NOW That's What I Call Relaxing Classical

Tiesto & Samuel Barber - Adagio For Strings (Dynatonic & MR.V.ID Remix)

English Suites N. 1, 2 & 3

English Suite No. 1 in A major, BWV 806: I. Prelude (Original Version)

Ludwig Van Beethoven - Symphony No. 9 In D Minor, Op. 125, Choral (arr. R. Wagne

"E strano... Ah fors'è lui... Sempre libera... !" La Traviata, Giuseppe Verdi - Act 1. Laura Tabbaa

Kneeling Before Giants

Air from Suite No. 3 (Johann Sebastian Bach)

A gentle and emotional neoclassical piece featuring soft strings and a delicate piano atmosphere. Slow and reflective, it evokes feelings of solitude, longing, and quiet majesty — perfect for film soundtracks, emotional storytelling, documentaries, or late-night scenes filled with introspection.

Midnight Whispers

The Journey Within

"Ghosts of Love Past Waltz No.251 (Original Composition)” - A melancholic broken heart waltz that captures the essence of longing and nostalgia. Composed with a poignant melody that echoes the depths of my broken heart, this piece invites listeners to immerse themselves in its soothing yet sorrowful beauty. As a composer and countertenor, I’ve poured my emotions into this waltz, creating a hauntingly beautiful soundscape that resonates with the soul.

Detail: A Minor, 3/4-time, 170 BPM

Watch, listen, and feel the emotions.
If you enjoyed my Waltz, please press like, subscribe to my YouTube channel, and share with your friends!

https://www.youtube.com/@VoximusTaulantMurati
https://soundcloud.com/voximustaulantmurati
https://voximustaulantmurati.bandcamp.com
https://music.apple.com/us/artist/voximus/1822849282
https://music.apple.com/us/artist/voximus/1824365871
https://open.spotify.com/artist/75s7hhGyeMX3GMcM98oycM

Bandcamp: Memories of Pain (Original Waltzes Composition Vol. 13)

#melancholicwaltz #tearswaltz #composerlife #countertenor #instrumentalbeauty #heartfeltmusic #brokenheart #grief #classical #hope
#blindartist

Memories of Pain (Original Waltzes Composition Vol. 13)

Ghosts of Love Past Waltz No.251 (Original Composition)

Dreaming

Air (from Orchestral Suite No. 3 in D Major)

Together

Ellens Gesang III, D. 839, Op. 52: No. 6. "Ave Maria"

The Priests

Panis Angelicus

The Greatest Hits

Amazing Grace (2012 Version)

The 18th-century artists, such as Bach, Haydn, and Mozart, wearing servant uniforms for the most part of this century, towards its end made efforts to emancipate themselves as artists (Beethoven was largely an embodiment of such emancipation). In the following century this trend led to another extreme – the universal cult of the artist as envoy of the gods.
	The Enlightened Virtuoso is an attempt to show the artist-performer beginning to get independent in the second half of the 18th century by breaking up with the stereotype of a musician as a servant and heading towards artistic independence, in this case of the violin virtuoso soloist.
	The presented repertoire is a cross-section of styles in the Enlightenment Europe. On the one hand, one can still discern the reminiscences of the artful and ornate Baroque style and Sturm und Drang or Empfindsamer Stil inspirations, and on the other one can observe the influence of the Classical style and the first glimmers of the upcoming Romanticism. The composers are the great violinists active across Europe – Ivan Khandoshkin worked in Sankt Petersburg, Johan Helmich Roman in Stockholm, Friedrich Wilhelm Rust in Germany, Federigo Fiorillo, and Niccolo Paganini in Italy. Thus we get a full range of music in the second half of the 18th century, with all its richness and diversity.
	The recording was made by Zbigniew Pilch on a historical instrument with gut strings. The bow used is a copy of a bow from the turn of the 18th century. The interpretation of pieces is largely based on historical records concerning performance principles, including the use of articulation and fingering, adequate for performance practice in the second half of the 18th century.

ACD 232 - Track 15 - George Frideric Handel - Lascia Ch’io Pianga From Rinaldo HWV 7

Serenade

The Flower Duet (From "Lakmé")

Purejunk’s reworking of Saint-Saëns’ Le Carnaval des Animaux – Aquarium (Mouvement No. 7). A wicked fused-up electro version of this classical masterpiece by Saint-Saëns from the 1880s. The single is a taster of the Purejunk “Class Acts” album full of classical mashups which will be released in September 2015. 

SPOTIFY: https://sptfy.com/a0nc
BANDCAMP: purejunkmusic.bandcamp.com/album/class-acts

Purejunk vs. Camille Saint-Saens: Le Carnaval Des Animaux - Mouvement No. 7 - Aquarium

Air (from Orchestral Suite No. 3 in D Major)

Andre Rieu

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