Pitchfork Selects

you don't have one hope

Love this song and Couldnt find on soundcloud so Here

also Made it more spacey and sped up a little

Valley Serpent  -  ear

Lick The Lens – Pt.1

HOODIE MUSIC

Kabul

Lucille and I 
On the westbound country line
We were on our way
In the searing cold
When we packed our bags 
At the drop of a hat we raced 

And zooming by 
The willow trees in the distance  
Lit up by moonlight 
Past the scarecrows tilting 
And the straw dogs howling
Crying out to nothing 

In that cold and darkened moor  
With no echo or repeat
No accountability  

The carriage swallowed up
By the night
Like a capsule 
And from that point
A stilted creaking sound 
Surrounded us
And the lights went out  
I felt a weightlessness in my arms and legs
And the pull of sleep
Gliding softly into the blue

And in my dream 
You had your tools
Laid on the table
And someone menacing came in
And enshadowed us
And they spoke forcefully
On a number of things 
With their sight tethered to my eye  
And I reached for the oil 
To dash on the fire
And set this place in flames 

We can set this world to rights 
We can set this world to rights
In our sleep 
Every night 
Every night 

Lucille and I
Further down the country line
Covered by our sleep 
Immersed in a dream  
As we went on by

Lucille and I
Lucille and I
Lucille and I
Lucille and I

DJH & Helica - Lucille

crown

The Road

[INEX018]
w/p by Horse Vision
drums by Karl Hovmark
mix by Johan Nilsson
mastered by Jacob Günther Andersen

inadvertent.index 2025 ©

Back Of My Hand

[INEX022]
inadvertent.index 2025©

soft hair
landfill
you wouldn't trust i've made it

frosted
nailgun
some other stance than me
i can't get enough

morning
sunset
some of the days are longer

lost in
handcuffs
couldn't go any lower
can't get it off

something's watching over me
a dream
i can't put it off
someone's watching over me
i know

downhill
scanner
some of it's full of clover

trust me
i've been
head over heels in dover
can't get it off

released October 29, 2025
w/p by Horse Vision
drums by Karl Hovmark
additional vocals by Tiffi M
mastered by Jacob Günther Andersen

Watching Over Me

Goldstar

Editions Mego welcomes KMRU back to the fold. Kin is Kenyan born, Berlin based, sonic wizard Joseph Kamaru’s second release on Editions Mego, following on from the classic 2020 release Peel. Since the release and subsequent praise for Peel, the artist has been a staple on the electronic scene performing on numerous stages and festivals worldwide in tandem with a flood of media recognition. Kin could be construed as the second child following Peel. The project came out of initial discussions with Peter Rehberg about what a Peel sequel would sound like. Kamaru is quick to clarify that Kin is not that record; “I'll know when that record will come and when I'll make it. It's already happening... or maybe it lives within both of these Mego records”.

It is this deft ambiguity and vague tiptoeing around the concrete that encapsulates the ambiguous sound world of Kamaru’s vision.

Kin was started early 2021 in Nairobi with Kamaru exploring his noisier palette of sounds encompassing distortions reminiscent of the sounds he would muster from in his youth when playing guitar. He paused making this record for a year as soon as Peter died, then slowly returned to it through 2022 resulting in the immense new work we have here.

The charms within Kin lay as Easter eggs revealing the true identity behind the colourful sonics only after multiple deep listens. With Trees Where We Can See sets the tone by way of a warm swaying melody inviting the listener in for further investigation. In 2022 KMRU and Mego stalwart Fennesz toured the USA together resulting in a strong friendship and also, the second track here, Blurred. A neat Mego/Editions Mego loop as such. Blurred arranges twangy guitar strums alongside glistening glaciers of shimmering drones. They Are Here represents a darker hue as melancholic clouds of shadowy noir tap directly into the listener's nerve stream. Maybe takes a detour into a bristling euphoric electronic storm whilst We Are screeches in a pattern formation not unlike a highly abstracted Aphex Twin forcing its way out of a hard drive. By Absence concludes proceedings, operating as both exit music and a portal to further sonic investigation with acoustic bellowing residing amongst a kaleidoscopic backdrop.

Kin is a trip that rewards close repeated listens as all the colours and textures, nuance and narratives unveil themselves. This isn’t a record to be glossed over, magic rewards concentration.

Kin is a record to be Played slow and LOUD.

For Pita.

All tracks written, produced, mixed by Joseph Kamaru  
Blurred co-written & produced with Christian Fennesz  
Mastered by Stephan Mathieu at Schwebung Mastering  
Photography: Joseph Kamaru  
Layout & Design: Nik Void  
Cut by Andreas Kauffelt at Schnittstelle, Berlin

With Trees Where We Can See

KMRU 'With Trees Where We Can See' (EMEGO319)

Ev'ry Portal Past

Thootie

Little Sister

“C-A-P-Y-B-A-R-A” is a cosmic love-repair Lo-Fi track with a softly sweet, smiling warmth.
Set around 68–74 BPM with a gentle swing, it traces the quiet steps of “coming closer again” and “making up,” creating a mood that’s tender without being clingy—like two hearts letting their guards down and sharing a calm midnight hug.

The sound is clean, silky, and non-aggressive, with bright yet delicate emotional contours and a subtle “smiling through tears” contrast.
A barely-there 528Hz × 639Hz foundation is woven into the background, symbolizing repair and reconnection—gently polishing the heart chakra back toward safety, trust, and the courage to love again.

Perfect for:
couples’ late-night listening, post-reconciliation walks, journaling, heart chakra healing, relationship repair, and soft unwinding.

The Road

ANDREW_AGED

Recent comments

dj prostyle

butterslug

@nighttownash

kayzeee

Related tracks