Name: عازف الليل - عبير نعمة + إلياس رحباني by Anas.MQ
Duration: 3 min 31 s
Description: المعزوفة من ألحان إلياس رحباني وأداء عبير نعمة

حبك ع طول باقي بقلبي سنين ولو مر العمر انت كل الحنين ❤️🥺

مهما بعدت بدو يبقي الحب

لو مر العمر انت كل الحنين 💔💔

يا ويلي وش هذه الأوبرية!

لعله يصَبَّح اهدى الجو 

Latifa & Ziad Rehbani لطيفة و زياد رحبانى - Bnos Eljaw بنص الجو

فيروز - كانوا يا حبيبي

وكأنَّهُ إذ ماتَ أخلَفَ ما وَعَدْ
وكأنَّنا لُمناهُ بعضَ الشيءِ يومَ رحيلِهِ
وكأنَّنا كُنا اتفقنا أن يعيشَ إلى الأبَدْ..

- وداعًا زياد

آثار على الرمال - زياد رحباني

The Widow’s Oath – Aria da Concerto is a tragic scena for mezzo-soprano, baritone, and orchestra. It begins in hushed tones, with the sea rising like a distant memory, before unfolding into a fierce vow against the tide.

The mezzo-soprano carries the widow’s grief and rage, while the baritone voice answers with depth and shadow, amplifying the drama through dialogue. The music moves through recitativo, arioso, and cabaletta forms, storm-driven by strings, harp, low winds, and percussion.

What begins as whispered mourning swells into fiery defiance, and closes on a fading coda — a vow suspended, unresolved, yet unbroken.

This is music of loss, rage, and resilience: the widow’s cry against the storm, now echoed in two voices.

[LYRICS]

’Tis said the sea forgets its dead…
But I recall each thread once bled
He kissed my cheek at break of day
then turned and sailed his soul away
I kept the hearth, I bore the strain…
now wind and wave shall taste my pain.

The dawn was pale; the gulls were keen;
his shadow thinned against the green
I warmed the fire; I held the door
the silence settled to the floor
No ring of rope, no clink of oar
the house remembered… nothing more.

Nothing more… nothing more…

O sea that takes and never weeps,
O tide that drags the deepest deeps—
You took what once was mine; take heed,
I brand your foam with grief and flame.
I salt your depths with tears and brine,
and curse the stars that watched him shine.

Tears and brine… iron vows…

They brought back neither rope nor bone
just tales of foam and voices blown
No grave to tend, no name to stone
thus howling gales shall heed my moan
I wear no black, I hang no shawl
I stoke my rage— I shall not fall
Each wave that breaks upon the shore
shall feel my grief… and hear me roar.

Hear her roar… hear her roar…

Blow, ye winds, blow— you took what’s mine!
I salt your depths with tears and brine!
Though fate may grant what storms allow
I hold fast, no storm can douse!  

Blow, ye winds, blow— return what’s mine!
Let ragged stars record the sign!
No swell shall rise ere I reclaim—
I hold fast, no storm can douse!  

So mark my voice— and mark my name…
I damn the tide; I brand the frame.
Until the deep yields what’s denied,
I stand, and hold, against the tide.
Blow, winds… blow… ye took what’s mine…
The sea is vast—
yet I… remain…

Remain…

A3-S1 The Widow’s Oath – Aria da Concerto (Mezzo-Soprano & Baritone • Operatic • Tragic • Storm)

Yalel Fairouz - فيروز يا ليل

Fayrouz _ Kanou Ya 7abibi (HQ) .. فيروز _كانوا يا حبيبي (نسخه اصليه)

المعزوفة من ألحان إلياس رحباني وأداء عبير نعمة

عازف الليل - عبير نعمة + إلياس رحباني

Reorchestration Of Fairuzs

لا انت حبيبي / كلاسيكيات فيروز / زياد رحبانى

استخدمتها الاعلامية  "ملك اسماعيل " لتتر بنامج "سلوكيات "

زياد رحبانى - فيروز - مقدمة مسرحية ميس الريم

موسيقى اثار على الرمال ..زياد رحبانى 

زياد-الرحباني-موسيقى-اثار-على-الرمال

فايا يونان تغني رائعة فريد الأطرش "يا زهرة في خيالي" جزء من حفلتها الموسيقية لدى المجمّع الثقافي بأبو ظبي

عازف الليل - عبير نعمة + إلياس رحباني

Anas.MQ

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