Yksiminuuttinen

@simasokas
nosejob.bandcamp.com/album/plexihog
Simas Okas, hidden away in the depths of a murky swamp, is trying to create a new species - a combination of natural and synthetic, capable of adapting and thriving in the harshest conditions. He becomes subject of his own creation and is transformed . . . Chasing down a magical, mystical, non-defined apparition, like a ghost or a shadow, not necessarily evil, but certainly other-worldly. From reeds to smudge, everything's a dream. Much beauty in the swamp, if only you look...

Mastering • Carsten Dämbkes
Drawing • Gvidas Pakarklis
Boogie School Sans/Boogie School Serif • Or Type
Kupole • Studio Cryo
Graphic Design • Rick Shiver

A1 Simas Okas - Mallards

"While making this album I was inspired by the scientific themes and topics expressed by both 1970s magazine "Radical Software" and 1980s magazine "OMNI" for their influence on the video synthesis and broadcasting culture of our present day. Radical Software arrived in 1969 at a time of major social upheaval. The Viet Nam war was raging and the loss of Martin Luther King exacerbated feelings that a war on race war seemed inevitable. The Nixon presidency amplified feelings of despair but compelled many to imagine alternatives to the soulless, murderous culture in they were existing in. The urge to create new cultural structures, developed revolutionary video hardware that would play a pivotal role in accelerating the social change people desired. Authors of the magazine understood that change would only occur by increasing the level of social pressure. Through their reading of Buckminster Fuller, Gregory Bateson and Marshall McLuhan, they realized what needed to be changed was not the machines, but the instructions used to operate them. The social implications proved radical hardware was fine but what was critically needed was "Radical Software". The magazine became a form of social activism. It would be a forum, a video craft how-to-magazine, a rudimentary marketing and distribution system for the burgeoning community, and a journal of philosophical speculation and political opinion for all who shared their vision. The cover of the album is created by CINEMA.AV using LZX video synthesizers."

Purchase Album: https://reservematinee.bandcamp.com/album/liminal-space

Produced by Anderson Chimutu aka Fumbata Phiri
Mastered by Michael Stumpf
Artwork by CINEMA.AV
Released by Reserve Matinee from Chicago IL, US
Release Date : January 17th. 2022
Format - Cassette and Digital

Fumbata Phiri (South Bend, US)
@fumbataphiri
www.facebook.com/fumbataphiri

Reserve Matinee
@reservematinee
https://reservematinee.bandcamp.com/

Support the label

Premiere - Fumbata Phiri - Liminal Space (Reserve Matinee)

Improvisation from on high, fraternising with elevated explorations of the grid (and momentarily providing a setting for a Derridean meditation on the former).

LYL Radio: Tanzen und Denken 13

Corell - Under The Surface

Drain

Double CD available from Imprec.com 

On December 11, 1980 Eliane Radigue performed live on KPFA. Her full performance is included here, remastered, on two compact discs. Upon hearing these performances for the first time in many years Radigue declared them to be the best versions she'd ever heard. 

Included are full in-studio performances of Chry-ptus and the world premiere of parts one and three of Tryptych.

Eliane Radigue Triptych (World Premier) 11 Dec 1980 - Double CD Available Now

Insect March

"前の家に住む女性が、お風呂で時々歌を歌ってる。いつだったか忘れたんだけど、その人が大きな声でアメイジング・グレイスを歌っていたときがあって、それまでそんなにいい曲だって思ったことなかったんだけど、その時聞いたアメイジング・グレイスは一生忘れられないくらい素敵な歌でした。
小学生のとき、詩を考える授業で、いじめられっ子の女の子が「レモンは酸っぱい。けど、おいしい」って詩を発表して、いじめっ子たちにその詩をめちゃくちゃいじられて、ものまねするのがちょっと流行った。おれもちょっとものまねしたりしちゃったんだけど、いまでもそれ以上に良い詩はないと思ってる。" -kazuma sasajima (@niceshopsu)

Google translate:
"A woman who lives in the previous house sings sometimes in the bath sometimes I forgot when it was when I was singing that amazing grace with a loud voice that I thought it was a good song so far I had never done that before, Amazing Grace I heard at that time was a wonderful song that I could never forget.
When I am in elementary school, in a class thinking about poetry, a bullying baby girl announces a poem "Lemon is sour but tasty", teases the bully to mess up that poem and imitates it It was a bit fashionable. I also imitated a bit, but I do not think there is any better poetry any more. "-kazuma sasajima (@ niceshopsu)

recording - at the city hall
Hello - MUAYTHAI CHALLENGES
Luke Moldof - KIKI & KIKI
조율_Joyul (tunerplease) - 물고기
Kieran Consort - buried alive in an underground place with other pieces of trash and ordered to dig sand before being shot to death with arrows
Clara te canta - Intro para la ganancia
రిమోట్ వీక్షణ - శాక్సోఫోన్
Kazumichi Komatsu - FEAST
Forever Traxx - Is it really what you think (fTx Edit)
Music in Public Spaces - 1 9 0 2 0 9 4 7 6 1
Wizard Apprentice - I Leave a Trail of Honey Everywhere I Go
TCLB - Walking Around Japantown Mall During The Evening

anathema mix - S-K.II - "that can be _ from afar.."

Released on Longforms Editions March 2019
The title Stereo'frogi'ic is a play on the word stereophonic – to play with the illusion of multi-directional audible perspective – in this case presenting a quasi-bioacoustic sound piece, crafted from found recordings of frogs, insects, a recording of an animal scattering in the bushes and other 'vocal' animals wavering about in a stereo field. This piece was recorded and edited in the summer of 2019.

I have used slightly modified animals sounds to create aural illusions, morphing the perception of animal and machine generated sounds or raw recordings and digitally effected sounds. I wanted to create a tempo that would mimic something similar to the meditative sense you can experience from the flow or sound of the wind and other elements, when you are sitting in an open field while recording.

Stereo'frog'ic (Longforms Editions 2019)

Lucrecia Dalt - Cao 

From No era sólida (outtakes)
Learn more: https://smarturl.it/rvngnl65-3

anathema mix - S-K.II - "that can be _ from afar.."

anathema archive

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