Liking the dynamic of the low end rumble against your sensitive touch. Such fine work guys.

Gorgeous composition and orchestration. So well done, Anastasiya and David!

Golden warmth, open heart. Your melody embraces the voice/orchestra and everything turns into tenderness. Reposted. Francesco Adornetto

KEEPING REVIVALS IS NOT A TIME LOSS

Time Rush

A revival in memory of both fallen heroes: David Bowie writing about seeing Marc Bolan perform for the first time. 

Jaime J Ross @jaime0223 performed the Grandest Inspirational Piano with additional Grandiose Embellishments by myself
Rick Medlock @rick-4-1 delivered the Perfectly Delicious Drums & Terrific Tambourine
Phil McWalter @phil-mcwalter snuck in all The Other Stuff whilst Tony Visconti was up a pair of steps painting the entrance hall ceiling white...

Remastered 9th May 2025 as it was sounding a little brittle I thought...

Lady Stardust

Well people stared at the makeup on his face
Laughed at his long black hair, his animal grace
The boy in the bright blue jeans
Jumped up on the stage and
Lady Stardust sang his songs
Of darkness and disgrace

And he was alright, the band was all together
Yes he was alright, the song went on forever
Yes he was awful nice
Really quite out of sight
And he sang all night long

Femme fatales emerged from shadows
To watch this creature fair
Boys stood upon their chairs
To make their point of view
And I smiled sadly for a love I could not obey and
Lady Stardust sang his songs
Of darkness and dismay

And he was alright, the band was all together
Yes he was alright, the song went on forever
Yes he was awful nice
Really quite paradise
And he sang all night long

Ooh how I sighed when they asked if I knew his name

And he was alright, the band was all together
Yes he was alright, his song went on forever
And he was awful nice
Really quite paradise and
He sang all night, all night long

© David Bowie 1971


Bowie performing a lesser known demo of the song: youtu.be/xrz5BKPitT0

Lady Stardust

Lady Stardust Revival

I AM KEEPING SCORES / Open Collaboration from IPG1
Lillithe : Music, Mix and Production
IPG1 : Vocals and Verses
https://soundcloud.com/ipg1/im-keeping-score-vocals-92-bpm


I Am KEEPING SCORE

With genuine pleasure I’d like to present to you my new collaboration with highly talented David De Michele. 

Thank you very much, David, for adding incredibly mesmerizing orchestral & vocal "flavour" to my piano composition.

David’s marvellous music is available here: @user-92820487

Many thanks to you for listening, we do hope you will enjoy this piece!

Credits:

Composition & piano performance: Anastasiya Ihnatovich
Arrangement & orchestration: David De Michele

Yes (Ft. David De Michele)

Dream Again

“ Colpi Dritti “  by Luke 

During Medieval & Renaissance days the fencing word..
“Colpi Dritti”…means: “Vadi blows from the right side used to defend one self” as the warriors had to do…

Just a fun experimental piece …

Keys & Piano & Synthesizer & Guitar & Drums  by Luke
Created & Composed & Produced by Luke
Music & Track & Album Photos by Luke
Photography by Luke
I use Open A.i for Album art pictures 

                           Beats by Luke©️
                         S c h ü ß m a n n©️

“Colpi Dritti”  by Luke

That guy is me, exactly 50 years ago, after a soccer match. I was a decent, fast young footballer, but I stopped when I went to university. I  didn't grow tired of running after a ball, simply having other things to do; thinking I'd start again sooner or later. It only happened occasionally, over the years. Today I could go back to kicking a ball on a football pitch, but it's unlikely that I'd come out of there alive. And so, officially, I bury that part of my life in the archive of memories and play a little (and not sad) 'requiem'.

Saxophones (reworked by me) are courtesy of Gareth Lumbers (via Komorebi Audio - Sunset Jazz) and Tokyo City Pop Tapes.
Composed by Michele Ansani (2023-2025).
Posted on SoundCloud: 2025, March 19.

