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Post Club Frequencies and Rhythms

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ASCETIC HOUSE
201∞

UBK "Drain"

Continuing on with a narrowing set of methods.   Steep variation fixated on living fragments and more overlap of form than the previous release.

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ASCETIC HOUSE
201∞

Roper Rider "CN III"

King Vision Ultra is a fresh sonic narrative from Geng. An elemental alphabet constructed from personal histories, reflections and trauma, its block letters are etched into New York City's glass and daubed on its brickwork, impounded in the minds of a transient population.

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ASCETIC HOUSE
201∞

King Vision Ultra "Pain Of Mind (excerpt)"

Jaclyn Kendall - Judith Beheading Holofernes

HRNS - Cocaine Whispers

RONCE - LOLITA
(DAWN010)
100 limited copies
7inch

@itsronce
Produced by Zoë Villerd
Mastered at Studio Martyrs
Photo by Gabriel Cautain
Design by Hajj
Dawn Records 2019

Ronce - Acteon

Forever is in multiplicity and mutation. Musician and visual artist Nicola Tirabasso (VISIO), together with Haunter founders Daniele Guerrini and Francesco Birsa Alessandri called for a collective effort in order to celebrate these elements of experience. In opposition to linear notions of time itself. An attempt to let perceptions of future and past bleed together, to establish every moment as an infinite process of consumption and re-generation. A compilation of 33 artists, each contributing in their own peculiar style, adding their own blends to the palette and exposing the lineage of their work. It is precisely to state that the perennial immanence of difference is what constitutes the basis for true unity, that the curators have grouped an utterly diverse cast of contributors, whose output strikes a vastity of moods and textures, and grows out of very distinct intentionalities and backgrounds. Making kin without borders, letting mutual support evolve into a chimeric infinity.

Curated by Nicola Tirabasso and Haunter Records
Mastered by Jo at Tapewave Mastering
Artwork by Katja Novitskova & Kareem Lotfy
Cat. No. HR024 – All rights reserved.
℗ & © Haunter Records 2019
www.haunterrecords.com

Pubblicato da:
Haunter Records
Data di uscita:
4 Ottobre 2019
Copyright P:
℗ Haunter Records 2019

Cobweaver feat. Seed  - ii + ii-i Tightened

Sol Ring - Shadow Heart

Elvin Brandhi - HAUNT

Ausschuss - Loose Unit

Cube - Latency

ssaliva - Why Me

Ghost Lemurs of Madagascar - Fauno

VISIO - Landslide

Giorgio Di Salvo signs a new chapter in his Advanced Audio Research: a blast of free-form junglish mayhem, once more released in coproduction with Haunter Records. This time ripe with the furthest experimentations and most far-out cuts coming out of the AAR headquarters.
That’s right, we’re dealing with some serious freakishness : using the same generative process and wicked arsenal of tools as his previous oblation, Di Salvo managed not only to top its rave-ready madness, but also to venture far beyond, arranging the gnarliest noises into wild, crooked beats and mocking melodies.
AAR’s music is still closely related to the heaviest dance music paradigms like breakcore and flashcore, tho it maintains such a unique character and such a distinctive sonic palette that makes it stand within that musical world in a truly refreshing manner.


Recorded by Advanced Audio Research
Mix & Master Tapewave
Artwork by Giorgio Di Salvo
Cat. No. HR024 – All rights reserved.
℗ & © Haunter Records 2019
www.haunterrecords.com

all rights reserved

Europa

Acolytes exists in the space between detailed sound craft and unruly sonic entropy. A place of unorthodoxy filled with the demolition of language, tropes, functions, machinery.
In ‘STRESS II’, his first Haunter release, London-based producer
Denesh Shan creates a meme-like re-imagination of free improvisation through the lens of sample manipulation, drifting from bewildered percussion hits to utter tonal deflagration.
This renders the tape a peculiar soup of electronic dirt in which vocal clippings of circlejerk online discourse and glitch ridden discord mirror a headspace filled with hundreds of conflicting thoughts. Inspiration and sound sources re-trace the producer’s personal history, while delving into low-grade internet folklore and transglobal dance music.
The chaos generated by such a radical approach is but a folk song for the contemporary
experience, a set of angular emotional vectors sublimated into borderline spiritual energy.

Recorded by Acolytes
Master by Jo at Tapewave

Cat. No. HR023 – All rights reserved.
℗ & © Haunter Records 2020
www.haunterrecords.com

Acolytes - STRESS II

Acolytes - ITCH LOOP

great_unclean_one_version1

LIES-157
Ye Gods-Flames Fall From The Sky
from the upcoming Dumah 2xlp
to be released August 2020

Dumah

DUMAH

Ye Gods-Flames Fall From The Sky (LIES-157)

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

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Trauma Doll