Name: Arnau Sala Saez - Si no sóc a l'ara, a on sóc by anathema archive
Duration: 3 min 24 s
Description: From A_A:16 - Arnau Sala Saez - Atenció Attention

THE 3RD REMOVE FROM THE REAL_ Črepy on Warm Winters Ltd

From A_A:16 - Arnau Sala Saez - Atenció Attention

Arnau Sala Saez - Si no sóc a l'ara, a on sóc

The noise travelled through the empty rooms, one by one rattling the walls with might and power before faintly disappearing onwards into the next. It was a sequential system and as the music echoed and bounced between each space a crowd of wanderers desperately followed trying to keep up and stay within earshot of the magnificent sounds. There was wild drums, racing percussion, a rising tonality and warwhoops which chattered and rattled between the lofty walls. 

Plein Soleil blurs the lines between experimental dub, polyrhythms and beyond on a new mini album for Zèbres, the Lyon based experimental imprint. This release comes highly recommended, sounds built for home listening as much as they'll echo and thunder on a big system.

PREMIERE: Plein Soleil - José [Zèbres]

From IKEA tape released on Da ! Heard it Records.
https://www.daheardit-records.net/en/discography/dhr-54#release

[D!HR-54] Ikea

MALSJÖ

"While making this album I was inspired by the scientific themes and topics expressed by both 1970s magazine "Radical Software" and 1980s magazine "OMNI" for their influence on the video synthesis and broadcasting culture of our present day. Radical Software arrived in 1969 at a time of major social upheaval. The Viet Nam war was raging and the loss of Martin Luther King exacerbated feelings that a war on race war seemed inevitable. The Nixon presidency amplified feelings of despair but compelled many to imagine alternatives to the soulless, murderous culture in they were existing in. The urge to create new cultural structures, developed revolutionary video hardware that would play a pivotal role in accelerating the social change people desired. Authors of the magazine understood that change would only occur by increasing the level of social pressure. Through their reading of Buckminster Fuller, Gregory Bateson and Marshall McLuhan, they realized what needed to be changed was not the machines, but the instructions used to operate them. The social implications proved radical hardware was fine but what was critically needed was "Radical Software". The magazine became a form of social activism. It would be a forum, a video craft how-to-magazine, a rudimentary marketing and distribution system for the burgeoning community, and a journal of philosophical speculation and political opinion for all who shared their vision. The cover of the album is created by CINEMA.AV using LZX video synthesizers."

Purchase Album: https://reservematinee.bandcamp.com/album/liminal-space

Produced by Anderson Chimutu aka Fumbata Phiri
Mastered by Michael Stumpf
Artwork by CINEMA.AV
Released by Reserve Matinee from Chicago IL, US
Release Date : January 17th. 2022
Format - Cassette and Digital

Fumbata Phiri (South Bend, US)
@fumbataphiri
www.facebook.com/fumbataphiri

Reserve Matinee
@reservematinee
https://reservematinee.bandcamp.com/

Support the label

Premiere - Fumbata Phiri - Liminal Space (Reserve Matinee)

100% of the sales of this is going to the Red Cross Ukraine! 

"I am gravely concerned for the safety of communities in Ukraine. Our message to the parties to the conflict is clear: uphold International Humanitarian Law, protect civilians and essential services". Peter Maurer, President, ICRC. 

It is dismaying that after enduring eight years of conflict, people now face more violence, pain, loss and turmoil. Fear, freezing temperatures and an uncertain future are what families in Ukraine are facing. 

How your donation will help people in Ukraine and the surrounding countries: 

As the security situation allows, the ICRC is responding to urgent humanitarian needs and must be able to continue their life saving work. ICRC water engineers and doctors aim to help more than 3 million people access clean water and improve the living conditions of more than 66,000 whose homes have been damaged by heavy fighting. 

The International Committee of the Red Cross - together with its partners in the Red Cross and Red Crescent Movement – remains active in Ukraine, saving and protecting the lives of victims of armed conflict and violence. Our neutral and impartial humanitarian action supports the most vulnerable people: humanitarian needs are enormous, but together we can address them. Your donation will make a huge difference to families in need right now. 

The world is turning to even more shit thanks to fucked up politics and fights over land. Of course we are focued on what is going on in Ukraine at the moment. 

Cover design by Philip Marshall. Mastered by Jack Callahan.

https://idealrecordings.bandcamp.com/album/no-war

Nick Klein - PFEFFERSPRAY

Malvern Brume - The Whorls (Kashual Plastik)

'Up All Night' is one piece from a folder of unheard electro-acoustic recordings dating from 2019-2022. The ten pieces have been assembled on afolder.studio so that YOU — intrepid supporter of new music and film that you are ☻ — can listen to them outside of the lifeless, zero-quality environments where most music is now consumed [or skipped]. These recordings were lovingly mastered by Russell Haswell and mixed by Powell and Tobin Jones at Park Studios, London. Should you wish to listen to them in higher resolutions [recommended], or just own some music that you buy directly from the artist, you can email the artist direct. He'll send you a unique personalised folder of the music; and you can pay, or not pay, however much you like. Details ➜ https://afolder.studio/af21

Powell ➪ Up All Night [aƒ21]

A1 Dark Cabane

First single from "Istmo", a new album to be released by Colectivo Casa Amarela in April.

Sal Grosso - Fraga

American avant-electronic musician and essayist Bret Schneider holds no institutional allegiance to one artistic medium. His background encompasses a wide range of work experiences and reveals a man who is connected to the world around him in complex, alienated ways. His thoughts on music and philosophy are intertwined into a billowing exposition. But when exploring the dark recesses of his more aural works, there is an inherent flexibility. Phasing percussive elements and frayed droning lines all lead to a perpetually shifting feeling for an aural uncanny. As fractured as his music can be, there is a dim spark of rumination that threads through his synthetic machinations.

On his latest release, “Xilinx,” Schneider taps into a primordial electronic noise—the kind that rests just on your periphery, unwinding itself to reveal myriad sordid circuits and disjointed projections. These tracks maintain a wired mania, expressing an unsettling undercurrent of ragged repetition and warbling drones. There’s an unexpected elasticity to Schneider’s cabled rhythms, and they often shift across several temporal lines before turning inward, struggling to illuminate an intimate dissonance or imagine a multi-chambered core. Displaying a raw and unusually concise knowledge of how these sounds might fit together, “Xilinx” is part zoetrope, part post-industrial dreamscape. It is an inquiry into the idea of internal movement, a contorted experiment in musical patterning, and an experiment in self-replication.

Arnau Sala Saez - Si no sóc a l'ara, a on sóc

anathema archive

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