Nice track Andreas, google 'bulletrank' they can give you free plays.

Gain at around 2 o'clock, boosted with a stock Boss SD-1 with standard settings (level max, gain none, tone neutral). Lots of middle, treble at noon and very little bass because there was a fuckton of low end coming from, I'm guessing, the cabinet which was a Peavey 412 loaded with, guessing again, 75 watt Sheffields. Doubletracked and captured with a straight SM57 and an angled SM58, the former hardpanned and latter 50 percent L/R. Post EQ used to tame the mega boomy low end (high pass at around 125 Hz, and another reduction band close to that) and to cut out unnecessary middle stuffyness at 285 and 465 Hz. The guitar is an Ibanez S421 with stock pickups (Infinity 1 & 2).

Excuse the shitty playing, it's due to my lack of ability.

Boosted Laney LH50 metal tone

First real ReAmp test with the Laney LH50R amp. Doubletracked,

Guitar: LTD FX260
Amp: Laney LH50R
Cab: Blackstar HTV112 MKII
Speaker: Eminence Maverick
Mics: Audio Technica ATM41 + Shure beta 58a
Drums: Kontakt 5 + Abbey Road expansion + Ugritone Death Metal midi pack
Left track: Digitech Bad Monkey + Amp
Right track: Abominable Electronics Throne torcher

Laney LH50R ReAmp Test (ATM41, Beta SM58a, Bad Monkey, Throne Torcher)

Wishing Well

Heart of Sahara Demo.wav

Juste un petit riff pour tester l'enregistrement à la maison.

- Cort Z-22 avec pickup Seymour & Duncan Dimebucker
- Blackstar HT-METAL Pedal
- Laney LC 50 
- Miktek PM10
- Roland Quad Capture

laney LC50 + Blackstar HT Metal Pedal 1st test

Prueba de mi ampli laney LH50, sonido de rock clasico a Metal 

Se utilizaron los tracks originales del tema "Redneck"de la banda "Lamb of God" excepto las guitarras que fueron grabados con el ampli como se muestra el video.

2015 HUM 60HZ  Guayaquil - Ecuador

Laney LH50 Can it sound metal ? "Lamb of God - Redneck" (guitar cover)

Here is my latest acoustic blues/rock jam. enjoy! all music and art created and performed by kristoph Kosicki

Bury The Witch In The Bayou

Mordazse - Dont save me boy (AMPLI LANEY LC50 II MICROFONADO)

The Lexicon MPX-1 doesn't have a shimmer mode, so I made one with the pitch shifter and delay with the pitch shifter as the feedback source. In this example, I added some dampening on the delay to roll off the high end a bit. I added reverb too. 

The effect order and mix amount is: 
Signal > signal split > Delay 100% (with Pitch as the feedback source) > Pitch 100% > signal mix > Reverb 100% 

First is a dry bass harmonic, then pitch shifter only, then with delay, and then with reverb on top with bass harmonics and power chords.

Bass is a fretless Warwick Corvette running through a SWR Super Redhead.

MPX-1 Shimmer1

JVM410hTest

A cover of Entombed's song Carnal Leftovers. By Håkan Stuvemark (Wombbath, Consumption, Reek etc etc) and Jon Skäre (Wachenfeldt, Defiatory, Skineater, Reek, Consumption etc.

Håkan Stuvemark: Guitars, vocals and bass. 
Jon Skäre: Drums
Mixed and mastered by Håkan Stuvemark

Laney LH50R ReAmp Test (ATM41, Beta SM58a, Bad Monkey, Throne Torcher)

Andreas Sundell

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