Name: disquiet0620 by Andreas Kitzmann
Duration: 2 min 17 s
Description: I went with Lily Makes Sounds' "empathy factor" which really captivated me. I did just a bit of layering and then added parts of an interview with Emily Haines from the band Metric, whose voice, whether singing or speaking, I really love. In the background, I added some ambient drones from my trusty Terra and a bit of reverb here and there.

wow so cool. And definitely an honor to have my voice next to Emily Haines'. Thank you for including my piece!

More on this 619th weekly Disquiet Junto project, Beat Accrual (The Assignment: Rebuild a complicated rhythm from scratch), at: https://disquiet.com/0619/

About the Disquiet Junto: Disquiet Junto F.A.Q. – Disquiet

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0619-beat-accrual/

Disquiet0619 - Beat A Cruel

Strange process this one, Originally i was gonna work with https://soundcloud.com/xiiixxi/disquiet-junto-beat-accrual-disquiet0619, converting the piece into harmonic MIDI and inserting a sampler to the signal. But I wasnt happy with the results so I removed the beats and found another of last weeks submissions https://soundcloud.com/grantlucasmuller/broke-beat-disquiet0619, which complimented the strange artifacts the original concept had conjured. To this was added a subtle melodic part, mixed and mastered all in ableton





More on this 620th weekly Disquiet Junto project, Beat Accrual Accrual (The Assignment: Turn someone’s slow-build beat into a finished track), at: https://disquiet.com/0620/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0620-beat-accrual-accrual/

and other wee beasties feat. Grant Lucas Muller [disquiet0620]

I used the track of:https://soundcloud.com/xiiixxi/disquiet-junto-beat-accrual-disquiet0619
release date :16/11/2023 
More on this 620th weekly Disquiet Junto project, Beat Accrual Accrual (The Assignment: Turn someone’s slow-build beat into a finished track), at: https://disquiet.com/0620/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0620-beat-accrual-accrual/

Loop Fragment   X I I I X X I   Euclidean~~~(disquiet620)

Hey, I worked on this track by @fake-genius
https://soundcloud.com/fake-genius/disquiet0619-ritm

I like it because it’s the sweet blend between demented and easy to follow.
I spent the whole day recording my upright bass, bowed, for a different project. I did 16 tracks of a repetitive thing, with rhythmic delays, so I am hot with the bow.
Here I did 8 tracks, so 4 stereo pairs (everything double tracked) and added two delays, one in 1/4th and another doing 1/8th notes.

For this junto:
https://llllllll.co/t/disquiet-junto-project-0620-beat-accrual-accrual/

Fake Beat Accrual - Disquiet0620 w/Fake Genius

I went with carles "Disquieting Polyrhythm" for this task!
First take, improvising with SOMA Terra through HOLOGRAM Microcosm.
Listened to the result and proudly realized that it all sounds a little and a little more like Tim Hecker :)

Thank you Carles for the inspiration!

time of responsibility feat. carles(disquiet0621)

I went with Lily Makes Sounds' "empathy factor" which really captivated me. I did just a bit of layering and then added parts of an interview with Emily Haines from the band Metric, whose voice, whether singing or speaking, I really love. In the background, I added some ambient drones from my trusty Terra and a bit of reverb here and there.

disquiet0620

Disquiet Junto Project 0620: Beat Accrual Accrual
The Assignment: Turn someone’s slow-build beat into a finished track.

I decided to build on Going Modular's "Disquieting Polyrhythm" because of the haunting, repetitive synth and dramatic build of the piece. It's a soundscape that I've been living in now for days. I only made one alteration which was to short it a bit in the last two thirds. https://soundcloud.com/goingmodular

I also really wanted to see if I could combine that with yet another junto from last week just to be cheeky about the assignment. Lee Evans' "Euclidian Dub" worked quite well with this, bringing it in just at the end of the song, making this slow, driving, building piece extra climactic and almost dancy in the end. (https://soundcloud.com/hippieswearingmuzzles/euclidean-dub-disquiet0619)

I haven't been able to write lyrics for a long time but this really sparked it for me and I was able to jot out some words that relate to a lot that's on my mind - the Israel-Hamas war, a complicated relationship with an ill and possibly dying father, being almost 40 and still not knowing if I'll get to be a mother or "just" an artist or both...all the things! It felt cathartic to express some of that. (AND pretty vulnerable).

