Demolition

The Line

Moonlight (Original Motion Picture Soundtrack)

The Middle of the World

September Skies

Pre Order:
iTunes UK: http://found.ee/01oLR
Rough Trade: http://found.ee/VClYv
Music Glue Store: http://found.ee/DVpf7
ITunes USA Album Pre Order: http://found.ee/g2Lvl

Nadine Shah Album trailer: http://found.ee/R8JCe

On Tour: http://found.ee/DdzNV
Website: http://found.ee/aW3EK
Music Glue: http://found.ee/DdzNV
Facebook: http://found.ee/dJycT
Spotify: http://found.ee/p6GmY
YouTube: http://found.ee/AB5Tb
Soundcloud: http://found.ee/OH0nE

TOUR DATES: 
Tickets: found.ee/DVpf7
Friday April 10th Brighton Haunt
Sat April 11th Gateshead Old Town Hall
Sun April 12th Travel day
Mon April 13th Glasgow King Tuts
Tues April 14th Manchester Deaf Institute (travel after the show)
Weds April 15th Day off london
Thursday April 16th london Olso 
Friday April 17th Bristol Exchange 
Saturday April 18th Birmingham Rainbow
Nadine Shah announces new Single Fool and Album Fast Food

Having earned an early reputation for that uniquely rich, soulful voice; Nadine Shah released her debut album Love Your Dum and Mad to critical acclaim in 2013. A stint on the road with Depeche Mode followed whilst opening for Bat for Lashes and playing live at Vivienne Westwood's Red Label London Fashion Week show provided notable highlights on an extensive tour. Created with trusted collaborator and producer Ben Hillier, the excellent follow-up Fast Food is out on 6 April via Apollo / R&S Records.

Born from a fervent two-month writing session, Fast Food exists on a knife-edge – every bit as dramatic as we’ve come to expect from Nadine but with a sharpened eye for all things hook laden; retaining a brooding grandeur in its musical movements. 

Building on the bruised honesty and charm of its predecessor, Fast Food rings with the confidence of an artist completing their most coherent musical chapter to date. “The last album took so long to make that by the time it came out it didn’t feel like it was a very clear representation of where I was musically, but this time it’s different,” Nadine explains. Fast Food is a more concentrated effort: it is the sound of Nadine Shah as she is now, stepping out from behind the piano and growing with immeasurable confidence.

Nadine admits that Fast Food is a reflection upon short lived, intense, complicated relationships. "I suppose it's a coming of age album of sorts lyrically. Rejecting the romanticised idea of 'perfect' love and maturing in respects to relationships and accepting partners pasts".

With love comes heartbreak: “But it isn’t begging for your sympathy, it doesn’t wallow in self-pity” adds Nadine. “It’s unapologetic and, I hope, empowering.”

Speaking of the scarcity of keys on the new album Nadine says: “I felt quite restricted just sat behind the piano all the time on stage, so touring really catered for the way this record sounds. Everything started on guitar whereas last time Ben re-wrote piano parts for the guitar.” All the more addictive for their rarity, the piano provides light relief to Nadine’s all-important, enigmatic vocals. Yearning and tender yet billowing and aggressive; they weave a tale full of anxiety, vulnerability and nightmares. 

Setting the pace with this beguiling and exhilarating listen, Fast Food cements Nadine Shah as one of the UK’s most exciting and enthralling talents. Whether it’s the brutal honesty of the love stories, the brooding, crystalline guitars or even the rich, soulful vibrancy of her voice, Fast Food is an immediate, lavish and wholly vital album for 2015. 

‘Fool’ is the album at its most bitter, but like everything Nadine touches there is a wry humour and sweetness beneath the poised menace of its guitars and spitting lyrics. “When I mention damn Nick Cave and Kerouac, I’m pointing out someone’s predictable nature, but Kerouac is my favourite author and Nick Cave is my favourite musician” she explains, tongue firmly in cheek. 

Fast Food

Fool

I am always glad that you stop by and take the time to come.
Thank you as always.
A circle of peace.
Waves crashing on the shore. An unchanging loop.
When they are calm, they give a sense of security, and when they crash powerfully, they give courage!
Is the sea breeze whispering something? A repeating loop of peace!
As if inviting us, the waves scrape away the sand under our feet along with our memories of the past, urging us to focus on the present!

Loop of Peace

🔥 AXAXC – H3LLSPAWN 🔥

H3LLSPAWN is not just an album—
It’s a summoning ritual.
A contrarian anthem for the ones who never belonged.
A war cry for those who’d rather burn than kneel.

From demonic chants and deathcore breakdowns to ethereal melodies and Latin incantations, every track is carved from betrayal, obsession, and the unkillable will to rise.

⚔️ Track Highlights:

- Invocation – A whispered gateway to the abyss.
- HELLSPAWN – The defiant anthem of your monstrous birth.
- Mark Of The Beast – Becoming what you always feared.
- Scorched Earth – Burning every past attachment.
- Crown of Thorns – Embracing pain as power.
- Iron Seraph – Ascending as a divine monster.
- Blackened Veins – Addiction and decay unmasked.
- Sin Eater – Devouring weakness without remorse.
- Deathless – Declaring your unkillable will.
- Unhallowed – Accepting your fate as nothing and everything.
- Daemonium – The Latin-laced incantation to end it all.

🎧 If you feel like you never fit in, if you’d rather set your world on fire than stay silent, this is your soundtrack.

⚔️ Distort. Distrust. Destroy.

💀 For fans of:
#LornaShore #Slipknot #Kreator #SleepToken #Beartooth #SlaughterToPrevail

🔥 Listen now. Leave nothing unburned.

Invocation

Another collection of loose tracks I've made over the years, some were made over a decade ago. Several of these are from films I've worked on. Others are pieces I've never found a home for. Throughout the project you will hear a lot of piano. Some from virtual instruments, and several are actual recording of me playing on my father's Samick. I also used his Tascam 388 on a few tracks to gain some hiss and warmt. Many imperfections in this project, and I like that. I think this is probably my most vulnerable release, and feels the most like myself. Hope you enjoy something from this offering.

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