I like the panning, the slow movement and the metallic texture! I love the Barp modules.

a collaborative work
https://soundcloud.com/marcolucchi/soliloquy
curated by Marco Lucchi

Soliloquy, Marco Lucchi (philippe neau Rwk2)

live improvisation on the buchla music easel at Steinhalle Emmendingen, Freiburg October 5, 2024, ZeM, Freiburg.

live recording, steinhalle: Theo Bloderer
artwork: Thomas Breuer

feedback improvisations

steinhalle

will be reworked for my new ongoing project at:

https://museumofhistoricalmaterials.bandcamp.com

----

buried deep in the mix are two morse code patterns playing two separate ride cymbals --

left channel: "resident evil"
right channel: "a secure place"

as to the track, it's a mashup of two "resident evil 2" tracks - "secure place (save room)" and "ada's theme". there are also nods to bjork's track "play dead" and the guitar work of the cure. i went for a motoric beat to hold things together, before fading out with a sample from a company called "Ethereal 2080" (ds_bitter_sweet_textured_piano_loop_80_dm_wet")

a secure place for ada

The “catch your breath” project got me thinking. All living things on this planet breathe, at least in one form or another, with some of us breathing in what others breathe out and vice versa. In that regard breathing is a kind of planetary feedback loop, constantly inhaling and exhaling. So, that inspired the first step in setting up my sonic palette: patching my “Barp 2500” to establish a slow oscillation. The output was fed into a tape looper effect on the Zoia which was then sent into the Cosmos, which were routed via a patch pay so that they fed back into each other. The combined audio was sent to my mixer, where additional feedback was added via the aux sends. After importing this into Logic, motion effects were used to create various forms of spatial movement. The final touch involved manually adding fade in and outs which became further and further apart and, eventually falling into silence when the breathing finally stops.

disquiet0687

IM TRAUM ERWACHEN

deprescient

Innysier_02

unbound
(naviarhaiku587)

Feature-reel here: https://www.instagram.com/reel/DIGwWAouYFa/

Where wind lifts pages and rooftops echo.
 A piece for the powers of play— and the wide horizon within.

Based upon this haiku:

paperweights
on the store’s comicbooks –
spring breeze

– Takai Kito –

Takai Kito is a disciple of Yosa Buson. Despite becoming a professional haikai master in 1771, Kito remained one of Buson's most trusted disciples until the death of the great master and was the de facto coordinator of Buson's haikai group.

Contribution for @naviarrecords’ Haiku 587.

https://www.naviarrecords.com/naviarhaiku587-paperweights/

unbound

Ｔ　Ｒ　Ａ　Ｍ　Ｐ　Ｅ　Ｌ　Ｆ　Â　Ｄ

is LCEEM

Laboratory for Contemporary Electronic Experimental Music [LCEEM]

rec.name: " Structures in Noise 2"
All sonic structures generated from modulated noise fluctuations
non-dystropical and non-ambient

credit : doepfer A100 System ,Doepfer noise A118,fm 

date:15.04.2025
Support us at:
trampelfad.bandcamp.com
https://www.youtube.com/@trampelfad

disquiet0687

Andreas Kitzmann

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