Set List

May the 7th meets Hungarian artist and producer - Thomas Janovitz to deliver his two-tracks release to IAMT! 
The track "Different" is a bit more energy, with  a massive bass drum to create a marching vibe. On the other hand, "Rush" takes us into the world of acid techno, in its original form.
Enjoy!

Rush

Thomas Janovitz - Rush (Original Mix)

Painting / Photo: Katharina Sophia Ludewig https://www.borderlinecuts.com/

Berlin Kreuzberg House XXVI - Club Mix

Obsidian (part III)

ANNA's remix of Matador - Stanleys.

Out now on Beatport: bit.ly/RuctionsRemixes2
Out now on iTunes: bit.ly/RuctionsRemixEP2
Out now on Spotify: bit.ly/RuctionsRemix2

Follow RUKUS:
facebook.com/rukusworld
twitter.com/rukusofficial
instagram.com/rukusofficial
@rukusofficial

Follow Matador:
facebook.com/matadorofficial
twitter.com/matador320
instagram.com/matador_official
@matador_official
bit.ly/MatadorOnSpotify

Buy on Beatport

PREVIEW: Matador - Stanleys (ANNA Remix)

D-Unity - Our House

Argentinian producers Beico & MT93 return on Renesanz with their fresh 'Fighting For Dreams' EP.

Buy it at:
www.beatport.com/release/fighting-for-dreams-ep/2090736

Follow Renesanz on Facebook:
www.facebook.com/renesanz.records/

Buy all on Beatport

Beico & MT93 - When I Close My Eyes (Original Mix) [Renesanz]

Frazier - Unknown Destination

What happens if you let some top producers like Shall Ocin, Regal and Balthazar & Jackrock have a go with the stems of legend Emmanuel Top's This Is Cocaine? The result is a stunning 3 track remix pack ready to destroy dance floors in three different positions. This is..... Filth on Acid.

Emmanuel Top - This Is Cocaine (Balthazar & JackRock Remix)

GET THE FULL QUALITY VERSION HERE: http://bit.ly/DC191BP

“Your Mind“ started as a tool mix that was made just for fun after playing the vocal in a b2b set with Paul Ritch at Awakenings. After the tool version was made it got road tested and the reactions were so huge adam & i decided to turn it into a full track. Together we teamed up to add more percussion, snares and a rolling acid line to complete it’s transformation into this massive techno bomb. 100% mayhem alert!

Your Mind

BUY FROM BEATPORT

Adam Beyer & Bart Skils - Your Mind [Drumcode]

It doesn’t get much bigger than this: Adam Beyer links up with Green Velvet and Drumcode’s outstanding rising star Layton Giordani for a debut collaboration.

Some musical partnerships feel fated. Both fans of one another’s work, for years Adam Beyer and Green Velvet had discussed writing music together. In turn, Beyer’s protégé Layton Giordani had admired the Chicagoan’s work for as long as he could remember. When the 25-year-old found himself playing alongside the green mohawked legend at Belfast’s Shine, the spark and subsequent friendship was immediate. With the links now set in place, it was only a matter of time before the trio’s creative chemistry would manifest musically.

‘Space Date’ was conceived organically and birthed quickly. Propelled by Green Velvet’s trademark vocal hypnotism, the triumvirate combine to craft a pumping intergalactic slice of techno laced in melody that’s highlighted sets by Beyer at Awakenings, Ushuaia and also EDC Vegas when Green Velvet dropped it to a raucous response. The track is complimented by ‘Rome Future’, the product of a year-long series of productions between Beyer and Giordani. Deftly combining crisp drum work, catchy vocal effects and a powerful bassline melody that gives the track an almighty kick, it will be familiar to many who’ve followed their sets over recent months.

Adam Beyer, Layton Giordani & Green Velvet - Space Date - Drumcode - DC193

► Get your copy here : https://www.beatport.com/release/burning-in/2365997

Eclipse Recordings presents 'Sall, Stefano Pelle - Burning In EP (Gene Karz & Lesia Karz, ABYSSVM Remixes)'

Delivered by <a href='http://www.label-worx.com'>Label Worx</a> on behalf of <a href='http://genekarz.wix.com/eclipserecordings'>Eclipse Recordings</a>

Burning In (Gene Karz, Lesia Karz Remix)

Sall, Stefano Pelle - Burning In (Gene Karz, Lesia Karz Remix)

Tomaz vs Filterheadz - Sunshine (Remixes 2012), this is a low quality preview at 96kbps

Milestones are never forgotten. When "Sunshine" was doing the rounds back in the day, everyone and their mother was on it, and rightly so.

Naturally it was up to 1605 to bring the anthem of anthems to the spotlight once again and hit everyone where it hurts, with five completely different renditions.