Requiem for a footballer *

Cinematic and Orchestral Music
Picture by MarWin55
Franck C Production
Music by Franck Charles
ASCAP
https://www.youtube.com/watch?v=tB4QzfTFg8A

Expedition

thanks to Martin for the work done on this loop

https://soundcloud.com/mkandersson1982

https://soundcloud.com/mkandersson1982/marty-andersson-from-the-archives-story-time-with-marty-mcmuphin


Lyrics
A young man, making his way to South Town by Bicycle, was abruptly stopped in his tracks
by a wandering tortoise.
The Bicycle jerk forwarded his suddenly pushed on the brake, an open can of energy drink
was then flung from his free hand, spilling over the tortoise.
The tortoise became super charged and sped away, clocking 100 miles per hour.
Ostropper, what he just witnessed, the man fainted, falling sideways from his bicycle,
later awakening in his basement with tabs of LSD, littered



Un jeune homme, se dirigeant vers South Town à vélo, a été brusquement arrêté dans son élan.
par une tortue errante.
Le crétin du Vélo a présenté sa soudaine pression sur le frein, une canette ouverte de boisson énergisante
a ensuite été projeté de sa main libre, se répandant sur la tortue.
La tortue est devenue super chargée et s'est enfuie, atteignant 100 milles à l'heure.
Ostropper, ce dont il vient de voir, l'homme s'est évanoui, tombant de côté de son vélo,
se réveillant plus tard dans son sous-sol jonché des comprimés de LSD,

BREAKING NEWS.  🎧

Cast of characters:
Jonathan Beckenstein — @jonathan_beckenstein — acoustic guitar, composition

Cgmaness – @user-419254289-15129531 – Chris – bass, vocals, and lyrics

K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken–drums, percussion, and vocal harmonies

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Roland FP-10 piano and Collings mandolin

TexMex Shaman– @texmex-shaman –Stephen– Tom Anderson custom T slide guitar, production, mix, and mastering

Mistermark-- @user-432503709 -- Mark – harmonica, edited fiddle samples, and jaw harp

This song began when Jonathan wrote it on his acoustic guitar several months ago with the intention of developing it into a larger song. When Josh approached him about doing a collaboration, Jonathan thought this one would fit the bill. I should say at this point how much we all admire Jonathan and enjoy his music. On the unlikely chance you aren't already familiar with his music, I suggest you go hop on his page and check it out. 

  All that to explain the level of excitement that ran through Eclectic Collective when Josh shared the project with the group. Chris was first to jump on it, coming up with his intricate bass line even before Ken added his moving drums, although they went back and forth a couple of times to create the rhythm section. Josh jumped on right after that part was complete, adding his mandolin and piano to the mix. Steven was next up, adding his howling slide throughout. Last, but certainly not least, Mark came up with the driving harmonica and twangy jaw harp, and the raspy fiddle, adding them all to complete the instruments. 

  At this point, we had a pretty good instrumental song on our hands. However, Chris decided to give it the extra kick by adding the vocals, the lyrics for which he wrote himself. Our multitalented drummer, Ken, added the vocal harmonies shortly after, too.

  Now that it was in the bag, we needed some production for it. So, we turned to Stephen, who mixed and mastered it in his always expert fashion. 

  This song is a real treat for everyone in the band, as I mentioned earlie. We are all very grateful to Jonathan for sharing this song with us, and had a wonderful time helping bring it to life. We hope you enjoy listening to it as much as we enjoyed creating it.

Original lyrics by cgmaness:
 Come on now let's break a leg,
We've got it made in the shade.
One more day, go out and play.
I guarantee we've got it made.
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
I guarantee we've got it made.
~Gibberish~
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.
We got it made in the shade.
Can't you see we got it made?
Oh, we've got it made.
Happy to be with my friends today.
Fill up your drink whatever it may take.
Can you believe that we've got it made?
Come on now let's shake a leg.
We've got it made in the shade.
Don't need a reason,
Or wait for the seasons to change.
That's what I claim.
Go out on this limb with me,
And realize, we've got it made.