I love creating choirs in my music. I also loved the idea of once again building from something simpler to something more complex so I had the backing choir slowly emerge while the lead vocal gradually got more crunchy. I added a subby bass partway through and strings to mimic the melody of the synth and bring it out more for the climax. 

Oh! And it was raining when I recorded and I just needed that sound in there.

Thank you so much to Going Modular and Lee Evans for your creations!

More on this 620th weekly Disquiet Junto project, Beat Accrual Accrual (The Assignment: Turn someone’s slow-build beat into a finished track), at: https://disquiet.com/0620/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0620-beat-accrual-accrual/

stone soup (w Going Modular and Lee Evans) (disquiet0620)

Following last week's 0619 entry, I took Lee Evan's Euclidean Dub and made a story of it. I wanted to experiment with foley and recording voices, and all I could think about when I heard the song was going to a creepy doctor. I was channeling Fear's "I'm a Doctor a bit"

Please, Try to Relax - Lee Evans Euclidean Dub Story [disquiet0620]

For the Disquiet Junto Project 0620: Beat Accrual Accrual: https://disquiet.com/0620/
The Assignment: Turn someone’s slow-build beat into a finished track.
I accrued more rhythm onto the infectiously groovy @x i i i x x i  track https://soundcloud.com/xiiixxi/disquiet-junto-beat-accrual-disquiet0619
Looped sections of that track, then played the e-drums live along with it using 808 sounds. Quickly picked out segments that sounded like they may work and felt lucky when they did. Did some effected vocal sounds for texture.

More on this 620th weekly Disquiet Junto project, Beat Accrual Accrual (The Assignment: Turn someone’s slow-build beat into a finished track), at: https://disquiet.com/0620/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0620-beat-accrual-accrual/

Live Beat Accrual with x i i i x x i -  [disquiet0620]

This week's haiku challenge:

Last bloom before autumn
Stares back at me with a smile
My younger brother

Haiku by: John Wright  https://soundcloud.com/thgirwnhoj

John Wright is a drummer, producer, and regular participant in our music challenge. A few weeks ago, John participated in our latest haiku workshop on Discord, and here’s one of the poems he wrote recently.

Seven days to make music in response to the assigned haiku: to participate visit https://www.naviarrecords.com/about/naviar-haiku

Deadline: 22nd November 2023

Last Bloom (naviarhaiku515)

Suss Müsik’s entire creative practice is centered around the quest to derive gold from detritus. It’s likely an attribute shared with carefree art school days of an earlier era: a time when post-modern photography, sweaty punk rock, and ramen noodles served as daily sustenance.

“Photographs, so much a part of our daily lives, become highly self-conscious when pulled from the fraying of their ordinary locations,” wrote the art critic Julia Ballerini in 1989. “They refer back to their origins in a different voice … suggest[ing] a complexity of potential attachments, detachments, and reconfigurations.”

For this week’s project, Suss Müsik utilized four handmade devices recently built from material laying around the workshop: a digital sample trigger, a joystick-activated grain synth, a touchscreen MIDI device, and a touchscreen modulation controller. These were used to manipulate sonic material (loops, found audio, etc.) from the backlog, some of which has been in the works for more than eight years.

Given the nature of this week’s offering, Suss Müsik captured the session on video. 

https://youtu.be/z-bk_wxwhMo

The piece has no title and was recorded live to a TASCAM 8-track.

More on this 621st weekly Disquiet Junto project, The Leftovers (The Assignment: Use recently discarded material to make something new), at: https://disquiet.com/0621/

About the Disquiet Junto: https://disquiet.com/junto/

Subscribe to project announcements: https://tinyletter.com/disquiet-junto/

Project discussion takes place on llllllll.co: https://llllllll.co/t/disquiet-junto-project-0621-the-leftovers/

disquiet0620

Andreas Kitzmann

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Lily Makes Sound

Fake Genius

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