Gran colaboración, tu voz le da un toque épico !!

Gorgeous track! Wonderful job by all involved <3

enthralled /good one/cool sounds /awesome song

Great production, wonderful voice and high quality performance...

Damsels in Distress: Beware, Could Be a Dangerous Mess

Three oclock in the afternoon, on the 15th day of june, under the spell of a pisces moon.
i got down to write this tune..
You know, no one cares what you think.
can somebody get me a drink...a double shot of cuervo gold on the rocks 
would be just fine'
i can never really seem to draw the line. 
Sun and birds and water, my mother's favorite daughters. 
we march into the slaughter with our heads up high.
Turn that little voice off in my head.
i'm not sure if i'm here or if i'm back in bed.
it's ok either way, i just glad that i'm not dead.

Overstated underrated slightly dated speculatiions on the origins related to complicit complications of intention and the nature of invention in the manufacture of reality.
so here we are in the shifting landscapes of our individuality.
And thank you for allowing me to wander around your brain, i would never knowingly cause you any pain.

Double Shot-a-Cuervo Gold on the Rocks

We have had another magic invite from Mamoru, and Jamie and I have had a lot of fun working with him on this fab classic. It came together quite quickly, as we all felt a lot of empathy with the song and Mamoru's arrangement.
When I finished the vocals, I realised I had sung "take a chance" instead of "shake a hand" on the last line of the second verse..lol.. we left it in!
We hope you enjoy listening as much as we did creating it!

Composed by the Trumpeter and Bandleader Joe Morris and originally recorded by Faye Adams in 1953
Mamoru - Rhythm Guitar, Bass, Drums, Mixing
Jamie - Piano, Hammond Organ
Lizzie - Vocals
L.Pentland - Cover Picture

Shake A Hand ( Mamoru Tsuzuki/Jamie Rhind/Lizzie Taypen)

(Free WAV Download available here under '••• More'; and eventually as part of my next BandCamp solo album)

Just over 4 years ago, I created a song called ‘Siren Rising’. I was still pretty new to Soundcloud at the time… so I cautiously kept my liner notes short back then; and my blog was my primary repository for all the esoteric ideas in my head. Unfortunately, my blog never really took off. But I quickly discovered the lengthier liner notes were being well received here (a music/art/writing trifecta), so this was clearly the way to go. :)

Jump to today, and I’m amazed how much this song reminds me of that first piece (thus the title that sounds like a sequel). But now I’m faced with the challenge of taking the root word ‘Siren’, and turning it into a meaningful and positive message. 

Let’s be honest. A Siren, by mythological standards, is not necessarily a good thing. We all know the tales of Siren Song luring sailers to their deaths. And the dictionary defines a Siren in more modern terms as ‘a woman who is considered to be alluring or fascinating, but also dangerous in some way.’  So how does one twist that story into a positive message?

I think I have an answer, and it involves undoing some of the core thinking that created that myth. In fact it probably requires undoing a whole lot of myths surrounding women. The myths that women, left to their own devices, are a dangerous thing; a group that needs to be controlled. And it doesn’t take a scholar to realize who wants to do the controlling. 

I could speculate at length why men (not all) have had a need to control women since the earliest moments in human history. But it always seems to come down to one thing; viewing a woman as a possession, rather than an equal. And society has created many institutions that perpetuate that thinking. 

I honestly believe we are evolution-locked as a species… as long as we cling to this type of thinking. There is something to be said for the balance that happens when men and women work in harmony. We truly compliment each other… but only as equals. And we are way behind schedule on achieving that balance.

Hard fact. There is no nobility in controlling a member of the opposite sex, especially when our physical strength becomes a defining factor. I see men treat women questionably (and sometimes poorly), simply based on that one premise alone. And it’s poisonous to the male psyche as much as it is dangerous to the female in general.

But it takes tremendous strength of character (combined with a healthy amount of humbleness and gratitude) to sit down with the opposite sex and say “You know things I don’t know. You understand aspects of the human experience that I don’t fully grasp. Will you help me understand your perspective, so I can become a better person.” 

If we choose to treat each other as equals (in every sense of the word)… I have no doubt this will become an amazing world. I have learned so much (and grown so empathetic), listening to my partner and our daughter’s describe their experiences in this life; and I am a wiser, more balanced person as a result. I believe with all my heart… this really is the healthiest, most loving way to go.

I hope you enjoyed my write-up as well as my latest sonic adventure, ‘Siren’s Trials’.

Vox Populi

Siren's Trials

Far left and right meeting point (A96)

Real Eyes

26/5 2022
Slava Ukraini  -  Glory to Ukraine

Borderlines

Phantom: Diego Perez
Christine: Guadalupe Cristina

The Phantom of the opera main theme

Got some original beatbox grooving going with the always superb Stringburner Mirko Borach on bass and Al Schulman on guitar joining me
https://soundcloud.com/stringburner
https://soundcloud.com/jamie-rhind/sets/stretching-it-out-with
https://soundcloud.com/alanschulman
https://soundcloud.com/jamie-rhind/sets/swinging-with-al-schulman

Thanks as always for your generous time listening, for your comments and for your shares

Can't Beat The Summer - Al Schulman / Mirko Borach / Jamie Rhind

a slow moving tune, still in progress, that came during a dream...

dream walking

www.ahsbrasil.com
www.twitter.com/ahsbrasil

Gods And Monsters - Jessica Lange

The Lonely Shepherd

Music: (Ana Magiar / Moon Dust).-

Voice: Ana Magiar.-
Keyboards: Moon Dust.-
Guitars: Iggy Rod.-
Engineer: Luis Pacheco.-
Recording: The Hideout Recording Studio // Las Vegas, Nevada.-
Mastering: 7 Notas Estudio.-

Kathedral

Diamonds Are Forever-Shirley Bassey

Over Me

Vocal performed by Janette Monroe
Produced by Mike Stock and Matt Aitken on "Love This Records"

01 Anyone Who Had A Heart (Radio Edit)

ANA MAGIAR | Soprano Classical Crossover Argentina. Singer and songwriter.

Named Outstanding Personality of Culture, by the Honorable Deliberative Council for his career.
Billboard Currently highlighted by Billboard magazine as a Latin American reference in the Classical Crossover.

She has made original productions with musicians from: EEUU, Alemania, Mexico, Italia y Finlandia among others. With her voice she toured the most prestigious Theaters in our country and the world. A few among them: Theatre Colon, Theatre Coliseo, Theatre Avenida, Theatre Libertador of Córdoba and the Magnificent National Auditorium of México.

Their first album was nominated for the Gardel Awards! The greatest recognition of music in our country.
She was called with her voice and interpretation to perform the exhibition of “Diane Arbus” exhibition of the “Metropolitan Museum of Art” in New York. She is an artist from Music Universe, (Italia)and made, for that label, the International Classic “Grande Amore” invited by the original authors to interpret an unpublished version in Portuguese.

His Single "Time is my Enemy" was selected as one of the songs chosen for the James Bond movie 'No Time to Die' to be released worldwide in November 2020 at Royal Albert Hall London..

Her voice today has achieved worldwide recognition by being named “Member of the International Music Council” by CID UNESCO.

Perfect Setting for Electronica Music:  Sultry & Hot Bodied Women in Sweet Nothing Dresses; a Well Stocked High Tech Bar; and a Triple Shot, Dirty, 3 Olive Martini - Shaken, Not Stirred - to Cool Me Down.

Kathedral

AnaMagiar

Recent comments

Classical Glass

Guitarbeard

Dodge Jury Productions.

Fleursonseaux

Related tracks