Kan Sano 1st album "Fantastic Farewell" April 13 , 2011 in stores

KAN SANO / FANTASTIC FAREWELL
2100yen CD/DIGITAL (CIRCULATIONS)

01. New World　
02. Dream In　
03. Blank in the Sky　
04. Bless　
05. Wes　
06. Morning　
07. Oops Hops feat. Repeat Pattern
08. In the Spiral Water　
09. Worldwide Beauty　
10. Sanctuary　
11. Retro Polis　
12. Music Overflow
13. Sketch of Love　
14. Awake　
15. Wild Flowers　
16. Brilliant Corners　
17. Breath　
18. Eternal Sunshine

_______________________________________________________________________________

Preview of "Fantastic Farewell", the debut album from the Japanese Jazz Pianist Kan Sano, who graduated from Jazz composition major of Berklee college of music, whose band has been invited at Monterey Jazz Festival, and is now becoming the member of Hip Hop live group mabanua band and linking up to today’s Beats music.

"Kan Sano is on another level, album is a must have!" 　Eric Lau

「完成するの楽しみにしていました。このアルバムを聴いてまず心地よい音の粒子が
耳に入って来た。繊細な曲作り。ピアニストとしての彼と、
ビートメーカーとしての彼が絶妙に融合」　grooveman Spot

「甘雨の如し満たすアンタを 生かす反作用 同志 Kan Sano！！」　TWIGY

「細部まで丁寧に育て上げられた音の世界。 その人柄を表すかの様な暖かさと強靭なグルーヴ。 
目を閉じて１曲１曲、噛み締めて聴きたくなるほど、 このアルバムの密度はとてつもなく高い。 
Kanちゃんおめでとう！ついに完成だね。」　 mabanua (origami)

「ジャジーでチル、しかしグルーヴが特濃かつ漆黒なハイセンスブラックサウンド！ 
ピアニストとしても素晴らしいが、ピアニストのソロなのにHIPHOPとか
色んな要素を感じれる素敵なアルバム。 多彩ですなー！カンちゃん！」　COMA-CHI

「ロバート・グラスパー以降、ヒップホップを体内組織として持つジャズ・ピアニストが
クローズ・アップされるようになってきたが、KAN SANOもそうしたひとり」　小川充

Fantastic Farewell preview mix

Introduce your kids & grandkids to an uptempo version of a classic everyone knows.

Pop Goes The Weasel

All tracks composed by Mina Yu except Body and Soul 
 
Piano Mina Yu 
Drums Oscar Suchanek
Voice Songyi Jeon
Bass Osmar Okuma
Trumpet Tomer Ron
Guitar Javier Rosario
 
Producers Mina Yu, Ben Charnley and Albino Mobie
Engineer Daniel Alba 
 
Cover Photographer Ji Hyung Ryu
Graphic Design Mina Yu 
 
Recorded in Record Company, Boston, USA
 

Back To Black

Silver Lining

The Soul Chapter EP - Beats by Pablo Queu

Available on Bandcamp: pabloqueu.bandcamp.com/album/the-soul-chapter-ep

Spotify: https://spoti.fi/2Kt2ZOq

Supported by @ninetofiverecords

Nylon

Cro-Magnon - Time Flies Feat. Steve Spacek

Fender Rhodes always was and still is my favorite instrument of all time. Let the fireplace burn and lounge to this one from my last project: http://smarturl.it/jazzhop

IG @ keroone

Rhodes Less Traveled (Winter chill)

Dizzyingly laidback daydream beats from Berlin via Tel-Aviv soulstress @jay-lamotta-1, out via @jakarta-records.

Read more and buy: http://www.stampthewax.com/2018/05/18/premiere-j-lamotta-chance
Listen on YouTube: https://bit.ly/2rOohhs

Listen on YouTube

J.Lamotta すずめ  - Chance (STW Premiere)

JAZZHOP. c) 2006

Twitter: www.twitter.com/keroone
Instagram: instagram.com/keroone
Facebook: www.facebook.com/kerouno

Kero One -  In All The Wrong Places (2006)

Preorder the album here https://sgjazz.lnk.to/SGJAZZ
Dr. Dundiff (done different, @dr-dundiff) is a Hip-Hop/Neo-Soul producer based out of Louisville, KY. Producing music since 2010, most known for his collabos with Otis Junior with whom he released an EP and two albums. After last year’s  “Cool” with Otis Junior and his hip hop instrumental project “Muneybeats”, Dr. Dundiff and Jakarta team up once again for SGJAZZ, a supergroup formed by Louisville’s finest musicians. The 2nd single 'Like Glue' is an upbeat instrumental joint from the album making your head nod.