We've Got it Made - (Eclectic Collective w/ Jonathan Beckenstein)

l'art pour l'art - Chiaroscur
April 2025
Duration: 3:10
Listen to the Playlist, l'art pour l'art: https://soundcloud.com/bruce-klepper-1/sets/lart-pour-lart
Cover art painting: Carol Klepper
Cover art lettering: John-Marc Ventimiglia
For guitar, harp, bansuri, Bhutan bells, Tibetan singing bowls, brushed gong, gong, virtual instruments and percussion

l'art pour l'art - Chiaroscur

I had a dream, and I wrote this song not to forget it. 

Technical highlights: hand played bass, slightly odd riff on chorus (15/2) & some extra psychedelia.

Pic & sounds taken with my phone during a recent experience which could help me understand the dream, maybe…

Letra  /  Lyrics:

NÍMOR (No sé dónde estoy)  /  NÍMOR (I don’t know where I am)

Entré en la sala sin hacer ruido,  /  I entered the room making no noise,
los pocos que vi eran desconocidos,  /  the few ones I saw were strangers,
busqué una cama que estuviera libre y dormí.  /  I looked for a spare bed and slept.

Al día siguiente no encontré mi sitio,   /  The following day I didn’t find my place,
todo estaba lleno de desconocidos,  /  the whole room was full of strangers,
me di la vuelta para salir y te vi.  /  I turned around to leave and I saw you.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …

La cama de al lado estaba vacía,  /  The bed at your side was empty,
y me preguntaste si la quería,  /  and you asked if I wanted it,
la quise y pronto nos hicimos amigos,  /  I did and soon we became friends,
desconocidos.  /  strangers.

Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...
Nímor, no sé quién eres…  /  Nímor, I don’t know who you are …
Nímor, no sé qué pasa…  /  Nímor, I don’t know what’s going on...
Nímor, no sé dónde estoy...  /  Nímor, I don’t know where I am...

Te pregunté “¿cómo se llama este sitio?”  /  I asked you "what’s the name of this place?"
y me contestaste que estaba contigo,  /  and you answered that I was with you,
y sin darme cuenta te quise mucho y dormí.  /  and unconsciously I loved you so and slept.

Ahora del sueño ya me he despertado,  /  Now from the dream I’ve already woken,
tu nombre lamento no haber preguntado,  /  your name I regret not having asked,
te llamaré como el sitio en que te conocí.  /  I’ll call you like the place where I met you.

Nímor (…)  /  Nímor (…)

ER27HC06 ©1995 ®2015

Honorable broadcast (34:47 - 40.00): http://jeffhickmott.podomatic.com/entry/2015-09-18T05_02_20-07_00

Nota para el oyente español: ninguna influencia de Chiquito de la Calzada en el título; lo pongo tal como lo soñé y punto.

NÍMOR (No sé dónde estoy)

Hanover (Rtdam Hoofd Surr) Main output (front) (2021_08_05 23_12_31 UTC)

Shaken (feat. Anna Keary)

GG Promises Volumes 1 - 15 Released 9-1-2025 Director & Conductor & Principal Benjamin Hill Producer, Benjamin Hill, coproducer IBen Morton Mastering Benjamin Hill, Mixing, Benjamin Hill, Recording Engineer Benjamin Hill, assistant engineer IBen Morton All songs written by Benjamin Hill and IBen Morton Composers IBen Morton and Benjamin Hill Benjamin and Benjamin, Programming, Percussion, Keyboards, Synthesizers, Bells, various Vocals, IBen Morton and Benjamin Hill Label, IBen Morton Music, IBen Morton and Company, IBen Morton Company Music, IMCM

Love's Eternal Path

(Don't follow me here, best on my main page ;)

I would be genuinely happy if my music could evoke your profound feelings.  Please use headphones if possible. 

I sincerely appreciate your interest and time.

Yes (Ft. David De Michele)

Anastasiya Ihnatovich

Recent comments

Francesco Adornetto - Emotional Piano

Todd J McLean

The Gatsbys

keystoanotherworld aka Ktaw

Related tracks