Umek sets the record straight with a monstrous interpretation, ready to stand the test of times to come. The journey continues with D. Ramirez and his bouncing version, while Uto Karem goes the subliminal route. The mighty Filterheadz themselves have done a hi-octane 2012 remix, Filthy Rich goes for a luscious vibe, and in case you misplaced it, or have been living under a rock for the past years, the original mix is here as well.

Tomaz & Filterheadz - Sunshine (Uto Karem Remix) [1605]

Pre-order: https://WeAreTheBrave.lnk.to/SpiralofSilence

Label: We Are The Brave (WATB034)
Released: 21st June 2019

Portsmouth local and label mainstay Reset Robot has released 2 EP’s on the label back in 2018, and this June he brings us his second highly anticipated LP of his career - ‘Spiral Of Silence’. The release is a landmark one for the label, being the first album for We Are The Brave.

As with his first album, 2014s ‘Let Your Soul Outside’ on Truesoul, Reset Robot has allowed himself the creative freedom to paint outside of the rigid lines of club music, meaning alongside the dance floor bombs such as ‘Ramp’, ‘Meadow’, ‘Humankind’, and ‘Spiral of Silence’ there are delicate downtempo gems such as ‘Denial’, the sinister movie soundtrack of ‘Ana Strings’ and the epicness of the Nils Frahm vs M83 analogue love match ‘Freq’. 

We hope you enjoy this premiere of 'Ramp' exclusively on Techno Cave.

Premiere: Reset Robot - Ramp

Get it here...

PREMIERE: Carl Cox, Reinier Zonneveld, Christopher Coe - This Is Our Time (Filth Mix)

Need Your Love

Need Your Love (Ramon Tapia Remix) [feat. Steffanie Christi'an]

Stream FULL album: fanlink.to/LitAoM
Picking up where 2018's debut album left off, Pleasurekraft continue their foray into the Cosmic Techno sub-genre they ushered into the dance music lexicon, with their new LP "Love in the Age of Machines."
Arriving exclusively on Spotify initially on April 10, with other streaming platforms to follow a week later, Pleasurekraft had one of the biggest tracks last year on Drumcode with their remix for Adam Beyer's 'Space Date,' always bring forward thinking grooves embellished with astral melodies and spaced out synths that make for emotional as well as physical experiences.
"Love in the Age of Machines" is in no short supply of the sonic signatures the production duo have become known for, and there is a clear maturation at work here. The album's non-techno tracks showcase an artistry rarely seen in conventional dance music and techno in particular. From the gritty dystopian future that establishes the album's themes at the onset in "Last Sapien", to the dark, rainy, urban-lit textures that form the spine of "Nostalgic for the Future", there is a sense of impending self-wrought catastrophe, tempered with a sense of wonder of all that is, and all that could be if humanity somehow overcomes its hubris.
Things get more intense and turbulent on "Panopticon (The Patron Saint of Global Surveillance)" [ft. Thomas Gandey] before the voyage to the edges of our galaxy continues on "I Sing the Body Electric" & "Main Sequence" which keep up the enthralling techno atmospheres with increasing pressure, before the tension is released with the cinematic grandeur of "Novacene." Two more hard hitting bangers in "At the Mountains of Madness" and "Primordial" then rebuild the all consuming techno mood before you're left adrift in the cosmos with the album's swan song "Requiem For the American Dream."
As Kaveh Soroush of Pleasurekraft puts it, "Without sounding too reductionist, humans are simply a bundle of biochemical algorithms with a few holes at either end, who mistake their sensory experiences as objective, and their sense of self as something concrete, when in fact science reveals to us with each new finding that our basic intuitions about reality and the world around us have not evolved much from our first ancestors, who just wanted to make sure not to get eaten for long enough to feed and procreate on the African savannah. While there are certainly wonders about the Cosmos we have discovered given our enlarged frontal lobes, and technologies that we've invented dating back to when the first tool was built thanks to an opposable thumb, we haven't been the best custodians of the only planet that can sustain us, and history makes it abundantly clear that our wisdom lags far behind the technological advancements we develop with each new day."

Despite the overtly pessimistic tone, ultimately there is a sense of potential change on the horizon. That perhaps a species which has come up with abstract ideas of love, justice, liberty, and created works of immense artistic and scientific beauty, might just find a way to correct course before it's too late. This sense of wonder is on full display on "The Occupant" and the potential seed for our enlightenment is planted in "Corpse Reviver Number 3", a track brimming with homages to the love of philosophy and its place in navigating a more examined life.
Ultimately "Love in the Age of Machines" feels like a dystopian sci-fi soundtrack written for optimists who want to change humanity's looming fate. While still firmly rooted in the techno genre, the album evokes themes and ideas that are universal to the human experience and our place in the Cosmos, and it is this aspect of the album that makes "Love in the Age of Machines" such a rewarding musical experience. It's techno that is at once accessible and intelligent, a combination rarely heard in today's endless sea of dance music.

11 - Primordial

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Frazier - Unknown Destination

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