Phiano

Title track from my new Goldmund album, "Sometimes", out  November 14th on Western Vinyl.

Mastered by Taylor Duepree.

www.unseen-music.com
www.westernvinyl.com

Goldmund - Sometimes

From the forthcoming Goldmund album, Sometimes, out November 13th on Western Vinyl. Pre-order now: 
itunes.apple.com/album/sometimes/id1045593115
westernvinyl.com/shop/wv138
_________________
unseen-music.com
westernvinyl.com

Goldmund - As Old Roads

From the forthcoming Goldmund album, Sometimes, out November 13th on Western Vinyl. Pre-order now: 
itunes.apple.com/album/sometimes/id1045593115
westernvinyl.com/shop/wv138
--------------------------
unseen-music.com
westernvinyl.com

Goldmund - A Word I Give (Feat. Ryuichi Sakamoto)

Bildet er tatt av Ich bin dann mal raus hier. fra Pixabay

The Pianist

Bildet er tatt av Free-Photos fra Pixabay

Care

James T-M : COASTLINES

Contribution to Piano Day 2017 by Vargkvint, through Feeder Recordings

Vargkvint - Regnsång

For Piano Day 2017. A piece from the new album "Exile". #PianoDay
Listen to the whole album and follow me on Spotify - https://open.spotify.com/album/6lRzdTd7lTOxX1rMgBLj7g
If you like my music, please "like" my Facebook page - www.facebook.com/Michael-Ford-Pia…221557034537760/

Exile

Nocturne

Piano solo piece composed and performed by Dominique Charpentier for the Piano Day 2017.  http://www.pianoday.org/
From my new EP "L'attente" released the 29th of March 2017: 
https://dominiquecharpentier.bandcamp.com/album/lattente-ep
© 2017 Dominique Charpentier. All rights reserved
Artwork by Anna Salzmann: www.annasalzmann.com/

L'attente

Buy Now

Le Matin - PIANO DAY 2017

taken from Kryshe's album "Insights"
Available here:
www.unperceivedrecords.bandcamp.com/album/insights

Kryshe - A Journey

Piece taken from 'The Morning is a River', a project by Sergio Díaz De Rojas and Seraphina Theresa, released April 23, 2017.

Composed by Sergio Díaz De Rojas and Seraphina Theresa.
Performed by Sergio Díaz De Rojas.
Cover art by Seraphina Theresa.

Bandcamp: bit.ly/2nI8lto
Spotify: http://spoti.fi/2pSojVw
iTunes: http://apple.co/2pRA77K

In Der Sonne Flimmert Staubige Luft

01 Solo De Concours

Tides

Premiering on Magnetic Mag: http://bit.ly/2r9j2ti

Bristol-based solo electronic producer LTO @lto-oa returns to Injazero Records following his debut, 2015’s No Pasa Nada EP. 

While plaudits for LTO have tended to focus their praise on No Pasa Nada’s tense and eerie programming, its deep sonics and waves of static, Storybook gives us access to the beating heart within the machine. It is an album not purely of mechanics, but also of human warmth, formed with a colour palette of equal digital and organic materials. There is expression and articulation, delicateness of performance, voices both natural and treated, piano and brass, all deftly placed about a canvas of electronic fabrics.

LTO first made waves as part of mysterious electronic collective Old Apparatus. Their music - anonymous, dark, ghostly, subterranean - was reminiscent of garage and grime scenes, but sheened with a nocturnal miasma and a fierce intellect, obfuscated by deliberate myth-making. And while LTO as a solo producer retains elements of this darkness and beguiling sound-design, Storybook sees him let the light in.

A vision is laid out by album opener ‘Change’. It combines gentle, dulcet synthesis with a percussive line made of table-tennis recordings and Spanish-language voices that softly echo in and out of the space, like Katie Gately remixed into Brian Eno’s ambient records or the poise of Max Richter filtered through Chris Clark’s production lens. These themes wander and weave through the record. They comprise willfully corrupted notions of the ‘single’: broken, distorted vocal pieces that never quite move as expected, yet somehow remains approachable and deeply touching. They comprise fluidity and elasticity, a human-ness that enwraps the mechanical parts, in the same sense as Holly Herndon or Nils Frahm. A highly accomplished pianist (indeed, a piano teacher in his civilian life), LTO’s astute musicality is the foundation stone beneath the magic and abstractions of Storybook.

Injazero Records will release Storybook on 180g vinyl and digital formats on June 23rd 2017. The record was mastered by Taylor Deupree (Dustin O’Halloran, William Basinski, Helios) of 12k Mastering.

Storybook

When

Pre-order

LTO - When

Composed, performed, recorded, mixed & mastered by Dominique Charpentier.
From my upcoming EP "Esquisses", to be released 23 June 2017.
© 2017 Dominique Charpentier. All rights reserved
Awesome artwork by Anna Salzmann: https://www.annasalzmann.com

Esquisses

Buy Now!

Esquisse III

Matt Emery - Polycrates

Written and Performed by Matt Emery
Recorded and Produced by James Kenosha at The Lodge Studios
Mastered by Taylor Dupree at 12K Mastering
Artwork by Tyler Hobbs

Follow Matt:
FB: www.facebook.com/MattEmeryMusic/
Instagram: www.instagram.com/mattemerymusic/
Tweet: @MattEmeryMusic

Matt Emery - Polycrates

Within View

Damaged Goods

The Friction of Distance

Pre-order 'Golden Times 1' on EP/DL here: phonofile.link/golden-times-1

Electronic producer Max Cooper and ambient master Tim Hecker rework Ben Lukas Boysen on his new EP Golden Times 1 – out on Erased Tapes, June 30th 2017.

Championed by many including BBC Radio DJ Mary Anne Hobbs as the standout track from his most recent album Spells, Boysen’s Golden Times 1 forms the very heart of his new EP with the same name. Boysen entrusted none other than Max Cooper and Tim Hecker to meticulously shape and lure the title track plus second single Nocturne 4 into two entirely separate territories, yet never drifting too far away from their original soundscapes. With Evensong the composer himself contributes a previously unreleased piece. It is yet another example that Boysen is still opening new and unexplored doors in a bid to challenge the existing realm of contemporary music he is very much a part of.

Words from Ben and Max, May 2017:

“Spells was somewhat of a conceptual release for me, so the choice of the remixing artists and where the original material could be taken was very important. Max and Tim, both being role models for me ever since I began listening to their work and who delivered this incredible abstraction, I felt were spot on for this release and were dream candidates to work with. Their ability to re-direct and even re-invent the original material, partially subtle, and with an almost brutish sense of imagination, honors the originals deeply.” 
— Ben Lukas Boysen

“Ben has been one of my most listened to artists of the past year or so. His last two albums in particular, have meant a lot to me, and provided me with focus when I needed it. So I was excited to have a chance to remix his work. I felt like I couldn't improve on his idea, but what I could do was take what was the core for me, and expand it. It was just a matter of running with the feeling I got from his original, sticking with his melodic forms and original instrumentation, and letting the growing intensity continue along it's established path to the only possible end point of total annihilation in chaos and distortion. My version is almost a continuation of his original if it was allowed to blossom into percussive format, rather than a traditional remix.” 
— Max Cooper

The golden EP cover art was created by Torsten Posselt at FELD as an extension from the initial album artwork he also created for Spells.

Tracklisting:

1. Golden Times 1	
2. Evensong 
3. Golden Times 1 (Max Cooper Remix)
4. Nocturne 4 (Tim Hecker Remix)

Phiano

anaphi