bruh why does the balloon look like an amogus

climax 2 soundtrack

SOPHIE - IS IT COLD IN THE WATER BLOOD OF AZA REMIX

umru, Petal Supply feat. Rebecca Black - heart2 (KAVARI 'heart2heart' Remix)

heart2 (KAVARI 'heart2heart' Remix)

b2battlepass sᴇᴀsᴏɴᴵᴵ 「S/S'24」

Yummy (umru remix [prod. Mo Beats])

https://soundcloud.com/cehsae

https://soundcloud.com/pedicure-records/sets/pd128-chelsea-doggy-rim
https://soundcloud.com/phoenxc/bboy-remix
https://soundcloud.com/phoenxc/best-friend
https://soundcloud.com/yourobject/chelsea-x-co2-u-wish-u-were-me
https://soundcloud.com/user-953670539/oh-the-one-that-i-want
https://soundcloud.com/decryptids_danger_zone/sets/oh-playground

CHELSEA - CHEW

MUZZLE

ਸੋਗHEAVENFIRST is a post-club DJ, producer and visual artist based in Russia. Having gotten their start producing noise, drone and witch house music, their work has evolved into complex interpretations of club sound that harness dark and aggressive noise, referencing their lived experience, emotional turbulence and a lack of resolution; taking inspiration from artists such as Ship Sket, FITNESSS, Blood Of Aza and Kavari. They have a strong portfolio of solo work that they have released, including work alongside GHOST RAID and VALKIN, as well as a track on the TOYOTATHON compilation in 2024.

For this mix, ਸੋਗHEAVENFIRST has included both their published and unreleased work, as well as a selection of curated inspirations that comprise their body of sound; dark, aggressive and turbulent in nature.

Tracklist:
1. Board [form] Concrete - INTRO OPTION2
2. Raiika - EXIT WOUND
3. KAVARI, MYEN - never once
4. ਸੋਗHEAVENFIRST, VALKIN - HYPERTENSION
5. Blood Of Aza - SOPHIE - IS IT COLD IN THE WATER BLOOD OF AZA REMIX
6. ਸੋਗHEAVENFIRST - substanceabuse
7. ਸੋਗHEAVENFIRST - FREASH MEAT
8. ਸੋਗHEAVENFIRST, mo̮raldecadence͚ - ID
9. Alparr - PURPLE LAMBORGHINI REMIX
10. ਸੋਗHEAVENFIRST - FRIEND
11. ਸੋਗHEAVENFIRST - disappear
12. ਸੋਗHEAVENFIRST - dysmorpia
13. ਸੋਗHEAVENFIRST - 18/01/25

RADIO:TRAUMA 042: ਸੋਗHEAVENFIRST

Bass, Bass und noch mehr Bass! | Dubstep

DJ Warlord - War Steed

My new EP "Destination" is a new stage in my work. There will be more and better things to come. I want to continue developing in the field of electronic music.

Vibing

https://soundcloud.com/nahshi

This "Alternative Facts" compilation is an attempt to portray a tiny yet distinguished element of an inclusive, non-territorial and stylistically open minded scene. These are our alternative facts to what the majority of people think club music is or should be. Disseminate the truth.

Artwork by https://www.instagram.com/cavecanems/
Mastering by @dj-dialup

Alternative Facts

Free Download

Nahshi - CSH

bela - m4sh3d-p07470

Lifestyle

Formed in Cairo in 2018, Insin is comprised of Welsh producer/vocalist Elvin Brandhi and Palestinian producer/MC Bashar Suleiman.

www.facebook.com/hello.realia
soundcloud.com/realia
realia.bandcamp.com/

Insin - Aqsat

Amnesia Scanner — Tearless
Format: LP / DL
Cat.No. PAN 108
Release Date: 19 June 2020
Purchase: pan.lnk.to/Tearless

Berlin-based duo Amnesia Scanner have announced the impending release of their sophomore LP, Tearless, a sonic reflection of how it feels to experience Earth at a time when collapse is emerging as the prevailing narrative. As Amnesia Scanner founders, Ville Haimala and Martti Kalliala watch their icy home country of Finland thaw- the staggering scale of political recalibration and the worldwide climate crisis blows open old norms. “There’s a looming sense of radical change,” they noted pre-COVID, connecting the period of making the album to a fin de siecle horror and curiosity regarding what new world is being ushered in. Tearless has been referred to as “a breakup album with the planet”, to which Amnesia Scanner responds, on the LP’s closing track: “You will be fine, if we can help you lose your mind.” Amnesia Scanner are previewing the album in the form of a video for their accidental quarantine anthem “AS Going,” a clip featuring a cascade of images of spiraling humans.

Tearless marks a turning point in the duo’s trajectory, one begun in 2014 with the AS Live [][][][][] mixtape, followed by audio play Angels Rig Hook, two EP’s for Young Turks, and their 2018 debut album, Another Life (PAN). For Amnesia Scanner in 2020, the walls of the nightclubs, galleries, and institutions fall away and are replaced by full-scale theatrical productions complete with jumbotron stages, animatronics, and a surrealist costumed cast (literally so in the XL version of the album’s live show, Anesthesia Scammer). Likewise, the musical scope of the album is expansive, with guest vocalists — the Peruvian artist Lalita and the Brazillian DJ/producer LYZZA — descending into a vast uncanny valley of sound. With the crossfader on Tearless sitting closer to pop than abstraction, so too does the audience for this record widen in scope. Opener “AS Enter” sets a sombre tone until the fucking riffs of the second track (the titular, Lalita-helmed “AS Tearless”) make clear there’s plenty of roaring to come. A feature from metalcore band Code Orange on “AS Flat” follows, along with “AS Trouble” (feat. Oracle, the third, machinic ghost-member of Amnesia Scanner) and together they hit as black-metal-gaze dirges. Closing Tearless is the sadboy grunge of “AS U Will Be Fine” with a clear statement of intent: doom, despair, insanity, absurdity, it’s all natural, all cathartic, and all OK.

