Work for Prepared guitar, Live electronics and multichannel sound ( 5 channels) - stereo recording of live performance 2018

Performed by Are Lothe Kolbeinsen

OmbreCinesi no. I -Live At Sentralen

A Binaural rendition of JO-HA-KYU(For Levi - 2017
Original in 6th order 3D Ambisonic spatial audio,

The piece is the result of a series of experiments, creations and musings around modulation and movement principles traditionally found japanese art forms. As well as drawing inspiration from the source material itself; found objects, previous discarded material and various synthetic and acoustic material
Dedicated to Levi
Percussion material performed by: Ulrik Ibsen Thorsrud
Composed at the SPIRAL studio, University of Huddersfield, UK during a residency early 2017,
Studio Sirius, NOTAM, Norway and the composer private studio.
Commissioned by Electric Audio Unit (EAU) with funding from the Norwegian Composers Fund.
Composed by Anders Tveit 2017

JO - HA - KYU(for Levi) Anders Tveit 2017 - Binaural Version

Binaural version, original Higher Order Ambisonic 7th order.

Oni Mono - Binauralversion

An excerpt from "Ierotelestia", an acousmatic piece originally composed for 23 speakers in Higher order Ambisonics. Premiered at Kunstnerenes Hus december 2013. Composed 2012/2013. Commissioned by NOTAM with funding by Norsk Kulturåd.

Excerpt Ierotelestia 2sats - Atoms And Involution

The source material is partly derived from the collab. interactive sound installation Reunion2012 (orig. Anders Tveit & Eskil Muan Sæther)

Reunion2012 Variations

2012 Commissioned by NOTAM for the EU project "Composing with Sound". The title refers to the source material used in this piece – the strings of the electric bass guitar. 
The source material is derived not only from extended techniques, but also from extra-musical sounds such as changing strings, string breakage, tuning/de-tuning, and magnetic pull from the pickups, among other things. Some of these sources are left "as-is" and some are processed in a variety of ways.

ThickWires

Original in Higher Order Ambisonic format.
“Ombre Cinesi II” is the second part of a series of compositions where I have used data recordings of motion and physical properties of past musical performances and sound producing events as a method of conjuring new sonic narratives.
The piece was composed 2016, commisioned by EAU (Electric Audio Unit) with funding from The Norwegian Composers Fund. Premiered in Oslo and at INA/GRM Paris Oct. 2016

OmbreCinesi II - Stereo version

Original in 5th order 2D Ambisonic. Audio example in stereo.
2013/14,

The title of this piece is taken from an answer given by free improvisation guitarist Derek Bailey to the question “What happens to timeawareness during improvisation?” The title refers not only to my fascination with how we experience and perceive time and duration, but is also a continuation of my previous Ambisonic
work, Ierotelestia (2012). Where I where inspired by esoteric belief systems understanding and obsession with numbers, often attributed with symbolic and magical meanings. These kind of symbolic representations, subjective measurements and “hidden” meanings are also very much present in this piece. But where my sonic fantasies this time revolves around the concept of time.

Commissioned by EAU (Electric Audio Unit) with support from The Norwegian Composers Fund. Premiered at Lydgalleriet,Bergen Dec. 2014. Since performed in HOA at Riksscenen, CCRMA-Stanford

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