between these people - would mingle, and ingeniously pioneer musical genres such as Carimbó, Samba-De-Cacete, Siriá, Bois-Bumbás and bambiá. Although left in the margins of history, these exotic and mysteriously different sounds would thrive in a parallel universe of their own.

Perched on a peninsula between the Bay of Guajará and the Guamá river, sculpted by water into ports, small deltas and peripheral areas, Belém had connected city dwellers with those deeper within the forest providing fertile ground for the development of a popular culture mirroring the mighty waters surrounding it. Through the continuous flow of culture, language and tradition, various rhythms were gathered here and transformed into new musical forms that were simultaneously traditional and modern.

Historically marginalized African religions like Umbanda, Candomblé and the Tambor de Mina, which had reached this side of the Atlantic through slaves from West Africa – especially from the Kingdom of Dahomey, currently the Republic of Benin – left an indelible stamp on the identity of Pará´s music. They would give birth to Lundun, Banguê and Carimbó, styles later modernised by Verequete, Orlando Pereira, Mestre Cupijó and Pinduca to great effect. The success of these pioneers would create a solid foundation for a myriad of modern bands in urban areas.

Known as the “Caribbean Port,” Belem had been receiving signal from radio stations from Colombia, Surinam, Guyana and the Caribbean islands - notably Cuba and the Dominican republic - since the 1940s. By the early 1960s, Disc jockeys breathlessly exchanged Caribbean records to add these frenetic, island sounds to liven up revelers. The competition was fierce as to who would be the first to bring unheard hits from these countries. The craze eventually reached local bands’ repertoires, and Belém’s suburbs got overtaken by merengue, leading to the creation of modern sounds such as Lambada and Guitarrada.

Another important aspect in understanding how the musical tradition spread in Belém, are the aparelhagem sonora: the sound system culture of Pará. Beginning as simple gramophones connected to loudspeakers tied to light posts or trees, these sound systems livened up neighbourhood parties and family gatherings. The equipment evolved from amateur models into sophisticated versions, perfected over time through the wisdom of handymen. Today’s aparelhagens draw immense crowds, packing clubs with thousands of revelers in Belém’s peripheral neighbourhoods or inland towns in Pará.

With bustling night clubs providing the best sound systems and erotic live shows, gossip about the whereabouts of legendary bands, singers turned into movie stars, supreme craftiness, and the creativity of a class of musicians that didn’t hesitate to take a gamble, Jambú is an exhilarating, cinematic ride into the beauty and heart of what makes Pará’s little corner of the Amazon tick. The hip swaying, frantic percussion and big band brass of the mixture of carimbó with siriá, the mystical melodies of Amazonian drums, the hypnotizing cadence of the choirs, and the deep, musical reverence to Afro-Brazilian religions, provided the soundtrack for sweltering nights in the city’s club district.

The music and tales found in Jambú are stories of resilience, triumph against all odds, and, most importantly, of a city in the borders of the Amazon who has always known how to throw a damn good party.

Jambu Master

A Misturada - Os Muiraquitãns

Gabo Brown & Orchestre Poly-Rythmo - It's a Vanity

"La Secretaria (Empresarios Dubplate Especial)"
by Los Hermanos Flores
http://www.empresariosmusic.com

Renouveau - Amadou Balaké et Les 5 consuls

Analog Africa

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