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[p*dis] distribution sampler for August 2013

Harold Budd - Perhaps - Moss Landing (Root Strata)

From my mini album called Dimi Remembered. It is a tribute to cellist Dmitri Levine (1939 - 2015), who sadly passed away shortly after our last rehearsal and recording sessions. Being unable to finish those tracks with him, I decided after long and thoughtful consideration to remaster and release the original recordings, to share with you all, his beautiful and expressive playing. 

Music, Mix & Master by @SebastianMorawietz.
Published by Mediatracks Ltd. (UK)
Cello by Dmitri Levine.

Dimi Remembered

Quiet Conversation

Spotify, Apple Mu...

ryuichi sakamoto - in the red

A little something for a stormy night. Recorded impulsively at home, especially for the very first Piano Day, curated by Nils Frahm...

Isotach

Touch

Dreams

An absolutely beautiful track from the upcoming early December release from Polish composer and violinist, Olga Wojciechowska. From an album of music composed for various theater and film productions.

Olga Wojciechowska,  "Maps And Mazes",   I'm Never Not Thinking About You

A short piece using the Una Corda piano library.

Hidden - John Koranek

GOLD is a 24 minute and 17 second sound bath / ambient piece to soak into. 
Listen, relax and recharge.

Download here - http://shop.christopherwillits.com/album/gold

Credits:
Released November 1, 2011 
The piece was created entirely with processed guitar and voice and synth for low frequency vibrations. 
All sounds by Christopher Willits 
Created in San Francisco 
Mixed by Christopher Willits + Ryan Kleeman 
All photos and images by Christopher Willits

GOLD

A tribute to my Dad... he taught me a lot about Heaven, while he was on Earth... recorded it a few days ago, was not sure it reflects what I meant, but maybe it does - hope you enjoy this tune, my friends..!

Between Heaven & Earth

UPDATE: the track is now available for free download! This winter I am releasing a new Goldmund album called "All Will Prosper".The album is a collection of re-arrangements of folk songs from the American Civil War."Shenandoah" is one of the songs featured on the album, which will contain 14 other songs.


Goldmund - Shenandoah

My contribution for Piano Day, a late night meditation.

Dedicated to Paddy

Still

A beautifully mysterious track from the upcoming collaborative beauty from Porya Hatami & Uwe Zahn (Arovane). Available in Late July 2016...

Porya Hatami & Arovane..."Kaziwa"  ceill

Download

Wander ft FutureAnalysis

This is "Time Of My Life," the third full-length album of compositions by Adrian Knight, released digitally worldwide on October 31, 2011. The tracks were written, performed and recorded in 2007-2009 in Stockholm, Sweden. The record is bookended by two long piano pieces, the first one, "Abide With Me," is a take on the classic hymn, and the second one, "Liebeslied September 29 2008," is a half hour long piece originally written as a birthday gift. These works were born out of the encounter with a very special piano in a studio at the Royal College of Music in Stockholm. "Border Fence" (electric guitar and loop sampler) was recorded live in November 2007 in an apartment in Gärdet, Stockholm. "Pink Pamphlet 2" stems from early 2009 and consists entirely of voice loops.

Moreover, these works are linked to each other by the particular times and places they were recorded, as well as their "private" nature (none of these tracks, with the exception of "Pink Pamphlet 2," were considered for release). 

tracklisting: 

1. Abide With Me 10:13
2. Border Fence 15:20
3. Pink Pamphlet 2 05:28
4. Liebeslied September 29 2008 29:55 

Written, produced, recorded, mixed, mastered and designed by Adrian Knight.

© (p) Pink Pamphlet 2012.

Abide With Me (Adrian Knight - Time of My Life)

0322 by Ryuichi Sakamoto & Fennesz

Rail Marine (soundscape feat. Fennesz & Ryuichi Sakamoto #0402)

Oh boy: How exiting! 00:01! Got the starting piece! 

Some production notes: I really liked the original piece, so there was not much to add. Tried to concentrate on different frequencies, so a some bass (NI Scarbee MM), also tripled the original track, EQ’ed, pitched, ducked. Added some pianos and EQs. That’s it. 

The first 8 seconds from the original piece were silent… so I added some reverse reverb/noise thingie. 

Hope you enjoy it! 

* * *

Disquiet Junto Project 0065: Piano Overlay

This week’s project’s theme is asynchronous collaboration — in other words, making things together separately. We will make new compositions based on short, discrete, randomly assigned segments of a single, 60-minute piano composition. Collectively these will form a longer, collaborative suite.

These are the steps:

Step 1: You will be making a piece of music by adding new sounds to a pre-existing track. You can download that pre-existing track, an original piano composition by Jared Brickman, here:

https://soundcloud.com/one_hello_world/every-day-were-dying-and-outer

Step 2: When you go to the following URL, at kenzak.com, you will be assigned, immediately, a specific section of the longer Brickman piece. This kenzak.com URL will randomly pull up two pieces of information. The first piece of information is the start point of your segment. The second is the length of your segment (which will be between 1 and 4 minutes):

http://kenzak.com/disquiet/disquiet0065-pianoverlay.html

One note: There will be overlap between assigned pieces. This was a conscious decision, informed by the overall theme of overlaying, which is explained further in step 4, below.

Step 3: Extract your assigned segment from the pre-existing track.

Step 4: Compose a new piece of music by adding elements to the pre-existing track. You can add anything you choose, with the exception of voice. Limit yourself to two additional elements. The original track should be audible throughout your new composition.

00:01 pre [disquiet0065-pianoverlay]

Nat Bartsch Trio's arrangement of Radiohead's tune, Motion Picture Soundtrack. From the Trio's new release, 'To Sail, To Sing'

Nat Bartsch - piano
Tom Lee - double bass
Daniel Farrugia - drums

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