https://www.discogs.com/artist/2086894-Leonidas
http://lovetoparty.bandcamp.com/
https://www.facebook.com/leonidas.artist

Previous releases:
Leonidas + Kay Suzuki
"Synqlock vol 1" EP
http://roundinmotion.bandcamp.com/album/synqlock-vol-1

Leonidas & Hobbes:
"Machines, Tapes & Electronic Setups"
from hobbesmusicon.bandcamp.com

Leonidas "Sequential EP":
http://roundinmotion.bandcamp.com/album/sequential-ep

Eerste Communie CO-FOUNDER & RESIDENT.

Continuously trying to exceed his own limits, MARRØN employs fast rhythmics inspired by his roots. The artist’s moniker pays homage to the strong-willed MARRØN’s, a once-enslaved African tribe who defied oppression and found freedom 
in the primeval forests of Surinam. The hypnotic, percussive beats characterizing MARRØN’s foundational Afro Deep style have evolved to form a singular conception of techno. His dynamic take on the genre is at home in the underground, most notably in his role as co-founder and resident of Amsterdam’s Eerste Communie. MARRØN’s capable command of groove, power, and texture is no doubt a convincing invitation to stay on the dancefloor for hours.

Bookings: michael.mueller@triangleagency.com
Promo: promo@ndyukamusic.com

Daniel Dreier has played an integral role in Berlins techno scene since the early 2000’s. 
Since his very first release on Highgrade records Chick 'n Chips which was a huge summer hit 2005 , played by the likes of Luciano and Richie Hawtin. Luciano even featured it on his charts on number 2.
It followed a residency for 5 years at Watergate, Bar25 and in the infamous Panoramabar. 
Collaborations with Guido Schneider , Tom Clark and Lee Jones followed on labels such as Bar 25 , Klang Elektronik (sublabel of Playhouse) and Sender Records. 
He counts Ricardo Villalobos as a huge influence who he saw play the first time in places such as E-werk and Panoramabar. 
Daniel has played all around the world and can adapt and sense what the crowd needs whatever the situation is.

BOOKING CONTACT: booking@sujet-musique.de

BOOKING:
groovejackstudio@gmail.com // for int bookings

Born in Hungary, Gabor Nemethy AKA Snilloc started DJing at the tender age of 18, and eventually made his way through with a combination of hard work and unceasing enthusiasm. When he started working together with Behnam in 2002, a whole new creative world opened up, and they soon got the chance to prove their talent to a broader audience. They visited the best clubs from London to Tokyo, leaving quite an impression wherever they played. Their works as Collins & Behnam found favour with well-known labels such as Global Underground, Intec, Noir Music, Recycled Loops, Yoshitoshi, Suara and more.
Snilloc started working solo, and then as part of the production duo CrossNineTroll with Nigel Snorter in 2011. Tracks from Snilloc’s first release, Lines EP on Monique Speciale, became underground club hits, and were played regularly by the likes of Loco Dice, Marco Carola, Seth Troxler, etc. Gabor’s second EP “Hazy Shade” was released on Metroline Limited in 2012 and received great support from Steve Lawler, Andrea Oliva, Davide Squillace, Matthias Tanzmann, Okain, etc. Particularly Carola was interested in Snilloc, and was soon playing his remix of Smoke Sykes’s track “Elisabeth” in his sets for over six months. Snilloc’s talent was soon recognized in Ibiza, and Amnesia’s resident, Mar-T, asked him to release for his seminal Wow! Recordings imprint together with the remixes by AFFKT and Mar-T himself. By the end of the summer, Snilloc was already working with Paul Ritch’s Quartz Rec, under which he released the “Black Boutique” EP together with an expert remix by the Italian producer, Leon. The prime track from this EP called “RatCat” was played a lot by Matthias Tanzmann, Nick Curly, Lee Burridge, Marco Carola and lots of others. Snilloc’s next remix was made for East End Dubs on Metroline Limited in 2013, and was included in tracklists of like Nick Curly, Audiojack, Karmon, Tapesh, etc.

