From Open Lab

enchanté EP

Enchanté

Running

This may be the oldest joint I've had in the vault. I honestly did not know what to do with this track so I think dropping it like this may be the safest bet. Hope you guys enjoy!!!1

For any customs hmu at thatboibizz82@gmail.com

Club Life!

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Bliss (Slowed + Reverb Instrumental)

Flea Waltz

We've Been

Buy / Stream

Éloge de la lenteur, pt. 2

The Movement

iTunes: http://po.st/gotiwugit | Beatport: http://po.st/gotiwugbp | Traxsource: http://po.st/gotiwugts | Bandcamp: http://po.st/gotiwugbc | Google Play: http://po.st/gotiwuggp | Spotify: http://po.st/gotiwugsp | Apple Music: http://po.st/gotiwugam | Deezer: http://po.st/gotiwugdz | Tidal: http://po.st/gotiwugtd 

A breathless, dreamy gem of a track, this gorgeous rolling house ballad is elixir for the ears from Girls Of The Internet. A live group headed up by Tom Kerridge, Girls Of The Internet is one of a few projects Kerridge dug into having spent over a decade running labels such as RAMP, Fourth Wave and Brainmath. Providing a break from label life, Girls is a new creative outlet generating music that makes tribute to a lifetime of collecting disco and techno records. Enriched by the glowing voice of Seglilola Jolaosho, ‘When U Go’ glitters, demonstrating Kerridge’s ear for combining exquisite harmonies and deep-reaching beats. Italian producer and Afro House A&R for Traxsource, MoBlack delivers a juicy remix and dub, fleshing out the percussion, adding hypnotic synths and introducing a playfully layered acoustic vibe.

Download

Girls Of The Internet 'When U Go'

Desires

Taken from the album 'Don’t Let Get You Down', released 28 February on Brainfeeder: https://wajatta.lnk.to/downSo

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Don’t Let Get You Down

Out now on Crosstown Rebels: lnk.to/CRM237

Tibi Dabo returns to Crosstown Rebels with his second EP of the year The Distance We Share. His third EP will follow in the Autumn in advance of his debut album forthcoming in 2021. Globally revered American producer David Morales turns in two outstanding remixes that demonstrate contrasting aspects of his illustrious career.

The Distance We Share sees beautiful melodies standing both individually and combined to create an ethereal atmosphere. Starting with golden keys that drop into a twinkling lullaby, rising and falling throughout the track before ending with danceable energy. Komorebi opens with melancholic chords, the bassline moves at a relaxed pace over a rhythm of hi-hats and cowbell, sensual distorted vocals and delicate chimes induce a feeling of romance. The first remix of Komorebi from David Morales sees him add his legendary Red Zone stamp of New York influenced house music, building tension with darker tones, chugging percussion and hypnotic loops. On the Diridim Mix Morales turns the vibe to that of his newest label, with classic soulful electronics adding a deep sense of warmth.

Still in its infancy, the Tibi Dabo project from Max Guardans has seen his unique emotive take on electronic music and sound design catch the attention of influential figureheads. His debut release the Ende EP on Sasha's Last Night on Earth imprint demonstrating his remarkable talent. With his determined attitude and unrelenting thirst for exploration impressing respected tastemaker Damian Lazarus, he was immediately signed to Crosstown Rebels. His last two EP’s Her Moon and Disbelieve on the imprint, initiating a run of unrelenting form that marks the start of big things to come.

Tibi Dabo - Komorebi

ENGRAM is out now on all platforms 🥁✨

ENGRAM

DL & STREAM

Coast / Sourire

Sourire

Music Video

Mirage

The Ocean

Originally from Tokyo, and now based in London, Anchorsong AKA Masaaki Yoshida is a highly-fêted producer, and solo live act, renowned for crafting immersive and rhythmic releases.

Anchorsong has become globally recognised for his unique live shows, which spectators have described as “like watching a painter drawing on a white canvas”. He creates electronic music entirely live using an MPC2500 and keyboard, right in front of the audience. While he mainly performs solo, he frequently augments this setup with a string quartet, for a genuinely spellbinding show.
 Early on in his career, Anchorsong wowed the crowds at SXSW and found himself the subject of increased attention, going on to make several appearances on BBC Radio 1 with radio play from Rob Da Bank and a live Maida Vale session for Huw Stephens’ In New Music We Trust show in early 2010. Having put out three successful EPs in Japan, all of which were released as double packs containing a CD and a live DVD, Anchorsong’s international debut, ‘The Lost & Found EP’ was released on his own label, Case Study.
 Anchorsong signed to Tru Thoughts and released his single “Ghost Touch/Plum Rain” later that year, followed by his highly anticipated debut full-length album ‘Chapters’. He signed the seismic “Mawa” EP to BBE Recordings for a limited edition clear 10” vinyl release, taking a more element-laden, cut and paste approach with a renewed musical vision.

Masaaki dug deep into the roots of 70s African music on ‘Ceremonial’, while taking inspiration from 70s and 80s Bollywood film soundtracks and traditional Indian percussion on ‘Cohesion’ – a psychedelic, danceable and free-spirited listen that blurs rhythm and melody.

Praised by the likes of Gilles Peterson (BBC 6Music/Worldwide FM), Karizma, Osunlade, Huw Stephens (BBC Radio 1) and Craig Smith, Anchorsong has commanded support from BBC 6Music, being playlisted with his hit singles “Testimony” and “Expo”, ‘Ceremonial’ being hailed as Album of the Year (2016, 5th spot), and ‘Cohesion’ named Album of Day (2018). The unabashedly talented musician has achieved heavy press coverage from the likes of XLR8R, Clash, Magnetic Magazine, Pop Matters, Bandcamp Daily, NME Japan and Rolling Stone Japan, with print reviews from Q Magazine, DJ Mag, and Songlines (which named it as their ‘Top of the World’ album), and airplay across BBC Radio 1, BBC 1Xtra, BBC Asian Network, Worldwide FM, Radio X, FIP and KCRW.

‘Mirage’ is the fourth album from Anchorsong, a record that evokes hazy soundscapes constructed with wind instrumentals, choirs, and global sonic particles. Building on Anchorsong’s long-standing tradition of “borderless music”, ‘Mirage’ fuses intricate rhythms with minimal yet immersive lush interplays of sound to create an auditory odyssey. ‘Mirage’ marks a departure from Anchorsong’s previous two albums – ‘Ceremonial’ and ‘Cohesion’ – specific geographical references. Instead, the album which was half-written during lockdown and when nobody could travel, shows Masaaki internalise his global influences and worldview to conjure a “vague landscape that only exists in my mind”.

The Ocean

Anchorsong

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The Ocean

Anchorsong

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Le Durê

chloe

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muddum*