For the art direction of this release, Amnesia Scanner collaborators PWR scavenged the pop cultural unconscious, as if ventilating memory dissociated by trauma. The gatefold vinyl reveals a four-panel comic, full of iconic pre-millennial motifs, which arrive cut up and reassembled collage-style: fitting visuals for an album that channels Deftones as much as reggaeton, menace as much as the drop-outness of grunge. Refuse like the ‘90s and party like the ‘20s—if that seems senseless, you are doing it right.

The album is mastered by Enyang Urbiks, featuring visual direction from PWR Studio.

@amnesia-scanner
http://p-a-n.org

Tearless 

Amnesia Scanner - AS Flat (feat. Code Orange) (PAN 108)

Written and produced by Thegn
Mastered by Ptwiggs
Art by Muriel Xiong

Silver Blade, Shattered Mirror, Deceiver.
three tracks that lament in awareness of
the dual nature within,  

To reify ego through intense self scrutiny bears new life of the self one divided across domains. 
The identity and the identifier face each other. To spawn and destroy a vessel for sins, externalising the ego as another entity and then killing it.

Like observing the life and death of atomic particles, sound waves throw themselves into ears with violent self destruction that pulls on heartstrings. 

Dirgelike drones absorb noise dampness with massive inertia. Silver Blade chronicles the destruction of the self, glossy metals and heavy bass nestle chants of chaotic self aggrandisement, preparing the target for assassination.

Bringing awareness to the dual force within us all and then allowing it to die. 

The identity and the identifier face each other in Shattered Mirror. ‘You see yourself from the inside out’ pieces of glass embedded into the infrastructure of the psyche. Process of illumination of flesh carving the details of our sins, subconscious merging into consciousness shattering old patterns into dancing shards.

The ultimate conclusion comes with Deceiver. The immune response flushes negativity out with intense distorted polyrhythms echoing through the body. Pulsing to purge the self, veiled screams etch deeper the void outside the two halves. When there is ego death what is left?

DOWNLOAD

Thegn - Shattered Mirror

Arca - &&&&&
Format: LP (Special etched vinyl edition) / DL
Cat.No. PAN 100
Release Date: 18 September 2020
Purchase: pan.lnk.to/Arca
Fully remastered & first-time release of individual tracks

For anyone who can remember, Arca’s &&&&& was a moment. Its 25-minute stretch of coiling, contorted grime and glitch; dub and hip hop dropped with the buzz of an impending co-production credit on Kanye West’s Yeezus in 2013. It included cuts of sound and beats that were too weird for that pop project, while becoming a piece of experimental art that what would come to define what is by now broadly known as a ‘post-club’ sound. It’s music that is as visceral as it is experimental; made as much for the mind, as it is for the body.

Released with no warning seven years ago, &&&&& became a bridge between Alejandra Ghersi’s time partying and collaborating with her queer peers, while still living in New York to the next stage of her career releasing on Mute in London. She’d go from making beats for rapper Mykki Blanco and fashion label Hood By Air, posting lurching bass reworkings of pop hits on YouTube, and producing her first fluid mixtapes with DIS Magazine, to finishing off this seminal mixtape on the synths in Daniel Miller’s studio.

After dropping three impressive EPs the year before, &&&&& marked a transition. Continuations and extrapolations of material from Stretch 1 and Stretch 2 appeared in the mangled RnB sampling of “Century” and Arca’s signature vocal layering in the pitched flow of “Waste”. Along with the fluttering, muted heartbeat of “Obelisk”, and the lumbering piano chords of “Mother”, fourteen sonic sketches were elegantly woven together into a single, downloadable whole.

As Alejandra’s course turned toward moving to Europe from the United States, &&&&& became a remarkable challenge to the form of the mixtape, which was a relatively new trend taking hold of the online-oriented underground at the turn of the 2010s. But where many, if not most mixtapes where treated simply as a showcase of individual tracks presaging a more ‘official’ release to come, &&&&& was a complete piece in its own right. “I wanted to make something that was my best work,” Alejandra says about a record that has stood the test of time, “I listen to it very fondly today.”

Now, with the lifespan of the Arca project nearing a decade, Alejandra has entered a new era of ‘non-binary pop’ with her fourth album, KiCk i, out on XL Recordings. It’s more important than ever to look back while forging ahead, and &&&&&’s ground-breaking hybrid dance music is a good place to start:

“A sense of possibility, a sense of the unknown; punk attitude, respect for classical music and formality; cyberpunk, anime, sexual tension; trauma, innocence, fear of death; kink, lots of weed, and wanting to connect with people, but not on the terms of a status quo. That kind of sums up &&&&& for me.”

The release is mastered by Enyang Urbiks, with artwork by Jesse Kanda.

bela - m4sh3d-p07470

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