SGJAZZ

Like Glue

SGJAZZ - Like Glue

Blurring the lines of digital and live music, Living Beats bridges the gap between live performance, production and improvisation. The music organically spawned from live sessions with Makaya McCraven on drums, MPC (Radius ECT) and DJ Moppy of CutzonCutz.  Improvised themes were later the base of creation including remixes off Makaya's recent record "Split Decision."  Additional production and mixing were done by  Chris Kramer of Tensei and a special guest appearance was made by the hip hop Violinist Savoir Faire and has been featured in Facemelt's ChiSound II compilation.  

Living Beats Mix

Originally from Tokyo, and now based in London, Anchorsong AKA Masaaki Yoshida is a highly-fêted producer, and solo live act, renowned for crafting immersive and rhythmic releases.

Anchorsong has become globally recognised for his unique live shows, which spectators have described as “like watching a painter drawing on a white canvas”. He creates electronic music entirely live using an MPC2500 and keyboard, right in front of the audience. While he mainly performs solo, he frequently augments this setup with a string quartet, for a genuinely spellbinding show.
 Early on in his career, Anchorsong wowed the crowds at SXSW and found himself the subject of increased attention, going on to make several appearances on BBC Radio 1 with radio play from Rob Da Bank and a live Maida Vale session for Huw Stephens’ In New Music We Trust show in early 2010. Having put out three successful EPs in Japan, all of which were released as double packs containing a CD and a live DVD, Anchorsong’s international debut, ‘The Lost & Found EP’ was released on his own label, Case Study.
 Anchorsong signed to Tru Thoughts and released his single “Ghost Touch/Plum Rain” later that year, followed by his highly anticipated debut full-length album ‘Chapters’. He signed the seismic “Mawa” EP to BBE Recordings for a limited edition clear 10” vinyl release, taking a more element-laden, cut and paste approach with a renewed musical vision.

Masaaki dug deep into the roots of 70s African music on ‘Ceremonial’, while taking inspiration from 70s and 80s Bollywood film soundtracks and traditional Indian percussion on ‘Cohesion’ – a psychedelic, danceable and free-spirited listen that blurs rhythm and melody.

Praised by the likes of Gilles Peterson (BBC 6Music/Worldwide FM), Karizma, Osunlade, Huw Stephens (BBC Radio 1) and Craig Smith, Anchorsong has commanded support from BBC 6Music, being playlisted with his hit singles “Testimony” and “Expo”, ‘Ceremonial’ being hailed as Album of the Year (2016, 5th spot), and ‘Cohesion’ named Album of Day (2018). The unabashedly talented musician has achieved heavy press coverage from the likes of XLR8R, Clash, Magnetic Magazine, Pop Matters, Bandcamp Daily, NME Japan and Rolling Stone Japan, with print reviews from Q Magazine, DJ Mag, and Songlines (which named it as their ‘Top of the World’ album), and airplay across BBC Radio 1, BBC 1Xtra, BBC Asian Network, Worldwide FM, Radio X, FIP and KCRW.

‘Mirage’ is the fourth album from Anchorsong, a record that evokes hazy soundscapes constructed with wind instrumentals, choirs, and global sonic particles. Building on Anchorsong’s long-standing tradition of “borderless music”, ‘Mirage’ fuses intricate rhythms with minimal yet immersive lush interplays of sound to create an auditory odyssey. ‘Mirage’ marks a departure from Anchorsong’s previous two albums – ‘Ceremonial’ and ‘Cohesion’ – specific geographical references. Instead, the album which was half-written during lockdown and when nobody could travel, shows Masaaki internalise his global influences and worldview to conjure a “vague landscape that only exists in my mind”.

Silver Lining

Anchorsong

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