10+ years of releasing music, remixing, playing live and DJing around the world. Thanks to the labels, clubs, festivals, djs, and people we've met, worked with and partied with so far. Looking forward to see more of you in the future!

Among many others, we release / have released on:
Connaisseur Recordings, Skint, Suara, Darkroom Dubs, Bedrock, My Favourite Robot, Rockets & Ponies, Supernature, Do Not Sit On The Furniture ...

New Chapter : https://soundcloud.com/millenium-trym

Traxsource LIVE is your guide to the underground. 
The hottest guests and the finest underground dance music, delivered weekly. A place to hear the freshest new and exclusive tunes before they hit the dance floor, an authority on upcoming artists and labels and your ‘source’ of knowledge for the tracks shaping the scene.
 
20+ countries, 80+ radio networks and 10million+ weekly listeners can’t be wrong. Keep it Traxsource. Keep it underground.
 
#ForDJs #RealDJs #TraxsourceLIVE #VoiceOfTheUnderground
Support: support@traxsource.com

Hamburg (Germany)

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07 Sep 24, Mystic Creatures Festival
         ↳ Spirit Space
              (Sołtysie, Poland)
17 Aug 24, Pastanaga Festival
         ↳ Saturday Opening
              (Meckl.-Vorpommern, Germany)
25 May 24, Futur 2 Festival
         ↳ Saturday Bus Stage
              (Hamburg, Germany)
19 Aug 23, Pastanaga Festival
         ↳ Saturday Opening
              (Meckl.-Vorpommern, Germany)
17 Jun 23, Gängeviertel
         ↳ Soli Party
              (Hamburg, Germany)
30 Apr 23, Hanseatische Materialverwaltung
         ↳ im Exil @ Jupiter
              (Hamburg, Germany)
29 Oct 22, Schrødingers 
         ↳ Pastanaga @ TANZBAR
              (Hamburg, Germany)
10 Sep 22, Spaced Out Festival (private)
         ↳ Minitopia Wilhelmsburg
              (Hamburg, Germany)
22 Jul 22, Katzensprung Festival
         ↳ Conexa Rec. Showcase @ Laufmasche
              (Eifel, Germany)
02 Dec 21, Hanseatische Materialverwaltung
         ↳ Feierabend (Winterbazar)
              (Hamburg, Germany)

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Huron, D. (2006). Sweet Anticipation: Music and the Psychology of Expectation.

Altenmüller, E., Kopiez, R., & Grewe, O. (2013). Strong emotions in music: Are they an evolutionary adaptation? In R. Bader (Hrsg.), Sound – Perception – Performance (S. 131– 156). Cham, Schweiz: Springer.

Huron, D. & Margulis, E. H. (2010). Musical expectancy and thrills. In P. N. Juslin & J. Sloboda (Hrsg), Handbook of Music and Emotion: Theory, Research, Applications (S. 575–604). Oxford, UK: Oxford University Press.

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(photo credits: ezeangeloni.tumblr.com/)

• downtempo & trippy beats •

cruising slowly from dreamy to dark ~ 
telling stories with rhythm and beat

• creating with @allesamt_imnetz 
• 1/2 of @lirumlarumloeffelstiel

futuro...

04.08.2024 | Zugvøgelfestival 

passado...

Zugvøgel Festival, Beate Uwe, Conscious Madness, W****i, Mystic Creatures, Fridas Pier, Wilde Möhre, Klunkerkranich, MENA, Neue Oper, Waggons, Jangala, Windwiesentanz, Berggeflüster, Chloroplast, Mixed Signals, Wouahou, Holzapfel, Waggons, Café Klotz

• digital letters, bookings & requests of any kind • 
picao.musica@gmail.com ~ SoundCloud ✉️

AndreSNR✨ is following